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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 10 May 24 $37.89
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 10 May 24 $34.24
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 10 May 24 $34.24
(No payment required now - pay when released)
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Gespielt von: Juno Recommends Jazz
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Cat: 770899 9. Rel: 24 May 19
Jazz
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Journey In Satchidananda (Acoustic Sounds Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 484763 5. Rel: 30 Mar 23
Jazz
Review: Journey in Satchidananda was the fourth solo album by Alice Coltrane and it might be her best-known work. Some of the tunes here were recorded live at the Village Gate while the rest were recorded at her home studio in Dix Hills in New York, and all of them were released in 1971. The album has grown ever more mythical in status and store since then with its transcendental spiritual jazz sounds with layered-up bells, tambourine, tanpura and more into a sound that leans heavily on Coltrane's love of Middle Eastern and North African music and culture. Earthy, bluesy, steeped in musical mantra and utterly absorbing, it's one of the most enthralling records of the era.
… Read moreGespielt von: Pete Haigh, Juno Recommends Jazz
in stock $37.89
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Review: The Verve label is pressing up records according to popular demand at the moment and next up is a Wayne Shorter gem. The American great's Footprints Live! is a mix of sounds from three of his European dates back in 2001, a series of shows that also served as an introduction to his 'Footprint Quartet' featuring pianist Danilo Perez, bassist John Patitucci and drummer Brian Blade. Each of the talents shines through here with a particularly challenging re-imagination of the title track, as well as 'Masquelero', which are both originally from when Shorter was a part of the seminal Miles Davis Quintet back in the 1960s.
… Read more in stock $51.88
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Review: Jazz pianist Herbie Hancock sure did love to record music. The New Standard was his fortieth, four oh, album and not by a long way was it his last. It came in 1996 on the Verve label and is the sound of the great American musicians offering up his own jazz renditions of classic and more contemporary rock and r&b tunes. The star-studded sextet also features saxophonist Michael Brecker, guitarist John Scofield, bassist Dave Holland, percussionist Don Alias and drummer Jack DeJohnette with some of the original tunes by the likes of Peter Gabriel, Prince, Kurt Cobain and Stevie Wonder.
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Night Train (Verve Acoustic Sounds Series) (gatefold 180 gram vinyl LP)
Cat: 380758 6. Rel: 02 Feb 23
Jazz
Review: Here's a classic from The Oscar Peterson Trio - a coll-headed slice of traditional jazz from 1963 which is enjoying its 60th anniversary as the clock ticks over to 2023. It's an understated masterpiece, made up short performances written with commercial radio broadcast in mind, but even within tight time frames Peterson creates subtle, elegant movement which has rendered this record an enduring influence on successive generations of jazz musicians. Repressed on heavyweight wax and presented in a gatefold sleeve, it's sure to inspire a new wave of jazz artists as it gets a fresh airing.
… Read moreGespielt von: Juno Recommends Jazz
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Review: Released on the Cadet label in 1968, The Peace-Maker was the first of ten collaborations between the great tenor saxophonist Harold Land and vibraphonist Bobby Hutcherson. With a group including pianist Joe Sample, the session results in a lively, lyrical, and high-quality jam. Critically hailed "one of the finest if little-known jazz LPs of its era" by AllMusic, the album is an impressionistic bask in the joys of composition, replete with affecting jaunts such as 'Angel Dance'. This Verve title is pressed on 180-gram vinyl at Third Man in Detroit.
… Read more in stock $36.59
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Ella Wishes You A Swinging Christmas (reissue) (limited ruby red vinyl LP)
Cat: 583106 4. Rel: 26 Oct 23
Jazz
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Cat: 581252 1. Rel: 19 Oct 23
Hip Hop/R&B
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Review: Soulville is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of Jazz's elder statesman when he recorded this album in 1957. Leading a stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is heard here at his peak (though it's most notable for some of its supplementary recordings hearing Webster himself playing the piano, not the sax). Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
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Review: Jazz legend Max Roach recorded his Moon Faced and Starry Eyed album originally back in 1960. It now gets reissued some 60 years later and remains a jazz classic that for some reason is often rather overlooked. It features Roach alongside his mega-talented group with Ray Bryant, Julian Priester, and Stanley and Tommy Turrentine all playing while Abbey Lincoln is on vocals for two tracks. They are 'Never Leave Me' and a cover of Cole Porter's 'I Concentrate On You' and sit well with other gems like 'Come Rain Or Come Shine' and the standout title cut.
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The Genius Of Charlie Parker 3: Now's The Time (Verve By Request) (180 gram audiophile vinyl LP)
Cat: 559571 5. Rel: 07 Dec 23
Jazz
Review: A 1957 release, and the third in a series of albums expanding on Bird's 10" Clef releases from the early 1950s, Now's The Time boasts some of Parker's purest recordings and strongest playing, featuring two different quartets. His lyrical and fluid improvisations on cuts like 'The Song Is You' and 'Laird Baird' are on full display, prime examples of his unmatched genius. Further delights include the original 'Cosmic Rays', a slow bop on which Parker's sax pops out like a virtuosic winged insect buzzing about its relatively quiet flower; and 'Chi Chi' which, by contrast, takes us by the ear and hurls us down an urbane but brisk sonic chute, its confident combination of rhythm section and Bird lead happily skipping away, but never stumbling.
