Edition Schallplatten & CDs

Review: It would be fair to say that Dave Holland, Zakir Hussain and Chris Potter are not your average jazz trio. For starters, we can't think of many other trios comprised of a double bassist, a tabla player and a saxophonist. It's a musical line-up that guarantees intriguing, intoxicating and exotic music, as "Good Hope" emphatically proves. There's something genuinely alluring about the trio's combination of intricate table rhythms, inventive and off-kilter double bass lines, and sax solos that wind their way around both like a fell runner zig-zagging his or her way up a windswept mountainside. It's jazz, Jim, but not as we know it.

Review: It would be fair to say that Dave Holland, Zakir Hussain and Chris Potter are not your average jazz trio. For starters, we can't think of many other trios comprised of a double bassist, a tabla player and a saxophonist. It's a musical line-up that guarantees intriguing, intoxicating and exotic music, as "Good Hope" emphatically proves. There's something genuinely alluring about the trio's combination of intricate table rhythms, inventive and off-kilter double bass lines, and sax solos that wind their way around both like a fell runner zig-zagging his or her way up a windswept mountainside. It's jazz, Jim, but not as we know it.

Review: Some two years on from the release of his latest must-have album on ECM, "The Dreamer Is The Dream", long-serving saxophonist and clarinetist Chris Potter delivers a cracking new double-album. Potter's two instruments of choice are prominent throughout on a set that never settles on one particular style or sub-genre. Alongside keyboardist James Francies, drummer Eric Harland and bassist Linley Marthe, the improvisation-loving musican giddily flits between jazz-funk, more traditional-sounding jazz cuts, left-of-centre nu-jazz workouts, jazz dance slammers and cuts whose use of electronic hardware and sounds defy easy categorization. While hard to pigeonhole, the whole album is hugely enjoyable and should appeal to 21st century jazz heads as much as the fare pushed forwards by the likes of [re:jazz] and Brownswood Recordings.

Review: Some two years on from the release of his latest must-have album on ECM, "The Dreamer Is The Dream", long-serving saxophonist and clarinetist Chris Potter delivers a cracking new double-album. Potter's two instruments of choice are prominent throughout on a set that never settles on one particular style or sub-genre. Alongside keyboardist James Francies, drummer Eric Harland and bassist Linley Marthe, the improvisation-loving musican giddily flits between jazz-funk, more traditional-sounding jazz cuts, left-of-centre nu-jazz workouts, jazz dance slammers and cuts whose use of electronic hardware and sounds defy easy categorization. While hard to pigeonhole, the whole album is hugely enjoyable and should appeal to 21st century jazz heads as much as the fare pushed forwards by the likes of [re:jazz] and Brownswood Recordings.