Review: Earthen Sea adds to the Kimochi Sound with a soulful examination of indistinct margins, suffused with dusky haze. It's a heady atmosphere and has a palpable heaviness throughout. Starting the record are the concrete reverberations of You Don't Never Know, followed by the murky ebb and flow of Fly. 13 Beat(less) is diffused ambience.
Shielding fittingly closes the record, and weaves Earthen Sea's many textures with intricate syncopation.
Review: It would be fair to say that Montreal duo Essaie Pas don't have a particularly positive view of our planet. "Earth, what a shithole," they moodily grumble on the title track from their latest EP on DFA, their first since the release of last year's "New Path" LP. The cut itself is perhaps not quite as dark as you'd expect, with its throbbing, dark Italo-style arpeggio bass and crunchy drum hits being peppered with sharp, trance style synthesizer motifs, bubbly electronic riffs and female vocals that add an extra frisson of positivity. Italian scene stalwart Marco Passarani delivers a flipside interpretation that brilliantly re-casts the cut as a Bobby Orlando style mid-1980s Hi-NRG club cut, while bonus track "Corps Etranger" is a pleasingly sparse, bubbly and alien-sounding chunk of intergalactic electro.
Review: To accompany their re-release of East Wall's superb 1991 debut album, Silence, Dark Entries has decided to put out the Italian band's forgotten debut release, 1985 single "Eye of Glass". Tending towards the darker end of the Italo-disco spectrum, but blessed with typically cheery synthesizer melodies and skewed female vocals, it's a record that seems far more inspired by the earlier British new wave synth-pop movement than pleasing the clubs of Rome or Rimini. The vocal version is accompanied by a subtly different instrumental, which includes waves of warm synths and offers more prominence to the band's bubbly electronics, throbbing arpeggio bassline, and delay-laden drum machine hits.
Review: Laurene Exposito is back on Amsterdam's Knekelhuis with a follow up to her well received debut album. This new record is said to be very personal - life changes and her love life are said to be central themes. All tracks have been recorded at Exposito's home in the Rennes, France using all analogue equipment. Starting out with the seductive coldwave tribute "Yellow Density" which features some inventive synth action that reaches near acid moments over her deadpan vocals. On the flip, title track "Cocktail Mexico" goes for some Dopplereffekt style electro shenanigans and "Go Forward" conjuring up comparisons to early Tropic Of Cancer on this hazy lo-fi goth journey.
The Sixteen Steps - "Tales From The Old Country" (5:47)
Neud Photo - "Plagued By Consciousness" (6:08)
Review: As was the case with its predecessors, the third volume in VEYL's ongoing "Previously Undisclosed Rituals" series is packed to the rafters with angry, lo-fi club cuts, paranoid pagan techno and wild, mind-altering dancefloor throb-jobs. It's all of a high standard, of course, but we're particularly enjoying the drowsy late night hypnotism of Terrence Fixmer's "Always Through", the pitch-black electronic body music of The Sixteen Steps' "Tales From The Old Country", the foreboding late night creepiness of Neud Photo's decidedly trippy "Plagued By Consciousness" and the rip-snorting techno stomp of VTSS's nails-hard opener "Toxic Bleach". In a word: intense.
Review: Yu Asaeda's been putting out a whole range of quality, bass-centric sounds under the name ENA since the late 2000s, but these have come out on a rather sporadic basis. Appearances for the infamous 7even Recordings was followed by material on Samurai Horo, the excellent Hidden Hawaii and, more recently, the Samurai label's offshoot, Horo. Divided: Body is so much more than a mere 'bass' EP, and it actually manages to veer off into some pretty strange and imperceptible sounds that remind us of the material emanating from the PAN consortium. For instance, the opening "11th Divided" manages to create a raw, loose groove out of fractured synth sounds, which is followed up nicely by the swarming drones operating in the higher ends of "12th Divided". Over on the flip, "13th Divided" launches a subtle yet hefty groove made up of what sound like bass pops made from a monophonic synth, which leaves "14th Divided" to linger in its dreary pool of fuzzy drones and washed-up sonics. A massive, merited TIP!
Review: The latest volume in Brokntoys consistently excellent DDQ series comes courtesy of Elements of Joy, one of the lesser-known aliases of UVB producer Sebastien Michel. All four tracks originally slipped out on a limited cassette on Michel's own Body Theory label back in 2016, and here appear on vinyl for the very first time. Built around the producer's love of industrial, experimental new wave and dark ambient, all four cuts are fuzzy, dystopian and thoroughly alluring. Highlights include the foreboding, distorted shuffle of "Les Consequences De Mes Actes", the throbbing industrial-funk heaviness of opener "In Every Man" and the droning, guitar-laden growl of closing cut "The Great Struggle".
The Heart Of A Man, The Desire Of A Monster (5:06)
Psajcedelic Power (3:17)
X20000 (Open Source) (6:01)
The Dominance Of Blood Worship (7:24)
Review: Swiss minimal electro pranksters Les Points return with another mysterious release under the alias of Elektronische Sequenz Proleten. We aren't exactly sure which members of the collective are responsible for this one, but you can sure bet it's jam packed with more zany retro shenanigans than you can swing a modular at. Early '90s industrial seems to be in the heart of side A, as heard on the muscular stomp of "The Heart Of A Man, The Desire Of A Monster", while the pounding rhythms and stuttered samples of "Psajcedelic Power" call to mind early acts like Front 242 and Frontline Assembly. On the flip, we have two mental and full throttle acid cuts which are not for the faint-hearted.
Review: Felix K's Hidden Hawaii is now a staple of Berlin-style techno, but describing it as such doesn't really do the label its full justice. That's because this isn't just another bunch of relentless club tracks; instead, the label has always been careful to release material that is prone to opening one's mind and allowing the techno genre to broaden its general outlook. This year, Felix K himself, alongside frequent associate DB1, have been focussing heavily on their latest Elemnt moniker, and this new EP is the latest iteration of this project. Split from 1-4, each mix of "Water" offers something that's just out of reach, a blend of morphing, techno-reminiscent sounds that never quite manage to take a full shape, or dissolve into straight-edged dance music. The hollowness, and the kinetic energy within that, is what we've always loved about this fine imprint, and we urge you to find that same piece of inspiration.
Review: Manchester's meandyou. collective take their time over releases, averaging just over a 12" per year. Here they kick off 2016 with another collaborative EP, full of drowsy deep house, crackling techno and tipsy, world-weary ambience. With label conspirator Herron otherwise engaged, it falls to Workshopper Even Tuell to kick things off with the slowly unfurling new age chords, blazed vocal samples and sparse-but-chunky deep house groove of "Boys Truth". Sul "Does It For Andy" on the creepy, discordant dark world ambient track of the same name, before Sensu brings back the beats on the hypnotic, experimental dubby techno shuffle of "Sigmon". Finally, Fabric lays back and lights something fragrant on the similarly dub techno influenced, metallic IDM-goes-ambient of "Pink Grid".