Review: It was only a matter of time before Boofy landed on Pinch's Tectonic. Both Bristol. Both magnetised to the fringes. Both responsible for untold low end hurters like these... "Back In The Box" is a heavy pressure cut with pneumatic kicks and ominous stretched brass textures while "Herbie" is a highly strung piece that's stripped back to just drums, subs and an eerie faltering lead and builds and twists when you least expect it. Flip for the churchy chords and rattled percussion of "In My Head" before "Perfunktion" closes with jazzier chords and a stone cold steppy kick arrangement. Classic Boofs.
Review: Having recently notched up 100 releases, Tectonic begins a new era by offering up a suitably weighty collaborative release from Peng Sound regular Ishan Sound. On side A, the Young Echo member joins forces with Hodge - owner of the nicest hair in techno - for the deep and dreamy dubstep shuffle of "C5", where fluid riffs dance above a blazed but powerful beat. Muttley lends a hand on flipside cut "Still Smoking", an altogether livelier and more aggressive - if still suitably deep and hazy - 140 BPM workout that comes complete with stabbing, grime style riffs and some serious subsonic bass.
Review: Two massive Pinch classics taken on by the mighty Kromestar; need we say more? Pinch's 2010 speaker shredder "The Boxer" gets an absolute fouling with epic distortion on the bass and swaggering drums. It's so heavy it's been on dub for at least two years. Flip for Kromestar's take on Pinch's 2011 Deep Medi murker "Swish" as it's given a bullet proof suit of armour ready for any militant war scenario. Both absolutely destroy the dance.
Review: Busting open a brand new bottle of 2019 with his bare Mancunian hands, Walton returns to Pinch's Tectonic with his first fresh dispatch since his sophomore album Black Lotus. As always, it's a full-bodied assault as "Bullet 2" licks shots with technoid venom. "Inside" follows with a similar spirit but with even less layers of armour and a bouncier bassline, while "More Cowbell" does that toxic Pulse X style alien bass thing, gets all trippy with the percussion and seriously stampy with the kicks. Finally, we close with a bruked up G swagger on the spacious, foreboding "Gunshot Clap". Shots fired.