Castles In Space Schallplatten & CDs

Review: Field Lines Cartographer is an alias of Mark Burford and now it is back with a new album-length adventure, Phases Of This & Other Moons. As the title suggests, this is cosmic ambient exploration made using just one Buchla synth and plenty of other sci-fi electronics. It finds him tease the very most out of his machine then feeding it through an array of effects pedals to twist and distorted the sound into alien forms. If you like the more out there work of Zeit-era Tangerine Dream and Michael Stearns then this is one trip you need in your life.

Review: Kosmonaut aka. Patrick R. Park presents Vapours, the latest album for a project which hadron-collides the sadly too-unexplored fusion of Berlin school, krautrock and vaporwave. While vaporwave is too fresh a genre to enjoy a full resurgence yet, Kosmonaut might just be among the first to spur it on. This is a knowingly nostalgic album, with its seven tracks - from the polyrhythmic 'Contagion Vapours' to the hauntingly propulsive 'Spirit Gates' - penning a reminiscent retro vibe over events as recent as the COVID-19 pandemic. This a soothing and positive sonic adventure - what's more, it was allegedly recorded and mixed in the 'midnight witching hours', in the space of just two to three days.

Review: Mat Handley's shimmeringly beautiful Cotswold Stone was first released in 2019, and this reissue from Castles In Space reminds us of this: this is an album driven by warm analogue sounds, effortlessly conveying a feeling of being somewhere beautiful, out in the country. The project presents a meditation on the passing of time and the persistence of memory, and is in part a reflective work of familial dedication and reverence. The narrative is one that takes the listener on a journey through the rolling hillsides of England. The record is given extra dimensions and texture through the deployment of woodwind instruments at various points, which add a real sense of pastoral energy to the work. Picking out highlights is always a tricky task when a record is so conceptually strong and consistently rewarding. 'In The Marsh' beautifully juxtaposes reverbed and spectral piano with bright synth arpeggios and distant woodblock percussion, whilst its glorious counterpoint, 'On The Heath', is as inquisitive and enigmatic as the first hare of spring. 'The Green Leaves Of Shilden Hall' are verdant and lush, propelled by some lovely flute and clarinet accompaniment adding an ivy-covered gentility to proceedings. 'In The Grove' with its spectral saxophone evokes images of solemn hillside sunsets and spiritual reflections on past lives.