Furthur Electronix Schallplatten & CDs

Review: The mysterious Acid Pimp (variously also known as Tom Newman, although accounts differ) showcases their 'Theme', and in turn the ability to take a classic sound and twist it into something entirely wonky, rift-opening and reality-bending. Said mode is acid techno, and said twist is arm-burning. The eight-tracker ranges from quizzically hollow tunes like 'Top' to calm judderers like, yes, 'Crispy Toe', proving the sonic capabilities of a longstanding production madman. One of several new releases to come out after the Pimp returned to 'Acid Pimping' in 2019, we hope we get to hear even more sonic propositions of their ilk soon come.

Review: ***B-STOCK: Centre label misprint, product in excellent condition***


The mysterious Acid Pimp (variously also known as Tom Newman, although accounts differ) showcases their 'Theme', and in turn the ability to take a classic sound and twist it into something entirely wonky, rift-opening and reality-bending. Said mode is acid techno, and said twist is arm-burning. The eight-tracker ranges from quizzically hollow tunes like 'Top' to calm judderers like, yes, 'Crispy Toe', proving the sonic capabilities of a longstanding production madman. One of several new releases to come out after the Pimp returned to 'Acid Pimping' in 2019, we hope we get to hear even more sonic propositions of their ilk soon come.

Review: Acid Pimp, also known as Tom Newman (though details vary), unveiled their creation, 'Theme' last year and now it arrives once more on nice yellow vinyl. This track exemplifies their mastery in transforming a classic sound into a delightfully off-kilter, reality-distorting experience within the realm of acid techno. The eight-track offering explores a spectrum, from intriguingly hollow compositions like 'Top' to serenely pulsating tunes such as 'Crispy Toe,' showcasing the sonic prowess of a seasoned production virtuoso. This release follows Acid Pimp's return to 'Acid Pimping' in 2019, leaving us eager to embrace more sonic innovations from this creative maven.

Review: Amid a ton of releases on the likes of Wrong Island and CPU in recent months, the legendary recovering optimist Automatic Tasty now flings a full album upside our faces. His ninth long'un, as always it's both jaunty and contemplative in equal measure as he tweaks his machines to create bubbling little narratives that weave in and out of the shades. At one moment you're weeping to a sartorial lament ("Illegal Trousers"), the next you're skipping on clouds on a secret level in your favourite childhood side-scroller ('One Of These Days'), the next you're doing the locomotion on Tomorrow's World ('Dialup') the next you're rolling out the lino for a slo-mo robo dance ('Scaldy Fiver') Slinky, cheery, honest analog fun; You'll Never Work In This Town Again isn't a threat... It's a promise

Review: Thanks to a swathe of superb EPs over the last few years for the likes of 2020 Vision, Lunar Disko, Further Electronix, Altered Sense and Unknown to the Unknown, long-serving electro producer Cignol is enjoying something of a career renaissance. As a result, some of his earliest releases have become in-demand and hard-to-find - hence this reissue of his long-overlooked, but utterly brilliant, 2010 debut album, Switching For a Living. Offering an attractive mixture of sci-fi seeped, far-sighted tracks informed by 1990s IDM, deep electro, downtempo, ambient and acid, it's a coherent but varied affair that has well and trily lasted the test and time - thanks, in part, to Cignol's intention to make it a genuine "listening album". Recommended.

Review: Tusken Raiders is of course Michael Paradinas, the man behind Planet Mu as well as many of his own killer productions. Famously, this alias had to be put to sleep after George Lucas's lawyers found out about it after one of his releases on Clear back in the day, so he renamed himself Rude Ass Tinker - an anagram the original alias. But now it is back out of retirement for this collection on Further Electronix of all the recent EPs he has released. The tracks are built on brilliantly squelchy electro funk, cosmic techno, brain dance melodies abound and the whole thing comes from a world controlled by AI and robots, but never loses sight of the dancefloor.