Review: Where were you seven years ago? School? High school? College? First job? Last job? Whatever the answer it's certainly not the same place as Efterklang were, and still are. The Danish trio have never been of this world, yet give us so many opportunities to consider the emotion and passion this world offers. The first album to be fully written in their native tongue accentuates those qualities - dreamy soundscapes, different and decidedly bewitching intonation. It's an epic journey, with the likes of "Uden Ansigt" among the most epic, like Bon Iver's vocals slow dancing with the soaring instrumentation of Sigur Ros. "Havet Lofter Sig" ups the beauty, fittingly on the shortest track - gentle pianos, unnaturally pitched backing voices and baritone lead creating real yearning, proving nothing great lasts forever. Or longer than a couple of minutes. Cutting to the chase, it's a mesmerising work you're sure to have on repeat.
Review: HTRK's debut album in 2007 proved to be a seminal one for fans of experimental noise. It cooks up impressively abrasive and caustic textures, crashing waves of white noise and sonorous pulses that speak of a future dystopian world. Tense and absorbing throughout, the lo-fi design and elements of post punk, post industrial and post techno makes it a modern analogy of the likes of Throbbing Gristle. 12 years later, the record sounds just as good, and arguably even more prescient in these twitchy times of digital surveillance, social anxieties and worldwide political tensions. It might be bleak, then, but that doesn't mean there is real beauty in this album's disharmony.