DET 313 Schallplatten & CDs

Review: Third part of Gary Martin and Yossi Amoyal's DET project. Re-issue of proper wild mid-90's Gigi Galaxy classics - Killer 12"

Review: A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.

Review: For a long time Gary Martin was referred to as an "unsung hero" of Detroit techno, but with the DET 313 label, run with Yossi Amoyal, he's finally cemented a fearsome reputation as one of the Motor City's finest. With such reputations come the exchange of the proverbial "silly money" for the more hard to find recordings, thus the existence of this double 12" which collects eight of Martin's efforts from the mid to late 90s into one package available for a slightly more sensible exchange of currency. Among the highlights are the Latin-enhanced beats of 'Manhattan', two mixes of the sublime 'In Rythem' complete with a gospel preacher in full flow and a seven minute extended remaster of 'I'll Be Back I Promise' from Yossi Amoyal. It's no surprise to see Martin's work picked up and played by the likes of Ben Klock, given his unique take on rhythm, but there's plenty of soulfulness going on here as well.

Review: The Det 313 label is kicking off the new year with a bang and dropping a pair of brilliant new EPs on the same day in late January. This one is a reissue of the esteemed Gary Martin's 'Pimping People In High Places' on 10". It's the Woodword Ave alternative mix that kicks off and is a rough and ready percussive techno looper with hefty basslines underlapping and propping up the floor. 'The Medusa Touch' is a more wily and synth laced-late night jaunt with mystic energy and acid details that make it a deep and dramatic cut with real dynamism.