Review: In what is surely an unexpected collaboration in the field of house and techno, Mosaic mastermind Steve O'Sullivan teams up with Ricardo Villalobos for a hypnotic trip through minimal landscapes that plays to both of their strengths. The rock-solid rhythm of "Sullric" surely belongs to O'Sullivan while the rich, subtle layers of samples, tones and other such sonic decorations come straight from the Villalobos school of production. The two mixes on this 12" only have minor differences - whichever side you drop things will get considerably deeper than they were previously. Of such ingredients are classy, immersive techno joints made.
Review: It's the fourth go round for Monsieur Blue, who steps back up to the plate with another three surefire jams from the slinkier side of the minimal house spectrum. "Track 1" is an exquisite trip through blue-hued keys and shuffling drums, striking a fine balance between the lounge and the dancefloor. "Track 2" takes a moodier approach, eking out mysterious chords and injecting a little juice into the low end to suit a more rugged situation, and then "Track 3" jettisons the ballast and pings off into a dubbed out sphere of house music perfectly crafted for the times you want to get lost at sea.
Review: The mysterious Monsieur Blue returns for a third time to unfurl more of that supremely elegant, dusky deep house alchemy that has made his first two records so desirable. Capturing the woozy mood of the early evening or the late morning, "Track 1" billows out on a bed of mellow pads and an undulating, shuffling beat. "Track 2" does little to shake things up, instead maintaining that beautifully meditative atmosphere and coasting on gentle filter sweeps and sturdy, rolling percussion. "Track 3" injects a little more bite into the beat without sacrificing the gentle lilt of the melodic content, making this three impeccable slices of the deepest minimal house money can buy.
Review: Having served as a reliable source of heads down deep house, deep techno and other such electronic gems for a long time now, Michael Zucker finally steps up to Finale Sessions with his debut album, and it was worth the wait. He frames it as presenting his life story across eight tracks, leading in with the elegant, heads-down tech house roll of "40 Days" and the immersive ambience of downtempo jam "Choosing Sides." There are diversions into broken beat on "Tokyo Sunrise" and rawer drum sounds powering "Divine Power," but the vibe is consistent across the LP. Melodic, mellow machine soul positively pours out of this one.
Review: Doing things properly and building up a DIY phenomenon from their base in Zurich, the Les Points crew have brought a fresh, daring originality to the house and techno scene with their gritty outboard approach and a wide range of stylistic tendencies. Taking a break from releasing on their own label, Audino, Barbir, Louh and Nicola Kazimir have been invited to the evergreen Trelik to broach their music to a wider audience. From the blissful space techno groove of "Anubis" to the tightly wound beats of "Housepacer" and on to the cranky acid funk of "Ripstyle", this is yet another distinctive transmission from the plucky Swiss crew.
Review: Sudd Records has been going for some time as a digital-only label, but now they make the leap to vinyl with the help of Detroit champ Gari Romalis. "Abstraxx (Linear Mix)" kicks off the record in a heady fog of undulating pads, the smoke positively drifting out of the speaker cones over a simple, deep-as-you-like drum pattern. "Dark Ryda (Sunset Mix)" gets a little more funk in its rhythm, but the same mellow mood prevails, almost reaching dub techno levels in its atmospheric chord swells. "Heat (Bout That Life Mix)" takes things out of the darkness and into a lighter frame of mind, but Romalis is still firmly in the deep end of the deep house pool with this final cut on the record.
Review: After the success of the first experiment, Politics Of Dancing jumps on the collaboration mission for a second time and invites fellow Parisian dons D'Julz and Oleg Poliakov to get deep in the studio. Bass Culture boss D'Julz takes on the A side, and the results are a sleek, measured trip through minimal house with a dubby garnish. Oleg Poliakov's contribution takes on a woozier atmosphere thanks to a wobbly synth lolling through the track, but of course this is still crisp, functional dance music for the long haul dancefloor. Now we just have to wait to see who POD snap up next.
Review: Commonly found rocking out on Unison Wax, Constant Sound and Pleasure Zone, Diego Krause is a certified mover and shaker in the minimal house scene, and he's on fire with this latest round of missives for Blind Box. "Malice" leads the charge with a plethora of eerie synth textures flexing organically round the sturdy beat, while "Monolith" slips into a slinkier groove while keeping the tripped out tone tweaking at the forefront of our minds. "Return" brings a tougher, fist-pumping rhythm section with a snaking syn-cussion tones trickling throughout, providing Blind Box with plenty of material to sink their gnashers into on the remix.
