Captured Tracks US Schallplatten & CDs

Review: Atmossy avant-pop artiste Wild Nothing (Jack Tatum) presents his next album, Hold, in the immediate aftermath of new parenthood during the pandemic. The latest incarnation of Tatum's style is wistful and longing, yet also driving, centring on the downtempo pop engines of 'Headlights On' or 'Suburban Solutions', both of which are shining examples of an increased danceability, and an autodidactic DIY production approach, born of gutsy necessity during tough times.

Review: Long Island outfit The Lemon Twigs frequently leave critics confounded and confused, in part because their shape-shifting style tends towards the over-the-top and grandiose. Rooted in a love of 70s glam, the theatrical rock pomp of Queen and a tongue-in-cheek love of overblown rock operas, they seem to delight regular listeners while rubbing reviewers up the wrong way. On Everything Harmony, their new album, they've re-set their influences once more, delivering a blend of folk-rock, Simon & Garfunkel style folk revivalism, prime Beatles and the close harmony bliss of the Beach Boys, with a dash of fuzzy garage rock and giddy psychedelia thrown in. It's well-crafted and expertly executed stuff that's hugely easy-going and enjoyable, whatever sniffy critics may say,

Review: Drahla, a Leeds-based post-punk band, returns with their sophomore album, 'Angeltape', four years after their debut. This highly expected release showcases the band's signature blend of raw energy and experimental flair. Highlights include 'Default Parody', a track that immediately establishes Drahla's unique sound. The song's jagged guitars and funky bass grooves evoke the spirit of Gang of Four and Psychedelic Furs. The vocals, delivered by Luciel Brown, are a raw and emotive force, capturing the album's themes of alienation and despair. 'Second Rhythm' showcases the band's versatility with its hypnotic vocal approach and gritty guitar work. The heavy bass provides a solid foundation, driving the song forward with a relentless intensity. Throughout the album, Drahla's lineup of Riggs, Ainsley, Barr, Brown, and Duffin showcases their exceptional musicianship. The interplay between the guitarists, bass, drums, and saxophone results in a rich and dynamic soundscape that captivates the listener. With this release, Drahla has cemented their status as one of the most exciting and innovative bands in the post-punk scene.

Review: Back when Mac Demarco was first breaking through in the wake of his third album Salad Days, he slipped out this instrumental album which he framed as a 'BBQ Soundtrack'. It's gone on to become a fan favourite, and for good reason as Demarco's distinctive stripped down sound gets to stretch out in laconic, leisurely style. If there was always a yacht rock streak to his music, it's out in full force here as tracks like 'Don Juan' prove in true smooth-as-silk style. Barbecue or not, you'll feel the sun on your back with this one.