Review: Two of Funk Night Records' most distinctive and innovative acts join forces for two outstanding pieces of psychedelic fiery funk fusion. Estonian duo Misha Panfilov Sound Combo set the bedrock on "Soul Strut". All fuzzy, unkempt and energetic, it sets the scene for Detroit's Coco Buttafli to lay her scorched heart on the line in an almost metal-like style. "Electrifying Woman" takes us even deeper into the psychedelic mindset as the groove is given a swampy, dizzying feeling while Coco spits spoken word with such a savage honesty you can't helped but get sucked into the story. Two of a kind.
Review: Serial alias addict, Kris Holmes returns with a double side of split personality: The Disciples is a rough, bluesy layered piece of slo-mo surf rock where the drums only just keep up and the organs provide heavy soul salvation. "He Spoke" shows Kris on much more of an African inspired trip. Similarly hefty organs power the main groove but there's more uplift in the riff and instrumentation. Insatiable.
Review: The Great Revivers continue their unassailable 2014 assault on the record boxes of funk selectors everywhere with yet another killer seven for the Funk Night label. Brashly titled "Don't Mess with GR" may be, but this Russian quartet always prefer to let their musicianship do the talking and you can't fault the Great Revivers funk here as three odd minutes of prime dirtiness unfolds driven by a killer drum beat. It's complemented well by the more uptempo jam that is "Hard Way To Go" and lays down a marker for what to expect from the Great Revivers forthcoming album.
Review: Since making their debut in 2014, Russian combo The Great Revivers has become one of Funk Night Records' most reliable acts. They're at it again here, serving up two more slabs of goodness inspired by their obsessions with Hammond-heavy grooves, scorching funk and dusty 1970s library music. A-side "Bar-Hop" sounds like their take on the Meters sound, with attractive Hammond riffs rising above flanged funk guitars, heavy bass, fuzz-soaked brass and a bustling, solo-heavy groove. B-side "The Last" explores similar sonic territory but feels a little more relaxed. This time round, it's the jazzy, flanged guitar solos that take centre stage, with their trademark organs merely acting as an impressive accompaniment.
Review: Funk Night Records were quick to snap up some newly recorded material from Philly psych band Grimace Federation as soon as they heard it, and for good reason. These tracks were recorded during a weekend in a session with producer John McEntire and manage to sound raw and distorted yet seductive. "Dotsero" echoes the magic of Adrian Younge with its big horns and stirring soul, while "Starspots" is a more expansive track, with nebulous chords, busy drum playing and plenty of jazz elements making it a real cosmic voyage.
Review: the return of Eric Boss (aka E Da Boss of The Pendletons and Myron & E) and Ishtar Peeler's Lucid Paradise flexing their falsetto fire over a swinging groove and brazen Hammond smashes while on side B we head to St. Petersburg for an incredible medley/b-boy homage from Russian troupe the Great Revivors. More organs and references than you can pull a powerhead at. Jam on it!
Review: The US' Funk Night Records is pushing some serious heat as of late, especially given the fact that it's managing to find some real horsepower amid the contemporary generation of funk and soul - a rarity to be appreciated and recognised, these days. Bishop Smith is joined by The Sensational Disciples band to deliver "Bumps In The Road", a gloriously soulful song that gives new meaning to the term 'raw'; this might well be the most seductive piece of music we have heard this year and, if that sounds like an exaggeration, then you might just have to check it out for yourself. The instrumental, is naturally as wonderful, but the vocals on the A-side have the power to remain imprinted in your mind for days and days. This is very warmly recommended.