Review: Los Charly's Orchestra sorts Juan Laya and Jorge Montiel first worked with veteran British soul singer Omar on their 2017 double A-side single "It's So/History". All involved clearly had a good time, because they've decided to repeat the exercise. "Fire" is arguably a step up, with Omar's honeyed vocals soaring above a rubbery groove, heady female backing vocals, cut-glass strings and punchy horns on the standout "Classic Disco Mix". Elsewhere, the noticeably heavier "Neo-Soulful Disco Mix" sounds like the kind of sumptuous, all-organic soulful disco-house fare we'd expect to hear from the likes of Joey Negro and Yam Who. Wisely, the duo has also included instrumental revisions of both versions. We prefer the superb vocal takes, but it's nice to have the choice.
Review: Juan Laya and Jorge Montiel pay homage to the heartland with this beguiling album. A deep trip up and down the amazon, hopping off as and when they see fit, the album sees them paying homage to Latin standards such as "Fruta Fresca" and "Manduco". Rebuilding them electronically with, no doubt, a fair few classic synths in the mix. From disco to blues with just a touch of Latin folk magic, it's yet another unique and vital trip from the Los Charly's Orchestra lads.
Review: The latest missive from the Imagenes camp sees Los Charley's Orchestra rework two tracks from Manana, a Spiteri side project that released one jazz-fusion/samba disco album in 1981. Both "Amor" and "Disco Samba" are taken from that obscure but inspired set, and are here given "vocal" and "instrumental" revisions from the Los Charly's boys. All four revisions hit the spot from start to finish. We're particularly enjoying the spacey synths, low-slung dub disco grooves, fluttering vocals and well-placed delay effects of their "Amor" versions, though many DJs may gravitate towards the rolling, AOR disco bounce of the duo's more celebratory remixes of "Disco Samba".
Review: Los Charly's Orchestra's Juan Laya and Jorge Montiel collect a few of their finest butt-shakers and stamp them down on a big juicy 12 for all our boogie needs. "My Way", originally released last year, kicks off with smouldering, hip-slinking ease before the disco-tinged "Intermotion" gets the spotlight across two bass-slapping versions. Finally we glide back to 2015 for two takes on the sunny-side viber "The Boogie Mine". Blame it on the boogie...