Review: The latest slab from Dutch delights SlapFunk sees a return from regular contributor Julian Alexander. Since he was last on the label, Alexander has been teaming up with Blind Box Series and Rawax, but he comes back home with an assured six track EP that highlights his continued progression as a producer. The release is bookended by short but immersive ambient cuts, with the primary focus being four forthright minimal house burners that continue the fine tradition of SlapFunk as a whole. From the snaking beat and cheeky b-line of "Nibyc" to the hard-stepping thrust of "Asco 52," there is plenty here for fans of the label's sound to lap up.
Review: Bringing that tough-edged Dutch bounce like only he can, Anil Aras returns to Slap Funk with another shipment of forthright deep house righteousness that packs in heads-down techy elements alongside the addictive shuffle of the drums. "Utr" is an unabashed tribute to Aras' hometown of Utrecht that rides high on a killer chord stab, while "Anbush 46" wriggles its way into more minimal territory without losing that hard-grooving spirit. Fellow label regular Malin Genie equally twists up that percussion into a bugging beatdown that harks back to the funkiest threads of the minimal era on his remix before "My Side Of The Street" diverts into sparse 2-step territory.
Review: The always on-point SlapFunk continues its sixth round of Raw Joints with another four razor sharp jams from a gifted contingent of contemporary producers. Lopaski actually delivers something with the delicacy of Jan Jelinek's finest early micro house productions, but strapped to a more pronounced rhythmic undercarriage. Pascal Benjamin gets into a quintessential minimal house groove that sounds right at home on SlapFunk, while JAMM brings a tougher set of beats to the table. SE62 rounds things off with the loose and limber shuffle of "Fear", which doffs a cap to garage while keeping things dark and deadly.
Review: The SlapFunk crew have another new recruit for their mission to match minimal dance aesthetics with tough old-skool punch. Danish producer Martinez has plenty of experience having released everywhere from Guidance to Moon Harbour and Minibar, and he sounds right at home freaking the funk for the Dutch contingent. There's a straight up strut to the jacking drums on opener "Inter Species Relations", while "Aspired Commotion" slips into the kind of wriggling shuffle you'd expect from a SlapFunk release. "No Data" adopts a skippy 2-step stance with some eerie textures on top, and then "Shanty Town" finishes the record off with more swinging business peppered with delightful keys.