Back catalogue: Leftfield

Review: After the success of the first Alessandroni Proibito box set, which sold out in pre-sale before it even hit the stores, Four Flies is proudly back with Volume 2 of the compilation. This new release too features five exclusive 7" singles, housing a total of ten seriously rare tunes. All previously unreleased in physical format, the tracks have been carefully selected from the soundtracks of five obscure Italian films from the late 70s - sexy flicks that flirted with the line between erotic and explicit, and which are now largely forgotten, having been out of circulation for decades. As was the case with the previous volume of the compilation, Alessandroni's music rises above the films' flimsy plots, improvised actors, and amateurish production, exuding his distinctive touch thanks to the (typically Italian) artisanal approach he took to his musical craft. The composer let his creativity run free, playing with his instruments at home as if he were in his own little amusement park; trying to have fun and produce something entertaining and captivating with just the few means at his disposal.

Review: Was anyone ready for one of the most talked-about albums of the year to be Andre 3000 going ham on the flute? Probably not, but in a post-reality world New Blue Sun just slots right in. Of course the legions of Outkast fans are going to be split when an artist of such prominence takes a wild swerve into experimental musical pastures, but for those with an open mind or a pre-existing appreciation of ambient and leftfield music, this album is an easy sell. Teasing the tension between acoustic and electronic, ancient and hypermodern, grounded and ethereal, Andre has been bold and honest in presenting this album to the world and his gamble has paid off.

Review: While Fritz Lang's Metropolis has enjoyed reams of revisionist soundtracks in the near-century since it was released, Robert Weine's The Cabinet Of Dr. Caligari has remained a more cult concern of Weimar-era cinema. Karl Bartos, one of the early members of Kraftwerk, has indulged his passion for the art of this unique period between world wars, when technology and art was changing as rapidly as the world around them. Employing his considerable experience and well-appointed studio to the task of re-soundtracking, Bartos has created this vibrant new score for Weine's film, pressed up here on double vinyl with an accompanying 16-page booklet.

Review: Impex Records is shares a new, audiophile-quality LP release of Bud Shank's pivotal 1961 classic, Barefoot Adventure. With original compositions arranged by Shank for Bruce Brown's surf film of the same name, this is a swinging, hard-driving jazz session by six top-flight musicians at the height of their careers: Bud Shank (alto and baritone), Bob Cooper (tenor), Carmell Jones (trumpet), Dennis Budimir (guitar), Gary Peacock (bass), Shelly Manne (drums). The original Pacific Jazz recording features excellent sonics and showcases Shank at his most adventurous, toying with an advanced confidence and sophistication. Remastered and cut to lacquer by Kevin Gray from the original 1961 analogue master tape, this ultimate vinyl edition of Barefoot Adventure will satiate the most demanding audiophile and jazz enthusiast alike!

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Impex Records is shares a new, audiophile-quality LP release of Bud Shank's pivotal 1961 classic, Barefoot Adventure. With original compositions arranged by Shank for Bruce Brown's surf film of the same name, this is a swinging, hard-driving jazz session by six top-flight musicians at the height of their careers: Bud Shank (alto and baritone), Bob Cooper (tenor), Carmell Jones (trumpet), Dennis Budimir (guitar), Gary Peacock (bass), Shelly Manne (drums). The original Pacific Jazz recording features excellent sonics and showcases Shank at his most adventurous, toying with an advanced confidence and sophistication. Remastered and cut to lacquer by Kevin Gray from the original 1961 analogue master tape, this ultimate vinyl edition of Barefoot Adventure will satiate the most demanding audiophile and jazz enthusiast alike!

Review: As part of the ongoing Coil reissue program, this classic album has been remastered and now arrives on CD. There are echoes of the band's mid-1980s cult classic album Horse Rotorvator in The Ape of Naples in that it has such a wide variety of sounds and styles. This one first came out back in 2005 and is a go-to for fans as it is just a great example of the band's singular sonic world. The album was put together by Peter Christopherson a year after Jhonn Balance's deadly fall and it features re-workings of the live favourites like 'Amethyst Deceivers' and Love Secret's Domain album track 'Teenage Lightning' plus a numb of tunes first meant for the ultimately ill-fated Backwards long player.