Review: It's been a hot minute since we heard something new from Och, but he's back on Autoreply with a double 12" of high-grade, stripped back tech house shot through with oodles of imagination. "Panamax" is the consummate dubby house track, a true immersion chamber of a track, while "The Sadness" brings a shuffling groove and some peppy key stabs to the table. "The Healer" is a more overtly minimal affair that would sound at home on PAL SL, while "Linear Response Function" keeps things tight and focused with a sturdy rhythmic framework and some spartan piano notes. "Incompressible Flow" has a submerged jazzy undercurrent to it, and "Lovers Roll" gets into that freaky house bounce heard on "The Sadness". Overall, it's another sterling grip of refined tracks from a seasoned pro.
Review: The Unblock label hits its seventh release with a split EP featuring rising talents Tato and Tijn. The sound on the 12" fits right in with the previous transmissions from Tuccillo, Tomoki Tamura and more besides, taking a quirky approach to stripped down house and techno dynamics to create intriguing party fodder for inquisitive dancers. Tato's "Estic" does a wondrous job of twisting up tribal percussion with a snaking minimal groove, while "Lusyourmaind" brings a cheeky housey shuffle to the proceedings while keeping things a little mysterious in the same breath. Tijn's "Stranger Things" is a light and airy minimal house jam that contrasts neatly with the hook running through the centre of "Piano Tool".
Review: Turkish producer Mutlu San steps up to Lessizmore as yet another example of the Belgian label being incredibly on-point when it comes to signings. The emergent talent from Istanbul has a luxurious sound that taps into the minimal vein while offering a richer spread of textures and moods than your average micro roller. "Deep Sea Mosaics" is certainly a highlight, and it's left to Tolga Fidan to do the reducing on his remix of the track. "Phylum" sees San team up with his production partner in Bartaub for a more linear beat track, but with "Subglacial Funk" he nudges a little more of that unpredictable magic into the mix without losing the dancefloor essence of the track.
Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Review: Politics Of Dancing celebrate five years of pristine deep and minimal house with this first installment in a series of various artist releases. Djebali and Stephan Bazbaz are in the mood for squelchy chords and undulating basslines on "J'Adore", while Boris Werner keeps things sleek and funky on the craftily executed "Omar Coming". Politics Of Dancing themselves kick off the B side with the gorgeous "Peace", and Rowlanz locks into a sharp and sassy minimal workout with lashings of jazzy goodness bedded into the groove. It's a package delivered with the high standards of dancefloor functionality and musical personality we've come to expect from the always-on-point Parisian label.
Henry Hyde - "Every Day's A Good Day For A Swim" (6:18)
Review: The ever-charitable Needs project continues apace with another stunning cast of characters offering up their dancefloor creations to help a good cause - the environmentally-focused Cool Earth NGO. On this 12", Eris Drew delivers the uplifting breakbeat celebration of "See You In Snow", while Edward takes things deeper with the tripped out minimal house groove of "Mind Loop". D. Tiffany brings a particularly crafty approach to her own drum funk science on "Sun Trip" and Henry Hyde cools things down with the mellow, new age 2 step stylings of "Every Day's A Good Day For A Swim."
Review: Dana Ruh is best known as a figurehead for the mighty Brouqade, but she's equally found on many other labels in the mean time. On this occasion she's brought her distinctive, heavy grooving style to Autoreply for an examination of the artistic process in the shape of one jam, three ways. "Round 2 Reel 1" is the funkiest of the lot, using some killer swing and vibing chords to make for an upbeat, infectious yet still nicely kinked sound. "Round 2 Reel 2" takes things into a more intricate, techy headspace where snaking rhythms interlock with pockets of synth abstraction. "Round 2 Reel 3" continues that theme into a rich, exotic forest of mechanical tones for the adventurous techno trippers to zone out on.
