Back in stock: Progressive Rock

Review: Weirdo guitar visionary Frank Zappa released his acclaimed fourth LP 'Waka/Jawaka' in 1972, after the phrase appeared to him miraculously on an ouija board. A pinnacle of jazz fusion, near-classical orchestral influences and prog rock, it serves as a lesser-known sequel-ish to the generally agreed classic Hot Rats. It's also a shining example of time signature-core, with the moustached axe mage modulating all manner of tempos like it's nobody's business, also setting a high bar for what would eventually become post-rock in the process.

Review: We aren't sure who Inner Space Quartet are be we are sure you will like them. This is the second new music from them this month and it follows a busy 2022 in which they put out three head-turning 7"s on different labels. They seem to be settling for Funk Night as their home this year but soundwise are harder to pin down - there is Thai funk, space rock, jazz, psyched-out guitars and much more all contained with these two expansive and immersive sounds. 'Paranoia Party' is the really 60s-tinged narcotic opener then 'Delay' brings more rock guitar sounds as if from some secret and tripped-out Stones concert in the desert back in the day.

Review: Estonian-based label RR Gems is on a mission to present music that carries on a rich tradition of "free form, experimental and jazz" sounds. It does that here with dynamic Helsinki sextet, Soft Power, who have a style that ranges from jazz-rock to psychedelic jazz, always with exuberant musicianship and eclectic energy. Raw Bites is another exceptional outing that challenges conventions without ever losing sight of a compelling groove in amongst the cosmic sounds and noodling melodies. Walking bass brings bluesy qualities to some tunes and others are epic sonic adventures a la Sun Ra.

Review: The title of this three track time capsule from psychedelic prog-rock legends Pink Floyd is apt. As a band, the British heavyweights have always been known for their breathtaking live shows, and this is as much to do with the soaring guitar chords as the cacophonous climaxes, with many tracks given the kind of on-stage upgrade that creates a wild, juggernaut atmosphere. Concerts to lose yourself in. Recorded as the 1960s faded into a new age of rock, one that would see compositions become grander, more conceptual, and, ultimately, heavier, From Oblivion Vol.2: Live In San Diego October 17th 1971 seems to capture the spirit of that moment. A time when technological advancements, and frustration at the commercialisation of other sub genres, were feeding explorations in sound that seemed to look beyond our world and out into the great unknown.

Review: Pink Floyd: From Oblivion Vol 1: Live In San Diego October 17th 1971 captures this still iconic British prog band at the peak of their creative powers. Recorded during a seminal moment in their career, this live performance showcases their transcendental soundscapes and avant-garde experimentation in all their glory. From the eerie melodies of 'The Embryo' to the hypnotic rhythms of 'Set The Controls For The Heart Of The Sun,' the album immerses you in a vast sonic soundscape like no other. With flawless musicianship and mind-bending improvisations that you would expect, this album shows why Pink Floyd remain legends of progressive rock.

Review: Paul Osborne, the mastermind behind Project Gemini, delivers a majestic body of work that seamlessly blends folk rock, psych soundtracks, and hazy cinematic funk. Colours & Light exudes a growing confidence and ease, reflecting Osborne's maturation as an artist. With a more layered and diverse sound, the album shines brightly with Osborne's global influences and collaborations with other musicians. The album's theme, developed through introspective lyrics inspired by insomnia, relationships, and the human condition, is expertly woven into a mesmerizing soundscape. From acid folk to psych-funk, the album incorporates elements from various cultures and scenes, resulting in a kaleidoscopic sonic experience. Overall, Colours & Light is a testament to Project Gemini's artistic growth and ability to create a rich and immersive musical journey that resonates deeply with audiences.

Review: The Mars Volta's debut album remains one of the band's creative high-points. After the post-hardcore rush of At The Drive-In burst into flames, few could have dreamed something as ambitious and progressive as De Loused In The Comatorium could have emerged. The clue's in the word progressive, as Cedric Bixler-Zavala, Omar Rodriguez-Lopez and Jeremy Ward pooled their resources (with some bass assistance from Flea) to create long, spiralling narratives around the concept of Cerpin Taxt, the comatose hero of this nebulous story. Still sounding visionary 20 years later, it was the start of an exciting new chapter for a band truly unlike any other.