Eastenderz Schallplatten & CDs

Review: Following up releases on Kaluki Music and Nothing Else Matters, Peterborough native Alisha joins the Eastenderz family to present the awesome Visions EP. The title track is proper UK flava with its roaring speed garage style sub-bass that's underpinned by a swing-fuelled rhythm, followed by the equally bass-driven and druggy late-night vibe of 'Hallucinate. On the flip, 'Burnen' is a minimal number that takes a wonkier direction yet still very much in-line with the label's style, and ending with the tough rolling main room tackle of 'Offenn'. All killer, no filler on this one - tip!

Review: Dimmish is one of those names making himself ever more a part of the tech house firmament and he deserves the acclaim as this new EP on Easternderz proves. It is high grade tackle with several different stylistic nuances. 'Orbit' is a warm pumper with funky bass rotations and well designed drums under balmy pads. 'Lemon Life' ups thence with more high speed, high power but always funky grooves and lithe synths, and 'Singularity' rides on a wave of subtle melody that takes you ever higher. The closer 'Dissolve' with its more colourful and playful melodies might be the best of a great lot.

Review: They don't come much more on point and useful for tech house fans than East End Dubs's Eastenderz. It is now well into its second half century of releases and Ben Eau is the man charged with serving up the sounds on this purple and silver splattered vinyl. 'Won't Stop' opens up and is an in form tech roller with dry hits and the sort of tightly programmed beats that dancers latch onto for days. On the flip and as the title suggests, 'Drop The Bass' has some playful bass teases and a more weighty low end while 'I Luv It' completes a trio of top tunes, all with their own character and charms.

Review: Rich NXT is one of the super reliable contemporary house producers who serve up functional records with a twist. Here comes another such trio on the popular Eastenderz label. 'Everon' pairs acidic bass and bobbling grooves with a heady sax line that drifts up top to add the all important special ingredient. 'Izbraz' is a much darker tune - a collision of dusty jungle breaks, haunting chords and warped vocals that is brilliantly dense and unusual. Lastly, 'Radian' slips into a freak 4am minimal vibe with a hiccupping hook and crispy 90s tech house beats.

Review: Argentinian producer Rigzz is next up on the Eastenderz label with more those stylishly striped back and dubbed out tech house sounds. This impressive four tracker opens with the heavy bump of 'Fision' which is underpinned with gritty kicks. 'Cenit' layers up more rock solid drums with lively and loose synths to compiling effect. The tightly woven rhythms continue though 'Space3' which has modulated synths stitched into the arrangement for some cosmic vibes and 'Signals On Me' closes out with a fourth and final heavyweight rhythm that will appeal to both DJs and dancers

Review: Hamburg's Sidney Charles has been doing his thing for some 10 years, blazing a trail of fun and fruity house music which has graced the likes of Hot Creations, Moda Black, Relief and Moon Harbour. You would have last caught him on Eastenderz at the tail end of last year, and he's back on the label for round two with more of that freaky tech house gear that gets bodies wiggling. 'Phantom Jam' has fun with some funked up samples which bed down into the sleek modern production like butter on hot toast, while 'Catch The Beat' goes all out on tweaked synth lines and an insistent groove. There's sass and sophistication throughout this EP, marking another stone cold hit for Charles and Eastenderz alike.

Review: UK tech house hero Seb Zito returns to Eastenderz with a killer four tracker. The Fuse London and Seven Dials stalwart kicks off ENDZ 051 with the bleeped-out boompty groove of 'Bounce' on side A that's aimed squarely at the main room dancefloor pre-peak time, while over on the flip he's got the afterparty strictly in mind on the bass-driven back room dub of 'A Rhythm', followed by more Sunday morning tackle in the form of hypnotic minimal house cut 'You Can Dream It'.