Review: There are echoes of Coil's mid-1980s cult classic album 'Horse Rotorvator' in 'The Ape of Naples' in that it has such a wide variety of sounds and styles. This one first came back in 2005 and is a go-to for fans as it is just a great example of the band's singular sonic world. The album was put together by Peter Christopherson a year after Jhonn Balance's deadly fall and it features re-workings of the live favourites like 'Amethyst Deceivers' and Love Secret's Domain album track 'Teenage Lightning' plus a numb of tunes first meant for the ultimately ill-fated Backwards long player. Grammy-nominated engineer Jessica Thompson has remastered all the originals for this new reissue.

Review: Iam8bit do vital work in releasing the soundtracks of contemporary video games, many of which may have otherwise never heard any semblance of independent appreciation. This record is the soundtrack for the game Eastward, an adventure RPG game developed by Pixpil and published by Chucklefish, released in 2021. A whopping 73 tracks appear, all composed by one Joel Corelitz, who gradates a diverse range of paints on an emotional rollercoaster of a sonic palette, reflecting the game's story of a miner and a mysterious girl who embark on a journey across a post-apocalyptic, effective open world.

Review: In the mid-80s, Svitlana Okhrimenko, Oleksandr Kohanovs'kyi, and Tamila Mazur, students at the Reinhold Glier Kyiv Academy of Music, formed the foundation of Cukor Bila Smert. Their blend of music and camaraderie led to the addition of Eugene Taran, who further helped shape the band's vision. Dubbed Sugar - White Death, their ironic moniker challenged media sensationalism and amidst endless musical exploration, they crafted two albums in 1988 and 1989. The band's unique "sugar calypso sound" emerged, a blend of Kohanovs'kyi's music and lyrics by Okhrimenko and Taran. A significant studio session in 1990 yielded tracks featured on the Mannered Music compilation which sparked international interest. Their journey concluded in 1993 with the release of "Selo" by Koka Records, and now some of the best bits make it onto this new collection.

Review: The third full-length from experimentalist punk/hip-hop trio Death Grips originally arrived in 2013, just a mere year on from their exceptionally warped debut LP The Money Store and its equally depraved sophomore follow up No Love Deep Web. Made up of math-rock drummer extraordinaire Zach Hill, programmer and synth mangler Andy Morin, and of course the confrontational MC Ride; Government Plates proved the collective were seemingly unable to artistically sit still, while refusing to exude a modicum of stagnation in their prolific early days. Celebrating its ten year anniversary, while just finishing up a chaotic headline set at this year's Outbreak Fest held in Manchester, the mystique and allure of Death Grips has only continued to swell with time, and this overlooked gem (as it falls between two of their most quintessential projects) couldn't be more in need of vital appreciation and reappraisal.

Review: Depeche Mode's new album Memento Mori is a rather bittersweet one for fans - they are of course happy to hear fresh material from their favour electronic doom mongers, but it is also the last time they will hear music from the group featuring corer member Andrew Fletcher, who suddenly passed away at the start of the sessions. Remaining members Dave Gahan and Martin Gore wondered if they would carry on, but carry on they did. And we're glad they did, as this is one of their best albums in years with darkness abounding. Their progression in their latest years have heard them move into darker, peakier, sadder and more industrial themes while drawing on deathly topoi.

Review: Desire once again demonstrate their prowess in the field of coldwave synth escapism with this new long player for Italians Do It Better. As soon as 'Black Latex' kicks into gear you know you're in for a red-lit thrill ride that captures all the seduction and mystery of nocturnal body music played the old-skool way. The kit list features such staples as the Jupiter 8, D-50 and Mellotron, while a revolving cast of ghostly vocals impart their message in English, French and Korean. This multi-lingual vibe only serves to take us further away from familiar territory into the displaced surrealism of the sound world Desire like to call home.