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Out Of The Afternoon (Acoustic Sound Series) (180 gram audiophile vinyl LP)
Cat: 380890 4. Rel: 14 Sep 23
Jazz
Review: It's no mean feat to be amongst the most recorded drummers in jazz, but Roy Haynes is right up there thanks to a career spanning a mighty 80 years. Given his debut was in 1942 in Boston, by the time he recorded Out Of The Afternoon in 1962 he was already what many would consider a veteran. The Quartet he assembled for the album included Henry Grimes on bass, Tommy Flanagan on piano and none other than Roland Kirk on tenor sax and a host of other less obvious instruments. It's a stunning slice of post-bop from one of jazz's all-time greats, now reissued on heavyweight audiophile vinyl.
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Review: After making her professional debut as the cool, breathy voice behind the historic 1964 crossover smash 'The Girl from Ipanema', Brazilian singer Astrud Gilberto became a major force in popularizing the bossa nova sound. Her understated yet magnetic delivery is spotlighted on this collection, Great Women Of Song, showcasing her instantly-recognizable approach to songs drawn from a variety of sources - Brazil, pop hits and standards.
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A Bad Donato (Verve By Request) (gatefold 180 gram audiophile vinyl LP)
Cat: 556244 0. Rel: 12 Oct 23
Jazz
Review: Joao Donato is one of the most well known and prolific stars of Brasil's MPB (which is short for "musica populera brasileira") scene. He has toped several highly sought of albums and is still turning them out today despite already having assured his legacy. A Bad Donato is something of a move away from his Brazilian bossa nova roots - instead the album, which was recorded in LA, is electric and eclectic with funk, psychedelic pop and groovy Fender Rhodes driven sounds. This reissue on Verve By Request comes on nice heavyweight 180g vinyl with classics like 'The Frog' and 'Lunar Tune' still sounding fresh.
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Modern Country (Verve By Request Series) (180 gram audiophile vinyl LP)
Cat: 557412 6. Rel: 12 Oct 23
Jazz
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When The Lights Go On Again
Blackberry Blossoms
Somos Novios
A Heart Is Not A Toy
I Could Sing It For A Song
I'm Not Supposed To Know
Windmills Of Your Mind
Lucky To Be Me
What Will Tomorrow Bring
Tender As A Rose
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Let No Man Write My Epitaph (Acoustic Sounds) (gatefold 180 gram audiophile vinyl LP)
Cat: 550930 0. Rel: 26 Oct 23
Jazz
Review: Ella Fitzgerald remains one of the most prominent voices in jazz and her album Let No Man Write My Epitaph, released by Acoustic Sounds in the early 60s, showcases the timeless brilliance of the legendary star. This new reissue on nice heavyweight wax from Verve brings forth the magic of Fitzgerald's voice in its purest form and allows you to revel in the emotional depth and vocal mastery that marked her career. With exquisite arrangements, poignant lyricism, and Fitzgerald's unparalleled delivery, the album captures the essence of jazz as a living, breathing art form. What's more, Acoustic Sounds ensures a high-fidelity experience making this an even more essential trip into the enchanting world of Ella Fitzgerald.
… Read moreGespielt von: Juno Recommends Jazz
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Pre Bird (Acoustic Sounds Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 550929 8. Rel: 28 Sep 23
Jazz
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Love Cry (Verve By Request Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 554066 4. Rel: 08 Sep 23
Jazz
Review: Saxophonist Albert Ayler laid down his controversial piece de resistance, Love Cry, in 1968. Renowned for its psychedelic influences, weird use of harpsichord, and subversion of worldless vocal traditions (the ultimate finale, 'Universal Indians', is by far the album's star piece, thanks to cathartic trills from Ayler himself), the album was also panned by some at the time, such as writer Val Wilmer passing comment on Ayler's voice as untrained and "torturous". But we believe transgressions such as this are ones that make manifest the radical potential in free jazz; after all, art should comfort the disturbed and disturb the comfortable. It's albums like Love Cry - which came about at a time of radical transformation in the world, and which preceded Ayler's death by only two years - which restore our faith in music.
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Space Is The Place (Verve By Request Series) (gatefold 180 gram audiophile vinyl LP)
Cat: 554067 2. Rel: 14 Sep 23
Jazz
Review: Sun Ra's musical legacy is a many-sided dice, but if there's one unanimous entry point into his astral adventure it is surely Space Is The Place. Originally transmitted to earth in 1973, this landmark record bursts with life from the opening strains of the title track in all its 20-plus-minute glory. It's no surprise it's come up for a repress via Verve's By Request series, given how essential it is to anyone's understanding of jazz at its most bold and brilliant. This is a record which transcends most typical definitions, breaking down barriers and showing what's possible if we just dare to dream.
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Cat: 5894589. Rel: 21 Mar 24
Post Rock/Experimental
Review: Jazz and punk's best legacies fuse together with this latest collaborative release between The Messthetics and James Brandon. Brandon is a jazz saxophonist and contemporary virtuoso from New York; meanwhile, the Messthetics consist of former Fugazi members - bassist Joe Lally and drummer Brendan Canty with guitarist Anthony Pirog. Continuing the latter's pegging as a 'jazz punk jam', the focus here is on Brandon's novel sax playing, lent to the Messthetics' cathartic, ultimate punk-riffing focus. All is instrumental, as signalled on the lead single 'Emergence', which finds pure enjoyment in variation around a singular four-by-four bass loop. In the saxophonist's own words: "The Messthetics are friends at this point and collaborating with them over the years has now brought us to another high point of musical bonding and purely unapologetic energy!"
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