Back catalogue: Leftfield

Review: If you encountered the 2019 album, Essaka Hoisa, Waqwaq Kingdom's inimitable style will already be familiar. For those who never did, the outfit comprises Shigeru Ishihara aka DJ Scotch Egg and Kiki Hitomi (ex-King Midas Sound), which should give some clues as to where influences are coming from on this, their first outing since the aforementioned obscure masterpiece. Dokkoisho follows a similar line, marrying elements of 8-bit techno, African polyrhythms, contemporary electronica, dancehall, and traditional Japanese folk. Sometimes, although not always, it almost feels like it's happening all at once, like opener 'Positive Sound'. Although that doesn't mean sacrificing coherency or quality. In other moments, things are more focused, for example 'Positive Sound', which opts to strip things back wonderfully to offer a lunging, hypnotic, drum-first workout.

Review: Brothers in sounds (and lineage) Mark and Clive Ives deal with two of the biggest issues impacting music right now on one incredible record.WOO have a reputation for taking parts of archived sounds and formulating new things from those segments, and in this case the work is born from excerpts of four-track tape recordings made in the late-1980s. They then began reflecting on the "imminent nature of humanoid robots", and starting to create Xylophonics/Robot X. From artificial intelligence to reuse and sample politics and economics, these themes seem to guide the sounds themselves, which feel strangely nostalgic and futuristic, a vision of tomorrow that is inseprtable from the humans that made it - their understanding of the unfolding machine age through weird distorted jazz tech, deconstructed dub and psychedelic electronica. So, remembering all this is a reconfigured version of stuff made almost 35 years ago is truly mind-blowing.

Review: World Standard is a stylish pop unit that incorporates a wide range of music from rock, techno to ambient.Their memorable first album, which debuted in 1985 on the Teichiku Non-Standard label produced by Haruomi Hosono, will be remastered and reissued under the supervision of Soichiro Suzuki! This is the second analogue release by Warsta, whose LP "Asagao" (released in September 2020 by conatala record), a collection of world standard demos, has been well received and is now attracting attention from around the world.