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Two Weeks: Leftfield

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Vicious Love (140 gram vinyl 12")
Cat: VIS 315. Rel: 02 Sep 19
  1. An Arab In Space (5:00)
  2. Vicious Love (5:50)
  3. She Gets Mad (4:49)
  4. Headache (5:34)
Review: This is proving to be a big breakthrough year for Kosh, a producer hailing from Casablanca in Morocco. After making a first appearance last year on Casa Voyager, he's returned to that label a second time before dropping the "Endless Quest" 12" on eudemonia. But now he's made a marked leap forward with this transmission on 20:20 Vision, where his incredibly well-read take on vintage electro sounds right at home. There is quality pouring from every corner of this record, but we recommend you make a beeline for the sumptuous "Vicious Love," an acid-laced burner with soul to match its snarl.
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Gespielt von: Billy Nasty
 in stock $8.84
Cat: AF 024. Rel: 12 Sep 19
  1. Reckoning (4:24)
  2. Aria (4:38)
  3. Voidal (3:29)
  4. H2FSBF6 (4:07)
  5. Ephemeris (4:22)
Review: The force is strong in this electrifying new EP from DAED, who last appeared on this label in 2017 on a VA release. There are shades of IDM to his complex synths and melodies, while kinetic broken beat drum programming powers the tracks along. The mood is melancholic on "Aria" which is so frantic it feels like it might eat itself, "Voidal" has fizzing, icy textures that will tie you in knots before "H2FSBF6" really pulls of some impressive synth acrobatics. "Ephemeris" is the warp speed closer that tarps you in a gorgeous digital world.
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 in stock $12.23
Palais (180 gram vinyl 2xLP)
Cat: CDALP 003. Rel: 16 Sep 19
  1. Palais (4:24)
  2. Living Nothingness (4:26)
  3. Brink Reality (part 2) (5:47)
  4. Steel Sands (5:26)
  5. You Told Yourself This Would Get Worse (3:04)
  6. Defied (3:20)
  7. Take Away My Greed (4:56)
  8. Repenting (6:29)
  9. Safeword (2:54)
  10. Non For The Sane (6:07)
  11. Dead To Romance (6:32)
  12. Life, Lust + Death (4:39)
Review: Kris Baha has been on a serious roll over the past few years, notching up releases on Bahnsteig 23, Pinkman and many more besides. Now feels like the right time for him to drop an album, and where better to do such a thing than Cocktail D'Amore? The Berlin-via-Melbourne producer's sound comes through loud and clear - minimal wave and industrial influences abound, executed with ferocity and flamboyance in equal measure to create a many-shaded set of deviant dance bangers. "Living Nothingness" is the ultimate nihilistic beatdown, "Steel Sands" channels early Nine Inch Nails to perfection, and "Defied" has a propulsive thrust that would make Al Jourgensen proud. Baha wears his influences on his sleeve, and why not? They're great influences that he creates stunning music with.
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 in stock $20.29
Glennascaul (2xLP + insert)
Cat: DE 258. Rel: 13 Sep 19
  1. Konstruktivists (3:15)
  2. Carlou (3:44)
  3. Two Hands Held (2:09)
  4. How You Say (4:18)
  5. White Design I (4:08)
  6. Half Hearing (3:58)
  7. New York (5:13)
  8. Incognito (4:11)
  9. Maribel (4:18)
  10. White Design II (4:03)
  11. Sierra Nevada (3:02)
  12. New York (remix) (5:15)
  13. Ikon (7:39)
Review: Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late '70s Wallis was a "control agent" for Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, and SPK, Glenn began to record his own material. After several cassette releases, Konstruktivists' first LP 'A Dissembly' was released in 1982 followed by 'Psykho Genetika' in 1983 and 'Black December' in 1984. That same year Wallis collaborated with his friend Chris Carter, of Throbbing Gristle and Chris and Cosey fame, on CTI's 'Conspiracy International One'.
In 1985, Glenn spent a week at Chris and Cosey's studio recording 11 tracks that would become the 'Glennascaul' album originally released on Nigel Ayers' Sterile Records. Produced and mixed by Chris Carter, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. 'Glennascaul' is proto electro at its very best, with Glenn's hallucinogenic vocals on top. A musical collage designed to invoke images in the mind. The back cover clearly states "No guitars. No Fairlights." For this deluxe reissue we've added two bonus tracks recorded around the same time, now vinyl for the first time ever. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is housed in an exact replica of the original jacket featuring cover art, which is a co-production of Trevor Brown, Nigel Ayers and an image Glenn Wallis supplied. Each copy includes a double-sided 8x11 insert with liner notes by Nigel Ayers, press clippings, and photos.
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 in stock $22.63
Cat: DE 256. Rel: 06 Sep 19
  1. Au Velodrome 141 (5:17)
  2. Glasfabrik (4:41)
  3. Capataz (2:51)
Review: Dark Entries has been at the forefront of the coldwave and synth revival that has slowly taken hold over the last decade. Next up they turn their attention to a reissue of an out of print EP from 1988 by Jordi Guber and Krishna Goineau as Velodrome. Villalobos has been known to drop cuts from it, which should give you a good idea of its musical style: freaky 80s electro built on steppy drums, with taut and twanging synths reverberating around the mix, as exemplified by the opener. "Glasfabrik" is a hyper-speed cut with a tongue in cheek vocal, while "Capataz" is the most well-known joint with its acid bass and crashing hits.
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Gespielt von: Dmitry Distant
 in stock $11.97
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