Today Only: All genres sale vinyl

Review: Anyone who's cast even the most casual eye over their ever expanding catalogue will have realised that one thing Past Inside The Present do best is bring artists together for unexpected and inspired collaborations. Departing in Descent is the first collaboration between James Bernard and Bvdub but their creative conversation effectively started as far back as 1994 when the latter bought Bernard's Atmospherics album in 1994 when it was "mistakenly stocked" in his local house music store. He says it was and remains his favourite ambient album, so when the pair found themselves crossing paths for one night in LA years later, a collaboration was the only logical conclusion. The results are more organic and friendly on the ear than some ambient offerings, with real instrumentation meshed with walls of woozy synths and delays, but no less fantastical and ambitious for it.

Review: This slow-burning minimal-deep house track (think Mr. G) has all the hallmarks of a seasoned classic, but it's actually a brand new track from the dream pair that is Ralph Falcon and Victoria Wilson James. Following up the underground hit that was 'I Need Someone', Nervous Records give patronage to the pair's follow-up here, along with four saucy speed garage and funky house versions by Dennis Quin, Oscar G 305 and Tenere.

Review: London-based G Markus' credentials include productions on Soul Clap Records, Exploited, Roots For Bloom, Music For Freaks and Monologues. This will be the sixth edition of his own G-Edits series, where he serves up a familiar stateside groove that has been respectfully respliced on "Red E" - think classic Strictly Rhythm or Catch from the early '90s. On the flip, it's more of a remix on the sexy late-night trip "Cum Thru" that will give y'all a nice fix of deepness with its bouncy bassline and soulful vocals. More surefire grooves from the lesser known alias of Ben Gomori.

Review: It has somehow been over a decade since Galaxian put out their last album. We Are Power finds them head in an all new direction as they ruminate on "the confrontation and power clash between humankind, nature, the spiritual and mechanistic industrial growth societies." Monologues make that explicit in places, while the Glaswegian's productions are generally a little softer than in the past. There are ambient beauties amongst more kinetic electro kickers and caustic techno cuts that fire every synapse in your body. It's an expansive work and we are very much glad they are back.

Review: Blake Reyes is an alias for Italian artist Luca Vertulli and on this release for Jeff Mills' Axis Jazz collection he presents an extended double pack of hi-tech soul of the highest calibre. Recorded between Bologna, Milan and Rome overseen by Mills himself, Vernacular takes us deep into the heart of Reyes' vision, leading with the standout track 'At Night'. Anna Bassy's vocal sits front and centre on the original version of the track, but the B-side offers up alternative versions which let Reyes' assembled players shine through. Sides C and D offer up further excursions into hidden possibilities from the project such as the epic synth symphony of 'Sound Manifesto', mirroring the warm, instrumental charm of Mills' own Millsart releases and recent collaborations with Jean-Phi Dary.

Review: Orison is the latest aural exploration between zake & City of Dawn and a predecessor to their previous orchestral effort, 'A Sorrow Unrequited'. Orison is a prayer or plea to a deity. The archaic origins of the term stem from the Latin language simply meaning to 'speak to God'. Patient and solemn symphonic drifts that foster stillness, boundless thought, introspection, and eternal contemplation.