Review: Cong Burn made a mighty splash with its first release, clearly flaunting the kind of wares you'd expect to hear from Livity Sound alumni or other such esteemed techno renegades. The second installment is no slouch either, featuring a new cast of crooked creators offering up their wares for the modern mutant dancefloor. BFTT has a weighty low end thrum powering "Public/Private", while Lack takes things in a scuffed and nimble direction. Chekov pushes out into more experimental pastures with the broken beats and displaced sound design of "Celeste" and Howes creates a wonderful strain of mystical deep house for darkened souls. Each one of these tracks is loaded with flair and personality, yards ahead of your average generic knock offs and presenting something with real merit to the convoluted world of dance music.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Cong Burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. It's surprising they haven't done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from Chekov before pirouetting into one of Duckett's illustrious abstractions around the techno blueprint. Label regular Lack is back on side B with the stern and punchy "Track 3," and then Haddon finishes the record off with "Anabiosis," a densely textured, slow creeping trip of a track.
Review: REPRESS ALERT: The quality of the Cong Burn releases shows no signs of slowing as they reach their fourth volume, rounding off a sterling year for the label. Russian producer Flaty makes an appearance here with the metallic, motorik electro of "Clearences" before Lack slows things down with the clanky funk of "Multiplier". Chekov has a more full bodied techno sound to impart, using spacious sound design to create a rich and immersive modernist jam, while Martinou completes the set with a subtle, shuddering and shimmering effort that dips below the radar of dancefloor convention to achieve a more subliminal effect.
Review: Cong Burn is a new label that features a range of producers plying a more interesting twist on the standard deep house formula. Take opening case in point Haddon, who uses oodles of processing to create a slippery, shifting tripper out of "Not Coming To The Club" and instantly stepping aside from the run of the mill milieu. Howes then pops up with the snaking, ultra-deep electro abstractions of "Untitled". L Pearson is in a particularly cheeky mood with the scratchy micro-sampling fun of "PSR1170", calling to mind the crafty chops of Paradroid et al, and then Perfume Advert book end the release with some beautifully horizontal deep house for the subliminally minded to revel in.