Review: The Beeyou label strikes ahead with its third release, continuing to champion warm, musical deep house from a range of emergent producers. XHZ makes a debut appearance here with the epic "Jazz 2 Jazz", which progresses through a woozy nocturnal mood to wind up in an effervescent, Rhodes-soaked finale. Jake Flory keeps things simmering on the tracky but engaging "14th Groove", before following up with the effortlessly cool chord drops of "Distress". With melodious invention at its heart and the needs of the dancefloor well catered for, the Beeyou crew have delivered another essential package for discerning spinners.
Review: Sasaki Hiroaki has been immersed in electronic music in Japan for longer than most, but it's his more recent diversions into techno and minimal that have provided a solid foundation for his creative arc. He appears here on Open Recordings with some crisply produced, deep-as-you-like tech house joints with more than a little thread of dub about them. "Sprinkler" uses massive clanging chords to shape out the atmosphere of the track, while "Speak" ladles a measured amount of delay and reverb over the mix to make things move just the right amount. Frazer Campbell comes on board to remix "Sprinkler", and does so with an uplifting Detroit techno approach that is as infectious as it is refined. Pablo Tamo takes on "Speak" and injects some reduced 2-step craftiness into its bones.
Review: Berlin-based Miami man David Gtronic has been busy these past few years, working closely with Randall M, Chad Andrew, Dudley Strangeways and many more besides. He's going it alone with this inaugural release for Black Wood, relishing the opportunity to explore his craft across three original productions. "Ardl Dub" is a dense, shuffling minimal house production primed for working into a long and flowing set, while "Lexiwedin" showcases a more reflective side to the producer with sweeping synth tones and a whisper of electro worked into the rhythms. "Sequence" takes the minimal vibe to the next level, folding dubby subtleties into the mix to great effect. Dan Farserelli then steps up with a remix that injects a little boompty bass into the track for a wholly different, dancefloor friendly kind of jam.
Review: The Untold Stories shine a light on another lesser known practitioner from the field of adventurous minimal techno. Sebastian Eduardo has been previously spotted on Crosiere Musique and Kommuna Tapes, so you can be assured of his quality, but this EP makes the perfect opportunity to hear just how rich his sound is. "Twelve D Soul Connection" shimmers with deft synth interplay and a dense fabric of crooked percussion. "UI Enhancement" channels the spirit of old-skool micro house to great effect, and then "Lyhne's Death (But The Flowers Are Laughing)" brings a tougher techno undercurrent to the trippy pings and wavy pads that dart around the top of the mix. The whole record is a richly detailed trip well worth your attention.
Review: Having just recently dropped some fresh wares on the Waxing Gibbous 12", London-based production duo OdD return their attention to their Tapes Of Old label and the pursuit or archival material from the vaults. Quite how far back these dusted down gems reach is unclear, but it hardly matters - what's important is whether they bang, and these tracks certainly do that. "Oops" is a pumped up and muscular roller that places all the emphasis on percussion with a tech house tendency. "Abhorrent" is a more introverted affair that explores intricate threads of synth expression in between a dubbed out set of drums, and then "I'm Complete" finishes the record off with a cool, calm and collected trip through the minimal undergrowth.
Review: British-born producer/DJ Christian 'Jay' Newman who now resides in techno mecca Berlin inaugurates his new Meld imprint (which he runs with some friends) with a four tracker that rides on the new wave of ex-minimal, retro-influenced techno/house. With a decent portfolio of releases for Idle Hands, Butter Side Up and NorthSouth, Newman is in great form here on the "Preservation EP". Whether it's the hyperware bleepy bounce of the title track, lo-slung UK breaks on "Greasy Spoon" or hypnotic afterhours tackle by closer "OJT", we foresee big things from this fledgling label. Fans of Time Passages, Pager or Limousine Dream will love this.
Review: UK tech house hero Burnski has been serving up some serious heat of late under the Instinct alias, channelling that old school UK vibe of drum & bass, speed garage and 2-step. His exploration into these styles bring about this sixth instalment of his eponymous series with 3 cuts set to cause havoc on dancefloors this year. A side cut "Overthrow" rides on a slick tech house groove before moving into a swing-fuelled rhythm and razor-sharp sub-bass and it's business as usual. On the flip, shadowy stepper "Phased" fuses Artful Dodger's classic swagger with the dark sci-fi aesthetic of Ed Rush & Optical. Finally, put your lighters up for the furious junglist roller that is "Free Life".
