Review: New York's Quinn Luke aka Bing Ji Ling is always up to some crazy shit. Whether it's far-out strains of exotica, electronic folk, or even some straight-up hill-billie funk, the nomadic artist is always one to look out for. He's up on Spain's excellent Lovemonk label, perennial leaders in leftfield disco and balearica, with the raunchy, funk-tastic guitar riffs of "Twilight", a tune that is so cool and laid-back it could be enjoyed by pretty much all walks of life. There's three version, though, all by Jose Manuel; the main remix drops in a house beat and something of a Latino sound, the dub goes deeper into the bass elements of the mix, and the Voyage Voyage mix takes the listener on a more daring journey, backed by a progressive edge. We love it.
Review: Casbah strikes again with a powerful homage to the NYC foundations with this juicy, insatiably funky piece of disco soul. Driven by a belting vocal from Angela Goode, there's a strong sense of timelessness, honesty and raw funk that smacks with authenticity and one of the funkiest slap-bass breakdowns you'll hear all year. Chicago's Rahaan takes the remix duties with a pumping contemporary disco cut while Casbah strips things back himself for the essential DJ tool that is the percussion edit. Feel the love.
(Soul) Rebel 23 (Reginald Omas Mamode IV remix) (3:30)
Snake Eyes (Ishmael Ensemble remix) (8:11)
Review: If you've not yet got your ears around Roger 'Chip' Wickham's sensationally sunny, jazz-fired "Shamal Wind" mini-album, we suggest you check it out post-haste. In the meantime, Lovemonk has reminded us of its magnificence via a new set of reworks from some seriously hot producers. Max Graef handles side A, first serving up a chugging, mind altering and heavily percussive "Bongo Mix" of "Soho Strut", before reaching for the sub-bass and fizzing, juke-tempo jazz rhythms on the bonkers but brilliant "Bass Mix" of the very same song. Over on the flipside, Peckham beat-maker Reginald Omas Mamode IV serves up a dusty, Rhodes-laden take on "(Soul) Rebel 23" featuring his own soulful vocals, before Gilles Peterson favourites Ishmael Ensemble mix live jazz instrumentation with rolling house beats on a sublime revision of "Snake Eyes".