Review: The legendary experimental German band Einsturzende Neubauten is back with their first album since 2020, Rampen (apm: alien pop music). Since their formation in 1980, the band his sought out to blaze their own trail in making what others would assume is noise into their own brand music. Their own music language was created and brought with them legions of followers that have added a bit of Einsturzende Neubauten's influence to their own sounds. The band has once again pushed their sound even further - alien pop music. This edition comes on yellow vinyl.

Review: Ambient and neo-classical pioneer Nils Frahm's Music For Animals is, amazingly for someone as prolific as he, his first fresh studio material since 2018's All Melody and 2019's associated All Encores. It is also his first work on the new label he has co-founded with his manager and it plays out over three immersive hours that are quite different to his previous work. It doesn't make use of his famous piano skills but is a mediative and spacious record that allows room to think. Despite the length of it, this is a record worth giving your full attention.

Review: Baki is one of the best-selling Japanese anime and manga series of all time; the story centres on a quintessential shonen coming-of-age trope, funnelled into the character of Baki Hanma, who tirelessly trains and tests his fighting skills against a variety of different opponents in deadly hand-to-hand combat, with the ultimate hope of becoming a powerful warrior like his father. Kenji Fujisawa's original soundtrack for the anime series, now streaming on Netflix, is the perfect translation of this always-affecting theme; a whopping 60 tracks are spread across 3 vinyl discs in respective illustrated sleeves; Fujisawa's tense, eye-of-the-tiger timpani-bangers, which mesh well with NIN-style industrial rock, are perfect for the invocation of Baki's constant sense of confrontation and self-becoming. This record also comes with ane exclusive shikishi art print, as well as a four-page booklet.

Review: On the back of Kompakt's expansive retrospective of his work under the Gas alias, the essential Box, Wolfgang Voigt has decided to deliver a new album - his first for 17 years. Predictably, Narkopop is as cinematic, widescreen and densely layered as anything the German ambient producer has done to date. Over 11 spellbinding tracks, Voigt blends field recordings and droning electronics with sweeping, almost orchestral movements, swirling melodic cycles, and occasional forays into rhythmic hypnotism. The result is a collection of "wall of sound" ambient compositions that does a terrific job tiptoeing the fine lines between both grandiosity and intimacy, and joy and pain. In a word: essential.

Review: You may not be familiar with avant-garde composer Valentina Goncharova, but this incredible collection of rare home recordings is enough to answer any questions you might have as to how mind-blowing her work is. The sort of artist who needs to flee the Leningrad Conservatoire in order to have the space and freedom to fully explore ideas. Combining elements of musique concrete, drone, ambient and a kind of lo-fi classical, this is an expression of place - sanctuary of the home - and its ability to offer protection from creative oppressors. Using vocal mantras, curious refrains, amplified and distorted strings (cello in particular), you really get a sense of not only the where but the how behind these arrangements. Hushed but dense, they draw the listener in with surprising speed, so before you know it you're right there in that domestic studio watching a genius at work.

Review: If you've not seem the movie Oppenheimer chances are you've had your head buried deep in the sand for the past year or so. The multi-Academy Award-winning scientific epic charts the development of the first nuclear bomb and subsequent realisation, on the part of the man who cracked the formula, that such terrifying power should never have been brought into our world. Directed by Christopher Nolan, outspoken critics of the master filmmaker may by now be wondering if he'll ever make another movie with a linear storyline - so much of his output is anything but these days. However, that slightly surreal, disjointed, era-jumping approach to storytelling necessitates a soundtrack that combines stunning classical and more avant-garde experimentations. Which Ludwig Goransson delivered with spectacular effect. Now those tones are yours to own.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Summer 2023 will always be remembered for the cinematic battle that was Barbie vs Oppenheimer, two polar opposite Hollywood smashes that spawned a wave of memes. Both managed to break records but one stands out when it comes to the soundtrack - and that is Christopher Nolan's Oppenheimer, the three-hour epic about the genesis of the atomic bomb. Written by Ludwig Goransson it now arrives in full, on nice opaque orange vinyl, via Mondo. The music matches the deep trip into the psyche of a singular American mind J. Robert Oppenheimer with plenty of drama and immersive, emotional moments.