Review: Rominimal veteran Barac Nicolae returns, and this time on Felipe Venegas' esteemed imprint Drumma with a pair of tight, infectious minimal tech house productions. The rolling and hypnotic main room grooves that he's built his reputation on can be heard loud and clear on the powerful "The Mirror Of Spirit", while the flipside houses a deeper, after-hours vibe via "909". Despite its name, the beats produced by the trusty Roland drum machine aren't the main attraction. We think "303" might be more well suited for this acid entrancer!
Review: After an excellent first release featuring Freerotation lynchpin Steevio, Russ Gabriel's Rivers Of Groove label returns with a pair of excursions into lush, bubbling techno from Gabriel on his own. As a first generation UK techno stalwart, it's little wonder that he can turn out productions as accomplished as these, but there's no sense that he's treading water. "Ambulate" bears the hallmarks of modular production, all twinkling, morphing synth tones chiming around a delicate beat, while "Dover Calling" favours a snappier electro palette, but both stand out from the crowd for the sheer quality in the production, the warmth in the composition and the needlepoint focus given to every shred of detail in this crucial cuts.
Review: Some five years after re-launching his Crayon label via a fine EP of vintage "Tracks From The Vault", original 1990s tech-house producer Mark Ambrose serves up more gems from his bulging archives. The quality threshold remains dizzyingly high throughout. Check first the moody, back room dub of "Nightshift (Deeper Mix)", where gentle, alien synth lines and deep space chords tumble down over a heavy analogue bassline and locked-in beats, before turning your attention to "Space Animals", a deliciously dubbed-out affair rich in sub bass and drifting, deep space chords. If that's not enough, flip over and trance out to B side "Seduction" and finally, the slamming techno beats, looped electronics and mind-mangling TB-303 motifs of closer "Dusty Acid".
Review: With Hamid's HPLS label reigniting with the fresh, untethered sounds of DCHA-DCHA, we arrive at the second instalment of Opus Incertum already expecting some wild sounds. Fortunately label and artist don't disappoint, and we dive straight in with the unhinged aqua-industro-funk of "Morning Mimosa." That's swiftly followed up by "AGLS," which keeps the vibe liquid while welcoming a richer variety of marine life into the studio. "GalerianPlatz" makes the leap towards electro, with the surrealism tap still pouring wonderfully unexpected colours, tones and textures into the mix. At every turn this record, like its part one counterpart, surprises and delights with its original approaches.
Review: Lauren Lo Sung's star continues to rise as the talented minimal house producer and DJ partners up with the mighty Lazare Hoche. This four track EP is packed with bombs, from the shimmering, metallic deep house finery of "Running" to the cheeky acid wriggle of "Dusty Pink". Things take a darker, deeper turn on the fierce "Fixate," and then lift into fluttering after hours tones for the sublime and ever so slightly trippy "Lara's Dub". Now firmly entrenched in the cut and thrust of the European minimal house scene, Lo Sung's talents spill out in abundance on this assured pack of highly workable and versatile floor filling 4/4 burners.
Review: After debuting on Alan Fitzpatrick's We Are The Brave digital label, Leonardo wastes no time in launching his own label Etheric as a vessel for his own productions, and he serves up a potent brand of tech house built for maximum club damage. "Hieroglyph" has plenty of gaseous tones, but it's a rock solid party track at heart, while "8" matches airy synths with a tough beat in a truly uplifting combination. "Birdcage" shuffles on a stripped down, slightly swung groove and "Land Of Warriors" breaks things open with an adventurous trip into broken rhythms and dramatic musical motifs.
Review: 21 years have passed since Silverlining (aka Asad Rizvi) and Nathan Coles first joined forces as Two Right Wrongans and released "The Not Quite Right EP", a brilliant three-track collection of pioneering tech-house treats. That 12" has long been tricky to find - unless, of course, you're willing to fork out rather a lot to purchase an original copy online - so it's great to see the EP's two standout tracks getting the reissue treatment. A-side "System Error" is particularly potent, with fizzing sci-fi electronics and gently pulsing chords rising above a techno-tempo, house style rhythm track. "Straight Ahead Then Take The Next Wrong" is more hypnotic in tone, sounding like a blueprint for today's glitchy, bass-heavy tech-house tracks.
