Review: More dark, euphoric and moody dancefloor 12"'s from Lobster Theremin's new sublabel UNDR. Following a terrific inauguration by Hidden Spheres, the second edition comes courtesy of Andrew Red Hand. The Romainian producer who has previously released on labels such as Twilight 76, M>O>S and Chiwax kicks things off with the spooky, cinematic John Carpenter-goes-electro vibe of "In The Cemetery", before bringing in the brooding Italo-influenced gloom of "Slaying The Dictator" and even displaying a fondess for the acid life (but hey don't we all) on the wicked 303 grind of "Bombing For Peace".
Review: Shedbug's slow but steady rise continues via an EP that's as thrilling and action-packed as a narcotics-fuelled weekend with a platoon of free party lunatics. There's a distinctively psychedelic feel to the retro-futurist club cuts on show, with bombastic opener "Aciidmuzik" - all effervescent hardcore style breakeat, psy-trance acid lines and fizzing electronics - being quickly followed by the hallucinatory ambient techno shuffle of "One Day Later". His devotion to the more LSD-inspired aspects of early '90s electronic music continues on the flip, where the exotic vocal samples, trippy electronic motifs and glassy-eyed melodies of breakbeat shuffler "Rubber" come paired with the sunrise-friendly bliss of the EP's most loved-up track, "There's Hope For You Yet".