Review: Jack's House is back with another wedge of crucial cuts from a spread of big hitters, kicking off with Alex Arnout and the tightly wound roller "Hypersomnia." Tuccillo is in a heads down mood on "Another Day," letting the drums and the bassline do the brunt of the work. Terry Francis favours a heavy, smoky sound palette that has a bassline that will do some serious damage on a decent system - "Jua" is easily the strongest track on the record. Killan Vega closes the record with a smart deep house jam peppered with crafty sound design elements that lift the track beyond the average chord-led workout.
Soul Of Man - "Dirty Waltzer" (Denney Nubreed edit) (6:39)
Richie Blacker & Loeca - "Angel" (6:48)
Tim Weeks - "Illuminate" (6:50)
Review: The Nubreed series has built amazing momentum over the past year and Global Underground are very proud to announce Denney as the newest DJ to turn in a future classic for the iconic series. The British producer has stated that this three month labour of love resulted in the most personal and emotive selection of music he has made in his career thus far. He thought his Essential Mix was tough going - but mixing Nubreed 12 he felt he reached another level. Features 29 tracks, including four exclusives from Denney and friends, with highlights such as the artist's own "Genena", the Andy Cato classic "7AM Drop", legend Danny Howell's massive "Isolar" and the progressive house classic "I Wish You Were Here" by John Creamer & Stephane K (feat Nkemdi - Omid 16B Revisit remix).
Review: Tomoki Tamura and Tuccillo are back together once again as Doublet, with both seasoned tech house champs having fun in the studio jamming out the kind of stripped back, heads down grooves you'd expect to hear them play out. "Tee's 8" is a cheeky A side jam with the kind of acid line that goes down easy and then works you from the inside out. "Three Thousand Men" has a slight dubby thread to it which sits comfortably amongst the sturdy groove of the drums, and then "Tentation" switches gears for a bright and melodic creation that skips around in funky syncopation without even needing to worry about a kick drum.
Review: Tomoki Tamura and Tuccillo first fired up their Doublet collaboration back in 2015, and after a brief hiatus they've reignited the project with another three delicate and dynamic excursions. "Chotto Complications" is a crafty construction that works around an electro framework, with intricate beat programming and nimble synth lines anchored by fulsome chord drops. "Big Moon" takes things into a more hypnotic headspace, using hushed tones to mark out the atmosphere around an undulating deep house groove. "Tiger Nuts (dub)" is the feistiest track on the record, using a punchy rhythm section and nagging sample daggers to create an insistent groove that will do the damage for the tech house cognoscenti.
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: EYA Records presents a double 12" of plush techno and house spanning styles, giving four producers the chance to showcase the breadth of their sound with two tracks each. Innershades brings emotive 90s swoon and peppy acid to the A side, before Two Phase U slips in a little uptempo robo-disco sauce and a feisty jack track. Otis takes things in the direction of wiggy proto-trance and bleep techno, and then Zots finishes up with freaky synth work dripping with mischievous personality. This is a set of tracks that demands to be noticed - don't sleep.
Review: Vox Populi's Field Works Vol.II sees the Berlin based label travelling to different parts of the world in order to collect sounds and archive some of the finest musical traditions. This record is the result of a trip to Japan led by Swiss anthropologist and label founder Fred Scharf. It was inspired by academic methods: particularly ethnomusicology and incorporates everything from field recordings, studio recordings, religious rituals, fighting championships and even wedding ceremonies. From the slo-mo acid of Japan Blues (Berceuse Heroique) seductive "Chapter V" to Frenchman Tim Karbon's exotic polythyrhms that hypnotise you on "Chapter VI" and Shizka (aka Inoue Shirabe) getting into some abstract groove theory on his splendid offering "Chapter VIII".
Review: Jamie Jones has been busy in the studio after another busy summer lighting up Ibiza, because this is one of two new offerings this month. It finds the agenda-setting Welshman on his own Hot Creations and in collaboration with The Martinez Brothers. Between them this celebrated collective lay down "Bappi", all drilling bass and razor sharp hi hats that are deep but driving. Flip over for a "Warehouse Mix" which recalls old school Windy City basslines and pixelated chords lighting up the bare bones grooves.
Review: Carlos Sanchez aka Lowwax inaugurated his eponymous imprint last year with an impressive debut entitled Outlandishness, which saw him collaborate with Martyn Hodgson aka Tijn. The label's second outing features one Trujillo (formerly known as Mangelt) teaming up with Sanchez for some straight up minimal house action. The deep down and dubby "Ovillo Delona" kicks of the EP; this one is a raw and stripped back tool while the blips, blurps and bleeps of "Pinball" sounds like a modern take on Daniel Bell 's classic sound. On the flip, things take quite a turn; a hard one in fact, with the pounding and cavernous groove of "Subterfugio" more suited to Berlin's warehouse spaces and "Pulse Counter" going for a heady and hypnotic style for another great track.
Review: EYA Records branch out with this crafty, wriggling slab of freaky techno diversions on new imprint Lonewolf. Meta4 twists all kinds of gnarly subversion out of "Four Body Centers," where the funk of foundational Detroit techno collides with the rampant machine messing of UK acid for stunning results. There's an eerie ghost train vibe hovering over Jorge Gamarra's "Pact", while "Langan" by Twophaseu drops a fresh UK twist on electro. Meta4 returns to bookend this ear-snagging EP with the equally catchy oddball trysts of "666blank", another devilishly deviant slice of underground party music for the ghoulish crew.
Review: It would be fair to say that Claque Musique, a freshly minted outlet for tactile tech-house, skewed deep house and otherworldly techno, has hit the ground running. Their debut release is something of an epic, featuring eight tried-and-tested cuts stretched across two slabs of wax. There's plenty of subtle variety on show throughout - compare, for example, the hissing percussion, jaunty synth bass and trippy spoken word vocals of Carola Pisaturo's "Ganzirri" and the jazzy, dub-flecked deep house shuffle of "Cenere" by Calma - plus a swathe of notable highlights. This include the spacey machine funk of Analog Inside's wonderful "Deep Time '88" and the psychedelic acid madness of Iuly B's "Alien Acid", whose delay-laden percussion hits are particularly wonky.
Review: Serial collaborator Romain "Traumer" Reynaud is at it again, this time joining forces with fellow Parisian producer Gregory "Point G" Dorsa for a three-track workout on INFUSE. The experienced duo predictably hits its stride from the word go, serving up some swinging rhythms, hypnotic sub-bass and Salt & Pepa samples on peak-time tech-house box jam "Push It". There's a more percussive and slightly glitchy feel to the bongo-laden "Modulation Tropique", while banging B-side "Locoliente" feels like the kind of bouncy tech-house floorfiller that Sheffield sorts Swag used to do so well in their early 2000s pomp.