Review: Emotional Response do a great service here to all lovers of braindance craving new fixes since Rephlex shut up shop. Brainwaltzera's debut EP Marzipan was a self-released concern that sold out quickly back in 2016, meeting with emotionally charged responses from those wanting to nab a copy. Now it's more widely available, the gorgeous lilt of bubbling 101 melodies and delicate drum machine patterns can spread their wings and bring some healing vibes to a broader audience of electronica devotees. Coming on with the sensitivity of Wisp and other contemporary braindancers, this is how comforting home listening beats should be done.
Review: Earthen Sea adds to the Kimochi Sound with a soulful examination of indistinct margins, suffused with dusky haze. It's a heady atmosphere and has a palpable heaviness throughout. Starting the record are the concrete reverberations of You Don't Never Know, followed by the murky ebb and flow of Fly. 13 Beat(less) is diffused ambience.
Shielding fittingly closes the record, and weaves Earthen Sea's many textures with intricate syncopation.
Review: Last year Burial and the Bug joined forces as Flame 1, delivering an in-demand EP on the latter's Pressure label featuring two sizable slabs of industrial strength soundsystem science. Here they return as Flame 2, once again offering up a pair of weighty dancefloor excursions. A-side "Dive" is a loud and claustrophobic affair, as the duo wraps dystopian dub bass and sparse, mutilated post-drill rhythms in layers of apocalyptic aural textures and mind-altering dub techno style processed noise. Flipside "Rain" is arguably more suitable for dancefloor plays and sees the esteemed twosome combine pulverizing sub-bass heaviness with dancehall style drums that come smothered in mind-melting effects and paranoia-inducing aural smoke.
Melody Nelson (unreleased instrumental edit) (3:50)
Cargo Culte (unreleased instrumental edit) (3:58)
Review: This rather tidy, limited-edition "45" offers up two previously unheard instrumental edits of stone cold classics from the bulging back catalogue of Chanson hero and sleazy but chic singer Serge Gainsbourg. Side A boasts a superb revision of "Melody Nelson", a sweeping, string-drenched affair underpinned by sweaty drumming that arguably benefits from the removal of Gainsbourg and Jane Birkin's vocals. Over on side B you'll find an equally evocative version of Beck favourite "Cargo Culte". Stripped of the original lead vocals, the track sounds like a lo-fi art-rock instrumental smothered in ghostly choral vocals and creepy, foreboding musical flourishes. Top stuff!
Review: Tabernacle turn their attention towards the industrial side of their musical repertoire with this hard-hitting release from Russian and French outfit UVB76. Hot on the heels of their S A N album on Teenage Menopause, this formidable duo serve up a searing blend of classic EBM pressure and contemporary flair, veering from the Skinny Puppy-esque stomp of "Extend" to the bruising Vex'd-tinted dubstep flex of "Ckahep". "Rust" locks into a jagged, darkside techno rut, while "Helm" gets artful with space and noise sculpture. "Citizen" offers the most measured track on the release, an uneasily submerged kind of electro noir for tortured souls.
Review: If you enjoyed Yu Su's brilliant EP on Second Circle earlier in the year - and, let's face it, who didn't? - there's a rather high chance that you'll enjoy her first outing on Ninja Tune offshoot Technicolour. "Watermelon Woman" is a superb chunk of bass-heavy house music positive - an inventive and hugely enjoyable fusion of unfussy drum machine rhythms, sampled tribal drums, toasty bass, dubbed-out effects, stargazing electronics, fluttering flutes and jazzy motifs that have just the right amount of breezy Latin flavour. The original version comes backed with a hazy and laidback Dub rework and a boisterous, off-kilter remix by Francis Inferno Orchestra that layers rubbery sounds and heady vocal samples above a skewed tribal house beat.
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