Philophon Schallplatten & CDs

Review: Florence Adooni's relationship with Philophon goes back some time. She was the voice of Guy One's group and featured on his hit 'Estre' while she also provided vocals for Jimi Tenor's club classic 'Vocalize My Luv'. Under her own name, she has also dropped a series of top albums that have earned her the title of "the queen of Frafra-Gospel". This super sweet 45rpm typifies that sound with shakers and hand clapping, acoustic guitars and earthy drum sounds. 'Yinne' is upbeat and sunny and rich in melody and 'Fo Yelle' is much more heartfelt and introspective. Both are great.

Review: A hugely exciting and thoroughly danceable new 7" from Florence Adooni, blowing any other artist who could even remotely hope to stake a worthy claim to contemporary highlife out of the park. Following up her debut single 'Fo Yelle' on Philophon, the Ghanaian Frafra Soul singer returns backed by an eight-member troupe, made up of young talents from the highlife scene of Kumasi, Ghana. 'Uh Ah Song' and its inverse counterpart 'Otoma Da Naba' are slick, clean and joyous daytime jaunts, with the former track lyrically meditating on familial and childhood themes while effortlessly pinning down a difficult-to-maintain-for-most uptempo highlife backbeat and improv. The B-side, meanwhile, pays tribute to the supreme terrestrial creator central to Adooni's native Frafra community, and centres on a heptatonic electronic, nigh acid riff and lo-fi texture with a "je ne sais qoui" that, in our view, renders it the tune of the year so far.

Review: Florence Adooni has been called Ghana's Frafra gospel queen in the past, and with good reason. First single 'Mam Pe'ela Su'ure' arrived in 2021 to widespread acclaim, and she followed up on Philophon with 'Yinne' late last year. Now Adooni is back on the label for a collaboration with German artist Erobique, who is normally found making quirky synth disco cuts. On a visit to Max Weissenfeldt's studio in Ghana, he crossed paths with Adooni and so the lilting, sweetly sentimental 'Mam Tola' was created. The B-side of this single finds Erobique flying solo for 'Bach In Afrika', riding a swift beat from Kung Fu Andoh and flexing on the Hammond organ for an uptempo fusion which might well catch you off guard and make you dance all the same.

Review: German-Ghanaian group the Polyversal Souls have previously collaborated with a number of bands and solo artists from West Africa, so this hook-up with Northern Ghanaian outfit the Bolga All Stars - a collective made up of leading local kologo and frafra-gospel singers and musicians - should not come as much of a surprise. Separated into two parts for the seven-inch release, the track blends the Polyversal Souls' lolloping, late '60s style Afro-funk grooves - complete with fuzzy, period style production - and sharp horn section with glistening guitars, snaking solos and fine vocals from the Bolga All Stars. It's one of the Polyversal Souls' finest releases yet, and that's saying something.

Review: The Polyversal Souls are renowned for the strength of their collaborative singles, which to date have featured all manner of legends and rising stars from the underground African music scene. This time around, the German-Ghanaian band provides high-grade backing for guest vocalist Frank Karikari, son of legendary Highlife musician Ralph Karikari. The A-side medley of "Siakwaa/Nana Agyei" is particularly good, with Karikari's confident lead vocal rising above shuffling, soft-focus drums and ear-catching juju guitars. Flipside cut "Odo Agye Gye Me" is great, too, offering a slightly more upbeat and undeniably percussive fusion of highlife/Afrobeat fusion.

Review: Victoria Osei and Theresa Owusuaa are Ahemaa Nwomkro, which is a phrase that translates as 'queens of Nwomkro.' Nwomkro is an Ashanti style music that influenced Highlife, a style of music closely linked to Kumasi, Ghana's cultural capital and a city in the middle of the jungle. The pair link up with young highlife talents here and the results are pure, good time sounds that trill with energy, pickle rhythms and earthy percussion as well as some subtle synth work that brings a contemporary edge.

Review: Ahemaa Nwomkro means queens of Nwomkro, an old Ashanti Musial style that was hugely influential in the early formation of genres like the Highlife take on Kumasi, which is the cultural capital of Ghana in the middle of the jungle. Those queens are Victoria Osei and Theresa Owusua and here they team up with young Highlife musicians generation Akule Pepe on guitar. He worked for many years with Highlife legend Alex Konadu and these songs here show just how well pure Nwomkro work with textbook Highlife.

Review: Alogte Oho & His Sounds of Joy's debut album Mam Yinne Wa was a real triumph. A sensuous fusion of international rhythms, gospel vocals and jubilant vibes that was an instant hit with lovers of world music. His new single is said to be a teaser for a seance upcoming album and is another masterpiece from Frafra Gospe, a legend of this genre. First up is 'Doose Mam,' a repetitive rhythm that goes right for the hips. The big horns bring the character and sensuous vocals are the icing on the cake. On the flip is 'Gure Yose Me,' a tune rooted in reggae rhythms thanks to the work of Josie Coppola, Europe's No.1 reggae drummer.

Review: The brilliant Jimi Tenor is adored in the scene by those how know his music. For over 30 years now, his discography shows his work for him to be labeled a genius. 'My Mind' was a track that was included on his 1999 album Organism. This new version is more akin to his recent live performances of it across the world in recent tours. This version is a bit rawer but doesn't lose the smoothness of the original. A classic of his discography and a signature song of his concerts, you get a glimpse into what makes Jimi Tenor once of the most beloved personalities in electronic music history.