Back in stock: Progressive Rock

Review: Returning seven years on from their critically acclaimed sophomore opus Take Me Home, Dutch prog-rock auteurs For All We Know deliver their most grandiose sonic spectacle to date with the third full-length By Design Or By Disaster. The brainchild of Ruud Jolie; guitarist of symphonic metal legends Within Temptation, the LP sees the returning line-up of Leo Margarit (Pain Of Salvation), Kristoffer Gildenlow (ex-Pain Of Salvation) and Marco Kuypers (ex-Cloud Machine), whilst tapping the modern Dutch soulful r&b crooner Wudstik to handle lyrical/vocal duties. Soaring, swelling, cascading crescendos and dexterous noodling riffage weave and meander around saccharine melodies, leading to a vintage style of prog rock fearlessness delivered with modernised vision and a deft touch.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Over the course of his long and successful career, Ennio Morricone composed many dance songs in step with the fashions of the late 60s and early 70s. These were themes not necessarily directly connected with his films' synopses, but which were nonetheless played in disco clubs, on jukeboxes, turntables and on the radio. This collection contains a selection of pieces such as the brilliant main theme from Grand Slam (1967); the shake rock (opening credits) from Dario Argento's classic Four Flies On Grey Velvet (1971) the danceable from the noir film Violent City (1970); the beat version of the opening credits of 'Pioggia Sul Tuo Viso' by the Sorrows, from How I Learned to Love Women (1966); 'Per Vittorio (Bossa)', an elegant bossa nova with flute and percussions from The Success (1963); the tribal shake from I Cantori Moderni, which winks at the dies irae from Garden of Delights (1967); 'Scuola di Ballo al sole', a wild surf piece from the Hawks and the Sparrows (1966); the supreme bossa nova from One Night at Dinner (1969) with the super iconic voice of Edda Dell'orso; the shake music of "'Ostinazione al Limone from What Have you Done to Solange? (1972); and 'Donnabossa' from Full Hearts and Empty Pockets (1964), a delicate bossa nova piece with a prominent harpsichord.