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Startseite  Labels  Fourth Dimension US
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Fourth Dimension US Schallplatten & CDs

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Artikel 1 bis 6 von 6 auf Seite 1 von 1 anzeigen
Direct Action
Direct Action (limited LP)
Cat: FDLP 146. Rel: 09 Nov 23
 
Post Rock/Experimental
The Hammer (7:26)
Causewayhead (4:14)
Saudade (9:46)
Free The Nipple (5:41)
Cornelius C (5:15)
Direct Action (11:38)
Review: Originally formed in 1977 (the year punk supposedly died), the Mark Perry-led collective known as Alternative TV are often cited as one of, if not, the first act to marry reggae rhythms to punk rock motifs. Refusing to rest on these laurels for long, however, the group would go on to utterly defy easy categorisations over the ensuing decades, with their 1979 second album Vibing Up the Senile Man (Part One) eschewing much of the anthemic mayhem of their debut The Image Has Cracked, in favour of a more experimental free-jazz form. This early anecdotal evidence is vital when attempting to unpack their new eleventh LP Direct Action. Following on from 2015's Opposing Forces, and serving as their first project of new material in almost a decade, this latest collection opts to be their most challenging, impenetrable and unwelcoming yet. Utilising tape loops, isolated guitar passages, minimal vocals and an overall industrial-leaning quality, the fact that the group so many decades ago had their first rehearsals at Throbbing Gristle's Industrial Records studio seems like no great revelation in retrospect. Unconcerned with listener expectation or radioplay, Direct Action demands animated response yet refuses to offer any helping hand down its path of caustic, alien sonics.
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 in stock $19.46
Beyond The Flat Earth
Cat: FDCD 151. Rel: 07 Mar 24
 
Industrial/Noise
Session 31
Session 32
Session 33
Session 34
Session 35
Session 36
Session 37
Session 38
Session 39
Session 40
 in stock $11.56
Avalanche Zone
Cat: FDCD 148. Rel: 19 Oct 23
 
Industrial/Noise
Pullulator
Embryo
Ophidian
Amniotic Comfort
Avalanche Zone
Pattern Of Descent
The Body
Ophidian (Klaska remix)
Pattern Of Descent (Klaska remix)
 in stock $11.56
Don't Let Go: Complete Kleistwahr 1982-1986
Cat: FD 2CD147. Rel: 12 Oct 23
 
Industrial/Noise
Myth Part I
Myth Part II
Myth Part III
Myth Part IV
Myth Parts V & VI
Crusade
Arsonicide Parts I
Arsonicide Parts II
Arsonicide Parts III
Arsonicide Parts IV
Flesh Razor
Mobility Part I
Mobility Part II
Mobility Part III
Mobility Parts IV & V
Do Not Part I
Do Not Part II
 in stock $14.20
For The Lives Once Lived
Cat: FDCD 149. Rel: 30 Nov 23
 
Industrial/Noise
Rotten Boroughs
The Gutters Shine Tonight
Lives Once Lived
Days We'll Never See
For All Mankind
Thoughts Are Not Facts
 in stock $11.56
Lost In Room: Mark Perry Alternative TV & Related 1977 - 1981 by Richard Johnson
Cat: 980445 Rel: 19 Dec 23
 
Lost in Room is the first book to explore the early years of Mark Perry's having become one of the most interesting and honest voices to have arrived from the cultural shift of the late 1970s
Notes: "That's my argument against the way punks become so cabaret. It's almost patronising [when bands play all their hits]. Oh, we'd better play 'How Much Longer' because people want that. To me, that's just patronising to the audience. I'd like to feel, and I always have done, that an Alternative TV audience wants us to experiment or to try new things out through that sense of exploration, or that childlike sense of wonder about making music.

That's why I've always wanted to retain that. I haven't always got it right, but that continuing journey to explore new areas of expression has got value, and that's why I think it's worth proceeding in that way. I'm doing that with the new band. I'm trying to instil that with them. This is what ATV is about."

"People have suggested to me that touring with The Pop Group must have been so arty and that we must have all been talking about Kafka at night. Bollocks were we! We were out of our minds most nights on fucking booze!" "I was really full of myself. I thought back then that I've got something to say and must be listened to. You only need to hear some of my stuff to know I was like that at the time, like on 'Alternatives', when I was having a go at people and telling them what to do and all that. Looking back, it's a bit embarrassing, but at the time it was sort of vital. Some people liked that and liked joining in.

So, 'Fellow Sufferer' was part of that. I did feel that because I was saying stuff and was playing music [away from] that punk template I was putting my reputation on the line. You know, [my being the] Sniffin' Glue editor and all that. I was going into what I thought was new ground and, let's face it, a lot of people didn't like it, and because of the way I was that spurred me on to make it even more extreme.

So, when we got on to the Vibing Up the Senile Man material, I decided quite early on that we didn't want to have a drummer and wanted to get back to making a space by getting rid of all the rhythm. I just thought if we get rid of all the rhythm it'll be more experimental [because] we wouldn't be tied to a strict beat. That's why there are no drums, really, on the Vibing Up the Senile Man songs. I played drums on the second Peel session, because we'd got rid of Chris Bennett, though. We'd chucked him out the band."

Mark Perry is a familiar name from the early punk scene in London due to his having published Sniffin' Glue fanzine between July 1976 and August 1977. As he became increasingly disillusioned with punk, however, he at least still remained driven by its impetus and started his group, Alternative TV. With their first release, 'Love Lies Limp', issued as a 7" flexi single with Sniffin' Glue 12, itself the final edition of the fanzine, it was clear that Alternative TV were not going to readily sit comfortably alongside the countless hordes of identikit punk groups forming around the same time.

Sharper yet wrought with frustration, Mark Perry took the group through a more personal space that pre-empted what a short while later became known as post-punk. Whilst sometimes charged with the same energy and anger, the music was more opened out and embraced all manner of different and often disparate areas, from reggae to industrial, improvisation and even brazen pop. Offset by subject matter that likewise often smashed down those borders of expectation, Mark always took his music wherever he felt it should go.

Not given to compromise or always taking the easiest route, even when sometimes handed to him, his approach to songwriting or making records has rarely strayed from an artistic vision which sets him apart from his contemporaries. Lost in Room focusses on the first four years of his musical path, beginning with 'Love Lies Limp' and ending as the first version of the group collapsed soon after 1981's Strange Kicks album and Mark's joining The Reflections.

Along the way are tours with Chelsea, Here & Now and The Pop Group, a huge love of Frank Zappa, a meeting of minds with the late Genesis P-Orridge, the running of Step-Forward Records and working for Miles Copeland's Faulty Products network of labels, plenty of anecdotes about the world he was embroiled in, and the story behind the records themselves.

Broken into two main parts, one concerning the historical development of Alternative TV and Mark's occasional releases outside the group, and the other dedicated to the ideas that informed many of the songs themselves, this book is centred around a conversational approach to a series of weekly interviews conducted via Zoom with Mark between late 2021 and summer 2022.

Deliberately retaining the organic nature of the conversations, replete with tangents that sometimes refer to later work or creep elsewhere completely, Lost in Room is the first book to explore the early years of Mark Perry's having become one of the most interesting and honest voices to have arrived from the cultural shift of the late 1970s.
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 1 in stock $26.04
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