Bar Konon Mousso (Musicien C'est Pas Quelqu'un) (Ben Gomori N'est Pas musicien edit) (8:00)
Massa Kamba (Ben Gomori's Massabbatical edit) (9:11)
Review: This officially licensed 12" sees prolific British disco producer Ben Gomori take a scalpel to two cuts from veteran African musician Amadou Balake's 2015 album, In Conclusion. On side A you'll find a fantastic, eight-minute extension of the breezy shuffler "Bar Konon Mousso (Musicien C'est Pas Quelqu'un)", where snaking saxophone solos and sun-kissed, juju style guitars rise above a hot-stepping, bass-heavy groove. Turn to the flipside for a thrillingly epic take on "Massa Kamba", a deeper and slightly more musically intricate cut blessed with a blissful; Pat Metheny style jazz guitar breakdown, memorable chorus vocals and evocative horn lines.
Review: For those who dig dancefloor-friendly takes on World Music classics, the Sterns Edits label - a collaboration between producer Ben Gomori and long-serving African and Brazilian music specialists Sterns Music - should be an imprint to watch. The label's latest must-have EP boasts fresh revisions of killer cuts from the epic back catalogue of Malian artist Nahawa Doumbia. Gomori works his magic on 1987 cut "Sige Sele", first sticking rolling house beats beneath the original's cut-glass strings, funky bass, storming horns and superb vocals (the A-side "Edit"), before opening the flipside with a largely vocal free "Disco Dub" that's arguably even better. To round things off, Tom Jay offers a similarly tooled up take on the more synthesizer-heavy "Djina Mousso".
Review: The Sterns Edits series, which sees London producer Ben Gomori touch-up and rework gems from the vast catalogue of world music label and distributors Sterns Music, continues to deliver must-have gems. On this seventh installment, he first turns his attention to "Denya" from Djessou Mory Kante's 2014 album "River Strings - Maninka Guitar". Gomori's version is breezy but club-focused, layering Kante's evocative lead guitar and smooth fretless bass atop a gently bouncy Afro-house groove. Arguably even better is his jaunty, life-affirming revision of Senegalese Afro-Cuban band Orchestra Baobab's brilliant but hard to find gem "Sibou Odia", which sees him make merry with punchy horns, glistening guitars and infectious rhythms.
Hwe Hwe Mu Na Yi Wompena (Ben Gomori Message Of Love edit) (7:15)
Hwe Hwe Mu Na Yi Wompena (Ben Gomori Message Of Love live dub) (5:56)
Review: Afrobeat revivalists Yaaba Funk are getting a welcome new lease of life here, as the Sterns Edits crew turns in a trio of fresh reworks from their largely overlooked 2010 album "Afrobeast". Contemporary broken beat hero Danvers handles side A, turning in a swinging, hot-stepping revision of sun-kissed juju number "Oman Foa" that adds just the right amount of modern dancefloor clout to an otherwise perfect Afro-soul workout. Over on side B, Ben Gomori offers up two versions of "Hwe Hwe Mu Na Yi Wompena": a spacey Afrobeat/Afro-disco style peak-time "Message of Love Edit" and the arguably superior - and certainly impressively bass-heavy - "Message of Love Live Dub".