Back in stock: Leftfield

Review: Without a doubt, one of the most anticipated reissue compilations of the year is this collection of Future Sound of London side projects. In 2007 this was a CD-only compilation of early 90s tracks as well as unreleased ones from the same age. As the lore of FSOL continues to grow over the past 30+ years, their side projects have gotten more and more attention from the people who love those early rave sounds. Now for the first time, a vinyl version of it with no less than a 3x12 to harness all this early 90s techno goodness. All the tracks are by Dougans and Cobain and the aliases are the same. This 2007 album however has a wealth of new material from the same time period as Earthbeat. It is amazing that one release like this by two producers can be such a prime example of the UK sound that changed dance music forever. If you want the 90s UK rave reissue of the year, here it is!

Review: There are few borders to NTHNG's sounds. His debut album 'It Never Ends' made a big impression back in 2017 as it mixed up dub, deepness and techno and he has since impressed with plenty of lo-fi sounds and ambient bliss-outs on labels like Lobster Theremin and Lobster Sleep Sequence as well as dropping his more raw techno Delsin. Here he is in soundscaping mode again but also drops some slick electro, downbeat and Balearic sound on There Is A Place For Me on Transatlantic. It is a cosmic work of widescreen design and immersive effect.

Review: Dino Sabatini returns to his own Outis Music label with another mesmerising selection of deep electronic sounds that seem to take plenty of influences from dub, downtempo, ambient and trip hop. The open has a creeping melodic sequence that is forever subtly shifting and brings a sense of eeriness to the smooth and unhurried dub rhythms below. 'Inenarrabilis' is then a double quick flurry of tiny synth loops and trippy effects then 'Plena Lunae' allows you to breathe once more and sink into a vast dub soundscape. 'Ego Experior' shuts down with some paranoid baselines bubbling up through a slowly churning groove. Some quality work here for sure.

Review: Mysterious techno artist Rrose presents their first ever CD release, and their second full-length project to date. Following 2019's Hymn to Moisture, Please Touch features 11 slippery slinkers, flaunting Rrose's penchant for hypnotics and minimalisms; the likes of 'Spores' and 'Spines' refuse to indulge too many novel sounds, preferring to allow their more immersive textures to rattle and ricochet over each mix, producing a delugey wash. Thematically, the LP deals with themes of touch, intimacy and embodiment, doing some of the work to bridge the schizophonic gap that's remained open since the dawn of recorded music.

Review: Swiss producer Ben Kaczor joins Dial for the release of his new album Petrovo Uho, an 11 track opus that comes hot n the heels of his last album only back in April, Sun Chapter One. He taps into the classic sound of Dial here with bottomless and heady depths. The artist says a trip to Dubrovnik in summer had a big influence on the album as he was inspired by the sound of a foreign language and tried to reflect the sounds and atmosphere of the trip in the music here. There are just 250 copies of this so move quickly.

Review: Poetic Hovering Synth Tinkerer.