WSNWG Germany Schallplatten & CDs

Review: According to the accompany information, VRIL and Rodhad's first collaborative full-length was dually inspired by a desire to "subvert the expectations of their previous work" and the real world phenomena of unusual artefacts that baffle both archaeologists and historians (in their words, "strange anomalies scattered throughout the world"). Musically, the album is something of a slown-burn treat, with the pair slowly ambling between heady ambient soundscapes, buzzing, slow-motion psychedelic techno, creepy and bass-heavy electronic experiments, acid-flecked IDM, deep dub techno and productions that cannily blur the boundaries between these various stylistic touchpoints. As a result, Out of Place Artefacts is a startling and hugely enjoyable collection of mysterious musical movements.

Review: Peaktime zoneouts from Rodhad and company; Crimson Rubeus is the first compilation on WSNWG to be curated by the techno titan, and hears eight rising bubblers of the scene contribute to a well-rounded octagonal sonic prism in double LP form. All circulating for months in demo form and as fixtures of Rodhad's sets across Europe, every track here - from the snappy synaptics of Nastia Reigel's 'Limit Y' to the non-duped beffudlery of O (phase)'s 'Exiting The Delusion' - drips with an aural crimson rouge; truly a hematophage's dream. Rodhad does the almost impossible here; squeezes blood from the stony style that is hypnotic techno.

Review: Germany's WSNWG offers up the second chapter of its techno story from revered auteurs Ignez and Rodhad. The sound designs in these tracks are next level as the mighty duo waste no time in drawing you deep into their darkened world with 'Verdurous 01 [220207.2]', a streamlined sound but one with punch bottom ends and eerie pads. The tension ramps up with 'Verdurous 02 [221130.1]', a hefty banger laced up with trippy electronics, and then 'Verdurous 03 [220209.2]' is a potent blend of shadowy spoken words and detuned synth madness. 'Verdurous 04 [220208.3]' closes out with loopy drum breaks and wet clasp echoing out into a dystopian world of modular synth magic.