Hypercolour Schallplatten & CDs

Review: A sprawling, typically irreverent effort from the ever-prolific DMX Krew. With each unfolding track, Edward Upton charts a new tributary in the Detroit-Berlin-Sheffield pipeline, from the grouchy technoid stomp of 'Bathtime Bobby', to the hazy chillout room introspection of 'Escape To 92', to the dazzled machine funk of aptly named elektro quest 'Desperate Measures'. Another thoroughly satisfying entry in the ever-growing DMX catalogue, Spiral Dance is a sizzling hotplate of timeless electro wizardry.

Review: Taking off where her debut album Spurn Point left us in 2014, musical innovator and serial boundary blurrer Shelley Parker returns with another long playing adventure. Her debut on Hypercolour, it's another immersive and very fluid experience that rattles through a whole range of flavours and forms. From the slower hardcore breakbeat style cuts like 'Glisten' and 'Cage' to more up tempo fires like the dubbed out 'Scrubs Lane' and the rampant sci-fi sizzler 'Coldstream' by way of raw, uncompromised experimentalism like 'Deluge' and 'The Faun', Wisteria is another exciting reflection of Shelley's wider work as an installation artist and sound performer. Highly recommended

Review: Astonishingly, GRIT is Luke Vibert's 18th album under his given name (he's released many more as under other aliases such as Wagon Christ, Kerrier District and Amen Andrews), though his first for a couple of years. It's a predictably fun, TB-303 heavy affair, with the prolific Cornishman giddily sprinting through rubbery acid-electro ('Surrounded By Neighbours'), deep acid wooziness ('Decay Hole'), thrillingly wayward machine funk ('Partron'), subdued, bass-heavy swingers (the vaguely Wagon Christ-ish 'Gas Legs'), surging jack tracks (the breathless title track), jaunty house retro-futurism ('Swingeing Cuts'), Kerrier District-goes-acid insanity ('Disco Derriere'), hard-to-pigeonhole madness ('Screwfix Typeface'), and much more besides. A must-check for lovers of trippy acid lines and sweaty, loose-limbed beats.