Back catalogue: Leftfield

Review: The now ten year old 'Acid Test 09' sees a special tenth Anniversary Edition repress with a new vocal mix of the track 'Test 3'. The original EP, released in 2014, saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient; this special anniversary version adds a surprise new vocal mix on the A2, with either Dozzy or Tin Man himself gracing the beats with a set of carefree, moony phonic impressions, lyrically concerning the object of his affections looking oh so good on the dancefloor. We already know and love the rest; it's up to you to put the new addition to the test.

Review: Tape Reworks Vol. 2 is the new 12" remix edition of the 2021 album Tape Works Vol. 1 (2021), by the UK's leading musique concrete ensemble Langham Research Centre. With the latter album following up the introductory Tape Works Vol. 1 (2017), which recollected the group's earliest experiments, the second album focused entirely on more recent, original splicings, cuttings and respoolings of the former modernist statement. Now, in turn, come two new remixes of the project by Kara Lis Coverdale and Beatriz Ferreyra, the former of 'Movable Fields' and the latter of 'Nachholbedurfnis'. Coverdale's version is an arresting, looming abstraction, capturing a sense of cosmic loneliness through exoplanetary whistles and deep subs gleaned from the original album's pickups of brutalist buildings; Ferreyra's is jerkier and stranger in palate, utilising glassy transitional sound effects and rapid, sped-up-slowed-down warbles.

Review: Earlier in the year, Miss You offered up a first ever 12-inch pressing of Patrizia Pellegrino obscurity 'Il Mondo Da Una Nuvola', an obscure Italo-disco B-side that they backed with their own tastefully executed extended mix. Here they repeat the trick with one of the Italian singer and actress's earlier B-sides, 1982 gem 'Musica Spaziale'. In its original form (track one), the song is a throbbing, heavily electronic chunk of infectious Italo-disco excellence topped off with a decidedly cosmic lead vocal from Pellegrino. It comes backed with a suitably moody, chugging and even more musically expansive 'Extended Mix', and a fine TB-303-laden Italo-meets-acid revision courtesy of the cheekily monikered 'DJ Asshole'. Space disco for the win!

Review: SOLO 500 is back on their own self-titled label with the third entry in Galaxy Sound Company's series and again it digs deep into jazz-funk to turn out some killer breaks. Up first is the main theme from 1974's subway hijack movie The Taking Of The Pelham One Two Three and it is one with a funky, jazzy, high-octane sound that has been sampled by Company Flow, Mix Master Mike and many more. On the backside is an edit of a tune from Manfred Mann Chapter Three's self-titled 1969 LP. This one has been famously sampled by The Prodigy. Another great little 7".