Rekids Schallplatten & CDs

Review: You always know what you are going to get from Radio Slave, and that is high functioning techno that never fails to make an impact in the club. The man behind the music, Matt Edwards, is one of techno's most enduring and consistent performers and he confirms that again here with the pair of bangers on his own Rekids label. 'Acid Dip' has punchy, funky drums that hammer home the groove with big, bouncy hits bring further dynamics as an occasional slaying synth sprays across the face of the tune. Devastating. 'Armani' is a brian-frying, loopy, synth-heavy workout full of texture.

Review: Radio Slave's most recent single, the trippy, string-laden and subtly disco-influenced deep house after-party workout 'Wake Up', gets the remix treatment, with two artists renowned for delivering delightfully wayward dancefloor epics at the helm. Kompakt favourites Superpitcher steps up first, placing the original's oddball (sampled) spoken word vocal atop a hypnotic, subtly changing bed of acid motifs, warming chords, hypnotic house drums and delay-laden Rhodes chords. Over on side B, the Idjut Boys retire to their shed, potter about a bit, and return with a typically mind-mangling, dubbed-out take that's most likely amongst the darkest and most psychedelic things they've ever released - and that's saying something.

Review: Audion's 'Mouth to Mouth' was one of the biggest minimal techno anthems of its era. The vaping chords and unrelenting drum funk worked countless dancefloors all over the world into a real frenzy a decade or so ago. It now gets revisited by Rekids label head Radio Slave who has updated it with some extra effects nd naughtiness for modern dance floors. The original is included with its freaky vocal loops and rising synth tension and then we're also treated to a 'mouth beats' version, acappella, and two tracks that isolate the iconic original synth line.