Review: On his three previous solo albums as Blanck Mass, Fuck Buttons member Benjamin John Power offered up abstract but enjoyable blends of ambient, drone, IDM and electronics. On "Animated Violence Mild", his first full-length for two years, Power has decided to take a far more dystopian path, blending ear-catching, synth-pop influenced melodies with thrusting, doom-laden techno rhythms, growling aural textures, industrial strength noise and hybrid electronic power-pop. It's an ear-catching affair, with highlights including the boisterous, distorted techno-pop of "House Vs House", the post-apocalyptic power-trance rush of "Hush Money", the hypnotic, maximal ambient movements of "Creature/West Fuqua" and the pulsating intensity of "Wings Of Hate".
Review: Margaret Chardiet's semi-regular album outings as Pharmakon are always worth a listen, if only to recoil at the intensity of her unsettling blends of buzzing industrial noise, paranoid vocal screams, throbbing aural textures, forthright mangled guitar riffs and rusty, razor-sharp power electronics. "Devour" is the artist's fourth album for Sacred Bones and her first new set for two years. It explores similar sonic territory to its predecessors, offering claustrophobic, mind-mangling soundscapes that are creepy, disturbed, awe-inspiring and sonically challenging in equal measures. In some ways, calling out individual tracks as highlights seems pointless: this is a singular, ever-changing work that sees Chardiet escort us on a nightmarish journey through experimental extremes.