Review: Los Charly's Orchestra sorts Juan Laya and Jorge Montiel impressed earlier in the year with "Electropical", a set of sensuous re-imaginings of Latin standards in a synthesizer/drum machine style. This follow-up is equally as impressive. The sensual samba-boogie goodness of "Esta Musica", features the wonderful vocals of Andre Espeut, the delayed-laden Balearic-goes-Amazonian breeze of "Sabana", and the jazz-wise, percussion-rich brilliance of "Semana Santa En Achaguas". Elsewhere, Pete Herbert re-imagines "Sabana", a jaunty, synth-heavy chunk of Balearic nu-disco brilliance while Oyobi delivers a fine broken beat/synth-funk fusion version of "Vuelo Del Condor". Simply essential.
Review: Los Charly's Orchestra sorts Juan Laya and Jorge Montiel first worked with veteran British soul singer Omar on their 2017 double A-side single "It's So/History". All involved clearly had a good time, because they've decided to repeat the exercise. "Fire" is arguably a step up, with Omar's honeyed vocals soaring above a rubbery groove, heady female backing vocals, cut-glass strings and punchy horns on the standout "Classic Disco Mix". Elsewhere, the noticeably heavier "Neo-Soulful Disco Mix" sounds like the kind of sumptuous, all-organic soulful disco-house fare we'd expect to hear from the likes of Joey Negro and Yam Who. Wisely, the duo has also included instrumental revisions of both versions. We prefer the superb vocal takes, but it's nice to have the choice.