Review: Those interested in Japanese cartoons should know Space Adventure Cobra. First broadcast in 1982, it is now considered one of the country's finest animated TV series. This triple-vinyl box set celebrates Kentano Haneda and Yuji Ono's music from the series, combining compositions featured on the show with unheard extended versions and tracks that never made the cut first time round. Musically, it's a mix of Japanese disco, sax-sporting lounge jazz, jazz-funk, neo-classical movements and eccentric interludes, all doused in layers of cosmic dust and stargazing colour. The release also comes packaged with a 12-page booklet telling the story of the series and the making of the appealing, endlessly entertaining soundtrack.

Review: Does synth-pop get any more essential than this? When The Human League delivered their third album Dare in 1981, they instantly evolved from minimal wave outsiders to chart-topping pop treasures, and with the hits on here is it any surprise? From the epic, aspirational opener 'The Things That Dreams Are Made Of' through dark dancefloor monster 'The Sound Of The Crowd' through to their biggest hit, 'Don't You Want Me' casually tucked in at the back of the running order, it's a wall-to-wall classic which should be nestled into every record collection? If you don't own it already, now's your chance - and on translucent blue vinyl no less.

Review: Ionnalee's 2018 debut album "Everyone Afraid To Be Forgotten" was superb, so hopes are high for the artist's similarly minded sequel. "Remember The Future" is a little bolder, shinier and more upbeat than its predecessor, though stylistically it still sounds like a 21st century update of Kate Bush's distinctive early '80s sound circa "The Dreaming" and "Hounds of Love". It's a dreamy, ethereal and otherworldly take on electronic pop that's always alluring and often memorable. The album's plentiful highlights include "Some Body", the superb Zola Jesus collaboration "Matters" - a deep, bubbly and intoxicating affair - and "Mysteries Of Love", an echoing, Royksopp-produced cover of a song from David Lynch and Angelo Badalamenti's "Blue Velvet" movie soundtrack.

Review: Ariel Kalma is a musical outsider, a visionary who combined a diverse world of sound into his own unique signature. Jazz, weird ethnic instrumentals, warm electronics, folk, spoken word and avant soul all feature in his compelling oeuvre and the visionary French musician sure had a large one. French Archives Vol III: 1964-1989 is another superb collection of material from it that comes in a lovely four LP box set with booklet and download code. It gets from astral wonderment on 'Space Pillars' to layers of harmonic bells, tropical flutes, harmoniums and drones of light on 'Muse Mirroir' with plenty in between.

Review: Yoko Kanni's seminal "Tank! Gold: Cowboy Bebop' soundtrack is now a quarter of a century old and to mark that occasion it has been pressed up for this special 25th Anniversary Edition across a double album including a booklet courtesy of Victor Entertainment. The anime movie itself is one of the most famous of the genre and follows the adventures of the crew of Bebop, a bounty hunter ship that chases criminals and turns them into the Inter Solar System Police for reward, Kanno's zany fusion of rock, blues and jazz oozes cool. It's a musical mix of Afro-Cuban rhythms, New York horns and plenty more.

Review: It was in 1998 that pioneering Canadian musician levin Key released his solo debut Music For Cats. Artoffact Records reissued it on vinyl back in 2014 and now they do so again but this time on gatefold pink and blue splattered vinyl double album. It's a unique work that blends classical, glitch, and noise-driven pieces, featuring collaborations with artists like Dwayne Goettel, Genesis P.Orridge, Philth, and Mark Spybey. 'Music Fur Cats' showcases Key's songwriting depth, followed by 'Wind On Small Paws' with its electro-industrial sci-fi vibe. 'Meteorite' offers glitchy beats. Familiar tracks like 'Bird', 'Blotter', and 'Greenhouse Gasses' provide accessible listening, albeit experimental. 'Music For Cats' is gritty and against the grain, yet melodic. While not mainstream, it's an intriguing, well-crafted release, appealing to experimental electronic enthusiasts and completists alike.

