Review: Southern Moon is the first pre single of the upcoming Munk album and comes with remixes by HNNY (Local Talk) and Darius Syrossian (Hot Creations).. With its crisp house beat, funk baseline and beautiful singing of Lizzie Paige this track is a shiny little summersong that makes you think of the great production of Trevor Horn or Masters at Work with a new edge.
Review: Compuphonic aka Maxim Firket is a multifaceted producer and DJ from Liege, Belgium, who was raised on a well-balanced diet of classical music, early electronics and industrial variants from Kraftwerk to Front 242, and the revolutionary soundwave that swept over from Detroit, Michigan. Hence, Maxim did not only grow up to become a skillful violoncellist, but also a producer with a unique approach, blending his various sources of inspiration into one intelligent mix of old-school electro, house and minimal stylings.
Review: Only one listen to the crystal clear rapture in the sound of Bodhi shows the funk influenced take on dance music this young duo have to offer. Olly Howells and Luke Welsby started producing together 2 years ago but ever since they kept on capturing the right attention. Therefore it is no surprise that Exploited picked them up to release three uplifting, warm and modern dance tracks.
Review: While there's plenty of variety to be found within the Shir Khan-curated Black Jukebox series, you can always rely on the showcased material being club-ready unashamedly party-starting in nature. That's certainly the case with the 30th volume in the series, which sees Romain FX giddily charge between revivalist old-school house cheeriness (the late '80s style Latin house rush of "A Fuego", which lifts tribal-influenced scat style vocals from a familiar favourite), post-freestyle NYC/Miami business (the Latin Rascals-go-house flex of "Western Outlands"), clanking Euro-dance-meets-acid sleaziness ("Jungle Goerge Goes Acid") and jaunty, smile-inducing proto-piano house giddiness (wonderfully cheerful closing cut "Dancing In Hong Kong"). Music that will make you want to throw your hands in the air (like you just don't care).
Bleeding (feat Human Life - Mark E Instrumenal) (5:40)
Review: 2014 was a definitely a huge year for dance music, with many up and coming artists being thrown into the lifestyle of hectic partying and relentless touring schedules. This also means that those who exploded onto the scene prior are no longer the new kids on the block. A few years is a long time in the life of a DJ, and the first few years are often the maddest.
The Adana Twins are a perfect example of one of these artists, having emerged onto the scene in 2012 with releases such as 'Everyday' and 'Strange', from the off it was clear that they had everybody's undivided attention.' (Pulse Radio) With DJ names like Take It Easy and Friso, it's probably to be presumed that German duo Adana Twins don't take themselves too seriously. That tongue in cheek attitude could be heard on their first productions and remixes. It's now almost almost three years later and the Twins' music vision is constantly developing.
After their highly anticipated release 'Drive feat. Khan' from 2014 the 2 boys from Hamburg are finally back on Exploited. 'Bleeding' features vocal snippets from LA based Human Life. This anthem has been causing massive feedback in their DJ-Sets so far. We hope you like it too. Including also Remixes from The/Das (Life&Death/Krakatau) and Mark E (Spectral Sound/Merc).