Review: Todd Sines has been on an incredibly productive roll of late, and now he's been invited to lay down some of his incendiary machine jams for Nail's 89:Ghost label. The Internal Dialogue EP kicks off with the creepy, metallic tones of "Pacifist", matching Sines' trademark jerking grooves with almost industrial textures. "Throat" takes things in an equally curious direction, pinging deep house dynamics into a weird zone where discord and sound processing subtly infect the blueprint with stunning results. "Plink" is remarkably upfront in comparison, not least thanks to the huge monosynth lead blurting out at the front of the mix. "Settle" finishes the record off with a brilliantly crooked deconstruction built around off-kilter drum hits and wonky key stabs that could only come from Sines' distinctive sound palette.
Review: AE Recordings turns its attention to Oculus, who they describe as a "titan of the Icelandic techno scene", famed for his live sets that have kept bodies moving for the past decade. He commits some of his sounds to wax here, maintaining the otherworldly emotional lilt that often comes from the scene orbiting AE and Thule Records, but with a bolder sound palette than some of the icy dubbed out artists he rubs shoulders with. "Nostalgia" deals in powerful, swooning chord progressions, while "Rydgad" pings a set of metallic percussion around a sturdy but crooked low end groove. "Morph" takes things deeper, while "Flod" offers up a classy take on the minimal techno aesthetic, with added sound design trysts for good measure.
Review: The fifth instalment of the Hoxton Records story turns to Alan Castro, who has already had a busy year appearing on the likes of For Club, STAMP and Soundterasse. The vibe is stripped down and unhinged on this record, with lead track "El Avion De La Mentira" unfurling in a strange tapestry of samples, found sounds and off kilter synth rubs strapped to a crafty set of drums. Modebaku delivers a more streamlined version of the track that keeps things freaky, but much more linear than the wayward original. "Sequela" on the flip is no slouch in the adventurous department either, with swathes of modulating tones and wild sonic matter flinging around a funky shuffle, which Ted Amber then dutifully bolsters with a rubbery b-line on his more functional but still daring version.
Review: Leeds veteran Paul Raymono continues with his winning streak of releases with this new thriller on Darius Syrossian's Moxy Muzik. It's all tough rolling tech house for the main room on this four track banger focused on the tripped-out hypnotic bounce of "Initiated" and rolling afterhours groove business of "Esperanza" with its rather familiar vocal house refrain. The latter receives a killer rework by the FUSE London affiliated Seb Zito on the flip, followed by the "Brandub 'Space' Remix" which gets down to business in minimal and bumping fashion.
Review: More from single-sided specialists EEE, a shadowy crew that specializes in sneaky contemporary club reworks of well-known tracks (many of which are, in their original form, about as dancefloor focused as your average miserable indie band or veteran cabaret crooner). What's on offer this time round is a heavily electronic tech-house groove - all Romanian style beats and bubbling, mind-altering synth notes - onto which is laid cut-up snippets from a famous old blues cut that's previously been sampled on a club cut to great effect. While the vocal does sit slightly awkwardly at times, there's no denying the heaviness or effectiveness of EEE's track. In other words, it's another winner from tech-house's most shadowy crew.
The PGA - "Deep In The Bunker" (Dogleg Detour mix) (6:31)
Chris Geschwindner - "Dale's Lullaby" (6:10)
Henry Hyde - "Hello Spcshp" (5:49)
Review: The fifth NorthSouth release plunges once again into the melting pot of producers seeking new variations on the house and techno format, leading in with London minimal champ Voigtmann. His "Separation Attitude" takes on the kind of wild, expressive machine funk you'd expect from Spacetravel, cosmic and pumping in equal measure. The "Dogleg Detour" mix of The PGA's "Deep In The Bunker" makes powerful use of a spacious mix to let the bassline strut its stuff, while Chris Geschwindner's crafty 2-step construction on "Dale's Lullaby" should appeal to all those digging garage beats matched with techno atmospherics. Henry Hyde's "Hello Spcshp" takes a distinctive approach to acid electro that should find favour with body popping freaks who like their jams playful and a little off kilter.