Review: Alongside their recent soundtrack for the TV series Iron Sky, Slovenian industrial band Laibach have timed it well to also release their latest album Sketches Of The Red District. Dark, noisy and cold ambient industrial zones play out across an album allegedly inspired by the history and politics of Yugoslavia, especially events that took place in Trbovlje, the band's hometown. The album is a departure from the band's usual pop-cultural satire and transgressive aesthetics, and focuses more on creating an atmospheric and ominous soundscape that reflects the historic turmoil and violence of the region.

Review: Joseph Kosinski, famous for his direction on 'Tron: Legacy' scored by Daft Punk, wanted to go a completely different direction for 2013's 'Oblivion' starring Tom Cruise. An emotional, epic soundtrack composed by French electronic act M83 was the only real option for him - a match made in heaven. Immediately, 'Jack's Dream' and 'Waking Up' are cinematic and vast in scope with blaring strings that swell in ways that only movie soundtracks can. A complete departure from Anthony Gonzalez's megahit 'Midnight City', 'Oblivion' is an orchestral affair that is bold and punchy, with soft and ethereal ambient patches scattered throughout. The title track is a major standout, featuring Norwegian talent Susanne Sundfor, a favourite vocalist and frequent collaborator of Royksopp. Expect the unexpected, but prepare to be amazed.

Review: Mike Paradinas amassed a fine body of work under the stage name u-Ziq through the 1990s. The Planet Mu label head is currently reissuing some of it with Lunatic Harness, his fourth album form 1997, the latest to get the treatment. It came out of the so-called drill&bass movement but was more pretty than most from that niche sub-genre. While Aphex Twin and Squarepusher always went for abrasive textures, he delves into more celestial and suspensory sounds rich in shimmering melody. It remains one of the best IDM albums of any era.

Review: One of many names in the pantheons of Tokyo's electronic music triumphs, despite their acclaim, reverence among boffins, and the sprinkling of high profile UK remixers that helped spread their output further (copies of reworkings by The Black Dog, Autechre and Global Communication fetch a fair song on the resale market) most will never have heard about Nav Katze. Their loss, and one we'd like to put right if possible.

Formed in 1984 as a trio - Naoko Iimura (guitar), Miwako Yamaguchi (vocals and bass), and Shino Furutachi (drums) - the band would put out two well received record on SWITCH before migrating to the far more prominent label Victor Music Industries for 1991's Kanki, at which point three became two with Furutachi stepping down. This package showcases not only why their original material was so sought after, with trance notes, IDM and ambient and pop meeting in beautiful soundscapes - but also what can happen when new parties get involved, with remixes from Aphex Twin, Sun Electric and Disjecta included.

Review: "NINE INCH NAILS' GROUNDBREAKING DEBUT ALBUM
REMASTERED AND RE-RELEASED

Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on November 22, 2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's ''Get Down Make Love,'' originally the B-side to the ''Sin'' single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.

As a young musician in Cleveland, Ohio, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Tackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles ''Sin,'' ''Down In It'' and ''Head Like A Hole,'' and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's initial underground success, NIN soon developed a reputation as one of the best live acts in rock and joined the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy® Awards and headlined arenas, amphitheaters and festivals worldwide.

The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums.

Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.

TRACK LISTING:
1. Head Like A Hole
2. Terrible Lie
3. Down In It
4. Sanctified
5. Something I Can Never Have
6. Kinda I Want To
7. Sin
8. That's What I Get
9. The Only Time
10. Ringfinger
11. Get Down Make Love"

Review: Steven Stapleton is Nurse With Wound. Originally a band, sometimes abbreviated to NWW, since 1978 the English act has explored a range of dark and brooding styles, including industrial, dark ambient, drone, and noise. Well known for sound collages - usually pretty intense in nature - influences come from the dada and surrealist art schools, cabaret music, John Cage, The Beach Boys, Krautrock, and Musique Concrete. She & Me Fall Together In Free Death is, in this instance at least, the highly anticipated reissue of the landmark album which proved just how good NWW is at all forms of song craft. Work here edges into the eerier end of Liars collaborating with Tom Waits' at his most experimental and that's really clutching for reference points. Quite unlike anything else you'll buy today, we promise.

