Ghostly International Us Schallplatten & CDs

Review: Some seven years after his last full-length excursion, Fort Romeau has finally got around to delivering a new album. Beings of Light is every bit as gorgeous and picturesque affair, with the Chester-born producer adding waves of attractive synthesizer sounds, colourful electronics, cascading guitars, dusty samples and loved-up riffs to sturdy deep house beats. The album's multitude of highlights include bluesy, post jazz-house number 'The Truth', the tech-tinged late-night wonkiness of 'Power of Grace', the sturdy and druggy after-hours chug of 'Ramona' and the dreamy lusciousness of title track 'Beings of Light'.

Review: A Pale Fire, Goldmund, Mint Julep and Helios are just a few of the pies that American composer and multi-instrumentalist Keith Kenniff has their fingers in. The latter, an ambient project started in 2004 with 'Unomia', has received critical acclaim, their formal music training and unique approach to the genre garnering quite the following in the late 2000s. Since then, Helios has been consistently putting out projects, all the while still working on Goldmund and more - 'Espera' feels like it's what Kenniff does to unwind from his busy schedule. It's a deep sigh, a breath of fresh air as a sunbeam bursts through the clouds. Single 'Intertwine' is heavily inspired by the lo-fi hip-hop boom of the 2010s, the gentle rolling percussion, swaying synths and muted snares are meditative and nostalgic. 'Lineoa' takes a more upright approach, a spacious composition and orchestral elements cradle a gentle guitar riff, as blown-up flutes and uplifting strings evoke Eric Barones work on 'Stardew Valley'. This version is pressed on a beige and blue gradient vinyl, a picturesque disc that imitates the dusk on the album cover.

Review: This is what happens when acclaimed Los Angeline harpist Mary Lattimore enlists Slowdive's Neil Halstead fo production duties. A lush, and liquid listening experience that is as graceful as it is confident, blurring the lines between classical and ambient in a way that seems to echo centuries of traditional, almost Medieval tones and contemporary electronic adventures alike.

Lattimore's work has previously been described in terms of 'dreamscapes', and few have been painted more vividly than Silver Ladders. These are deep dive arrangements that expand and contract like breathing, allowing the artist's signature instrument to shine while submerging it in swells of refrain. Movement is constant, and yet the record feels mill pond still. Hardly par for the course, even in the fertile sonic ground she works in. Step inside and prepare to be captivated.

Review: Two years and two months have passed since Scott Hansen delivered his fifth studio album Awake and there's a strong rumour that his sixth is en route. In the meantime, Ghostly have channelled the spirits to commission nine fittingly far-out, heavily textured remixes. From the faraway jungle breakbeats and spiralling arpeggios of Nitemove's shake-up to the sparse flute flexing and smoky beats of RJD2's jam by way of warped, time-bending nuances of Bibio's take, the all-star cast deliver an all-star collection of versions. This will keep us more than happy until the next Tycho tale arrives.