Review: Brawther returns to one of the stand out tracks from last year's "Transient States" LP and hands it over to a couple of more-than-capable remixers. "Jaxx Freaxx" becomes an irresistibly funky bumper in the hands of Fumiya Tanaka, whose "My Jaxx" version sounds like it would be right at home in the midst of a lengthy Panorama Bar session. Zweizig follows up on his recent "Rhythm Tension" 12" for Negentropy with a sublime, subtle twist on "Jaxx Freaxx" that matches swinging micro house with dubby FX ripples that sound like they were deployed with the after party in mind.
Review: Hamid's HPLS label has been strangely quiet this year, so it's welcome news to see one of the most intriguing operators on the outer reaches of the minimal house scene back in action with a new talent to share with the world. DCHA-DCHA makes a bold arrival with a two-pronged release comprising of ten tracks in total. On this first part of Opus Incertum, the title track makes a bold statement of intent with its low slung groove carrying all kinds of splaying, splashing and otherwise spaced out sonic trysts. There's a more discernible strut to "Te Lubesc," while "The Age Of Solon" invites Planet X into the mix for a spaced out slice of machine boogie. With the abundance of ideas spilling out of part one, it promises a lot for part two to follow.
Review: Moca skirted around the house music underground back at the turn of the century, never quite finding fame but over the years amassing the cult status that comes with highly sought-after records. Now this mysterious producer makes their return with a fresh two-tracker that builds on the legacy of the old records while offering something new. The A side is given over to "Baku," a lean, tracky jam that comes to life with some mellow chords pitched directly at the warm up. On the B side "Return" keeps the same principles of stripped-back beats at the heart of the matter, but makes great use of an arpeggiating synth to sprinkle some colour across the track.
Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".
Review: The fourth release from London-based label Eya continues to shape out an intriguing identity that nods to classic techno tropes while charging ahead with their own agenda. Label boss Jos' "Planet Eya" sets a lively pace with its forthright drum machine jack offset by warm synth licks. Evil Knebel matches the tempo and weaves in a cosmic set of tones, which Poten then cosigns with the equally trippy, propulsive "Intransigence". Jos is back at the helm for closing track "Purify", which strikes a darker tone without losing that raw, vintage techno flavour that makes this label one to watch.
Review: Whether this is merely a double-EP or an album is a moot point, because either way it's Sequalog co-boss Etienne's most expansive release to date. It's every bit as alluring as his much-discussed EPs on Traffic, Art Of Dark (a split effort with Evan Baggs) and Undersound Recordings. Check, for example, the foreboding tech-house funk of "3rd Nuke", the mid '90s Orbital style dancefloor melodiousness of "Forget Me Not", the bleep-laden electro crackle of "All About", the analogue-heavy bounce of "Lies Inc" and the "peak time in a dark warehouse" flex of stab-happy stomper "The Doubtful Guest". Arguably best of all, though, is creepy dancefloor destroyer "Information Society", which sees Etienne wrap clandestine minor key melodies around a booming, "LFO" style bassline.
Review: After brief dalliances with Metereze, Meander and Serialism, Stefan Nicu aka Sublee brings his idiosyncratic, sublime and ethereal tones to inaugurate new Sao Paulo / Berlin / London-based imprint Moving People with the Moving Spaces EP. Quite possibly the most in-demand producer to have emerged from Bucharest's blossoming but elusive music scene recently, Nicu delivers the four-tracker in confident fashion beginning with the sublime yet tough rolling tech-funk of "Still About You", "Rokit" and the title track before going in deep with the hypnotic and evocative breakbeat action of "Miurshinis".
Review: REPRESS ALERT: relik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
Review: Earlier in the decade, Alexander Skancke released a swathe of admired singles on NeoStrictly, Eskimo Recordings and Shadow Hide You, before promptly vanishing from view. "Jungle Japes" sees the Norwegian return to action after three long years via a heavy and mind altering four-tracker that we believe to be his strongest work to date. For proof, check the mangled, bowel-bothering two-step garage/minimal house fusion of "Dig It", and the lolloping "bassline" swing of "Inaflow", where Eastern European tech-house electronics bubble away above a suitably rugged and sub-heavy groove. Elsewhere, "Acid Cave" is a bounding chunk of out-there tech-house retro-futurism, while "Jungle Japes (Monkey Mix)" is a bounce-along slab of high-grade dancefloor silliness.