Review: Nurse With Wound's She And Me Fall Together In Free Death originally came in 2003 and like much of Steven Stapleton's music it is not made with a specific setting or audience in mind. It is abstract and experimental and challenging though this one is slightly more accessible than some of his more mad works. It's a musical listen a strange concept that sees him wedding together trance-inducing Krautrock grooves with a traditional jazz standard some signature atonal musique concrete. This version comes across six sides of silver vinyl.

Review: The mighty Hospital Records is reissuing Green Graves, a classic album from Rainforest Spiritual Enslavement from back in 2016. It's an album that, as the title suggests, soundtracks a trip through the jungle with steamy pads and humid atmospheres, distant animal sounds and deep tribal rhythms. It's full of ambient and experimental mystery and intrigue, with suspenseful pads over barely-there skeletal drums that snake through the undergrowth on cuts like 'Red Protection Against Black Magic'. 'Nocturnal Anatomy' is darker and more dubby, hitting at the arrival of humans and their machines who come to destroy the forest.

Review: Not seen Exception? OK, let's start there. The Netflix series is at the vanguard of new adult animation epics. Setting its scene(s) in the future, we follow a space mission crew desperately searching for a world that can be terraformed in order to sustain life, humans already having been driven from Earth. It's a stark and foreboding journey which resonates almost too much in an age when the climate crisis is just beginning to show us what happens next.
For something like this you need a score of serious standards, so who better to draft than the master himself, Ryuchi Sakamoto. One of Japan's most respected, revered, and iconic musical minds is pretty much capable of creating anything, from curious pop to the kind of atmospheric overtures, strange incidentals, ambient arrangements and nerve-rattling movements that define this soundtrack.

Review: Originally released in 2017, async was the 19th studio album from Japanese heavyweight Ryuichi Sakamoto, breaking a near-decade-long hiatus during which he was treated for throat cancer. And it's incredibly dense stuff to dive into, with genius on display both in terms of theoretical approach to recording, and avant-garde thinking behind what a record could and should be. Of course, that's hardly surprising for Sakamoto, whose legacy as one of Japan's foremost sonic adventurers may still not be stated enough, even after all the post-humous repressings and tributes. On this outing, then, we have strange, otherworldly interpretations of everyday instruments, a heavy focus on playing with textures of sound, bits of artists such as David Sylvian and Paul Bowles reading texts, found noises from city streets and themes of mortality, and our difficulty in accepting that truth.

Review: Founded in 1979, Severed Heads - originally Mr and Mrs No Smoking Sign - never liked to do things by numbers. Spanning industrial, synthwave, coldwave, post-punk, electronic dance, synth pop and more, while wildly varied they might also be considered auteurs. Simply put, you can usually guess, or know, that you're listening to Severed Heads long before you actually find out you're listening to Severed Heads. Noisy arrangements overflowing with ideas, while at times things may border on overwhelming, for the most part the genius comes in how finely balanced the tracks are. Bad Mood Guy, first released in 1987, was their seventh studio album, described by some at the time as "punishing pop with crunching rhythms", and reflects them at their finest. Moody, at times angry, alway forward thinking and hard to compare.

Review: Juan Mendez took his Silent Servant project to another level when he released Negative Fascination on Hospital Productions in 2012. His EBM-informed, brooding slant on techno had already made its mark on Sandwell District and other such influential labels, but his debut album afforded the space to really shape out his seductive sonic dystopia. More than ten years on, it stands tall as a masterpiece in the space it occupies, seething with hard-boiled urban malaise but equally adept at using subtlety alongside intensity. This expanded edition incorporates the Extended Mixes 12" as well as additional demo versions for those who like the tracks a little rawer.

Review: It is now a full three decades since Australian industrial trio Snog debuted with their still brilliant album Lies Inc on Machinery Records. To mark the occasion it gets a special 30th anniversary remastering and reissue on purple vinyl courtesy of Metropolis with all new artwork. Interestingly, not only is the searing, sarcastic, nihilistic electro contained within still relevant these days, but so too are the anti-establishment references in the track title from 'Corporate Slave' to 'Control' and 'Bank.' Some of those became rather unlikely global hits back in the day and their dark sense of humour and body poling rhythms will make just as much impact again now.