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|1.||"Brazilian Dorian Dream" (5:36)|
|2.||"Facing East" (4:44)|
|3.||"Jungle Cat" (5:36)|
|4.||"That's What She Says" (4:08)|
|1.||"Slaughter On Tenth Avenue" (4:58)|
|2.||"Who Needs It" (5:19)|
|3.||"Braziliana No 1" (9:02)|
By the time he recorded "Brazilian Dorian Dream" in 1976, Brazilian composer, musician, producer and bandleader Manfedo Fest had already worked on countless bossa-nova, samba and jazz albums, both in the United States and his native Brazil. Yet the album, which Far Out has now reissued, is like nothing else he recorded before or after - and not just because it was based on "the principle of the modal diatonic scales of the Dorian mode". Musically, it's deliciously vibrant and colourful, combining elements of his native Brazilian samba and bossa-nova with Azymuth style jazz-funk, American jazz-fusion, and futuristic, then cutting edge synthesizer sounds. Above all, though, the album strikes a near perfect balance between funkiness and the sweet sunniness that defines some of the greatest Brazilian music.
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