Kompakt Germany Schallplatten & CDs

Review: On the back of Kompakt's expansive retrospective of his work under the Gas alias, the essential Box, Wolfgang Voigt has decided to deliver a new album - his first for 17 years. Predictably, Narkopop is as cinematic, widescreen and densely layered as anything the German ambient producer has done to date. Over 11 spellbinding tracks, Voigt blends field recordings and droning electronics with sweeping, almost orchestral movements, swirling melodic cycles, and occasional forays into rhythmic hypnotism. The result is a collection of "wall of sound" ambient compositions that does a terrific job tiptoeing the fine lines between both grandiosity and intimacy, and joy and pain. In a word: essential.

Review: To date Wata Igarashi has released most of his work as singles. The Japanese techno producer has steadily risen in profile thanks to releases for the likes of The Bunker New York, Nidgar, Bitta and Delsin, but now his trajectory shifts into a different gear as he offers up his first fully-fledged artist album outside of Japan for the mighty Kompakt. It's clear from the offset he's relished the opportunity to stretch out on an album and we're treated to some stunningly rendered ambient and downtempo soundscapes - just listen to the slow rise and fall of 'Searching' and you'll be instantly sold. There's space for drama and accomplished composition as on 'Ceremony Of The Dead', jazzy exploits on 'Burning' and much more besides, showcasing the unbridled imagination of one of Japan's brightest talents.

Review: Perel's sophomore album Jesus Was An Alien continues in some ways from the themes she brought to her debut, 2018's Hermetica on DFA. The tracks are rich, lush in design and multi-layered with plenty of emotional uplift. While inspired by a raft of the best indie hitmakers she has her own sound which is perfect for the dance floor but also suited to listing away from the club. "Jesus Was An Alien is a discourse about whether Jesus was an actual alien" she explains, amusingly. When the debate sounds this good, no one cares about the answers.

Review: For those that enjoy the more accessible, melodic end of ambient and deeper, gentler explorations of electronica, Kompakt's long-running Pop Ambient series has always been a must-check annual treat. The Cologne label's latest edition undoubtedly lives up to the quality of its many predecessors. Beginning with the spacey swell of T. Raumschmiere's 'Eternal', the collection attractively sashays between delicate, new-age influenced aural bliss (Mikkel Metal), immersive sunrise soundscapes (Yui Onodera), birdsong-smattered beatless beauty (Triola), enveloping sound design epics (Thore Pfieffer and Niko Tzoukmanis), crackling ambient transmissions from another dimension (Sono Kollektiv), nods to the Orb's FFWD collaboration with Robert Fripp (Blank Gloss) and cavernous explorations of slowly shifting audio textures (Umit Han).