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|1.||"Rosvaldo Ja Chegou?" (intro) (0:30)|
|2.||Pinduca - "Vamos Farrear" (3:07)|
|3.||Os Muiraquitans - "A Misturada" (3:02)|
|4.||Os Quentes De Terra Alta - "Praia Do Algodoal" (3:21)|
|5.||Pinduca - "Pai Xango" (3:36)|
|1.||Janjao - "Meu Barquinho" (3:13)|
|2.||Messias Holanda - "O Galo Canta, O Macaco Assovia" (3:33)|
|3.||Vieira E Seu Conjunto - "Lambada Da Baleia" (2:55)|
|4.||Verequete E O Conjunto Uirapuru - "Mambo Assanhado" (3:25)|
|5.||O Conjunto De Orlando Pereira - "Carimbo Para Yemanja" (2:19)|
|1.||Pinduca - "Coco Da Bahia" (3:06)|
|2.||Messias Holanda - "Carimbo Da Pimienta" (2:29)|
|3.||Verequete E O Conjunto Uirapuru - "Da Garrafa Uma Pinga" (3:11)|
|4.||O Conjunto De Orlando Pereira - "Maruda" (2:00)|
|1.||Magalhaes E Sua Guitarra - "Xango" (3:20)|
|2.||Vieira E Seu Conjunto - "Melo Do Bode" (3:45)|
|3.||Grupo Da Pesada - "Voa Andorinha" (2:43)|
|4.||Grupo Da Pesada - "Lundun Da Yaya" (3:15)|
|5.||Mestre Cupijo E Seu Ritmo - "Despedida" (4:09)|
Analog Africa's latest must-have release focuses on the little-known musical culture of the Para state on Northern Brazil, and specifically the port city of Belem. Since the 1960s the city's musicians have been serving up unique and exciting new styles that draw as much on West African, Cuban and Caribbean music as they do the rhythms and instrumentation of the Amazonian tribes based nearby. It's these kinds of unique and exuberant fusions - think heavy bass, bouncy ska-style rhythms, punchy Afro-Cuban horns, densely layered drums, celebratory vocals and tropical guitars - that make "Jambu E Os Miticos Sons Da Amazonia" such an essential listen. Context is provided via the included 24-page booklet, whose extensive liner notes track the development of Para's unique musical culture.
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