Big Crown US Schallplatten & CDs

Review: Still scorching from the heat of their debut album 55, Hamburg's mysterious steel pan handlers return with a dope little 45 that features one of the excellent covers from their album plus an exclusive that we guarantee will drive your next floor crazy... Dennis Coffey's "Scorpio" takes the lead with its instantly distinctive break and pace. Flip for Sugarhill's "8th Wonder" that's riddled with confidently swung drums, smoky trumpets and a groove so funky you might just have to drop it twice. Give the drummer some.

Review: Bacao Rhythm & Steel Band is an enigmatic steel pan collective from Hamburg that has a hardcore fan following around the world and a new album on the way that is superb. They are loved for their covers of hip-hop classics and last year served up a version of the Stranger Things theme tune but this time out we get 'Love For The Sake Of Dub' of 45 rpm. It is another pair of funky tunes with the signature brass sounds front and centre as the fat bottom rhythms roll deep and fleshy. Another gem from this leftfield outfit.

Review: The Bacao Rhythm & Steel Band has become the latest jewel in the Big Crown. Lead by Bjorn Wagner, they have stopped several essential recordings not he label, all defined by their famous steel pan sound. Often they turn to covers of the classics such as they did back in March and this time around they take aim at the much loved and low slung hip-hop classic 'Nuthin' But A G Thang' by Dr Dre. In their hands it becomes something else entirely but still delightfully low slung and sleazy. This one is backed with 'How We Do' which is another loveably fresh sound.

Review: Longstanding New York troupe El Michels Affair bite down on 2017 with two on-point left-sided soul jams. "Tearz" is a biggie, not least because it features Lee Fields and The Shacks. A warm, organ groove with loose breaks and drops into pure harmonic bliss, it's another spellbinding affair from the Wu-approved crew. "Verbal Intercourse" takes more of a slinkier, subtle approach with clipped horns spitting an insistent hook over sparse, twanging instrumental elements. Stunning, as always.

Review: Nicole "Lady" Wray has reinvented herself in recent years, swapping the contemporary, radio-friendly '90s R&B of her youth for a sound heavily influenced by vintage, 1960s and '70s soul and funk. It's a blend that was explored on last year's superb Queen Alone full-length. The two tracks showcased on this 7" were both featured on that album. "Underneath My Feet" is particularly potent, with Wray offering a rasping, impassioned vocal that seems to soar above the triple-time backing track. "Guilty", with its sweet guitars, harmony backing vocals and rock solid funk breakbeat, sounds a little like some of Sharon Jones' more poignant moments.

Review: Five years after her last album on the Big Crown label, Lady Wray is soon to serve up a follow up in the form of Piece of Me. That arrives in January next year and is proceeded by this taster 7" featuring two singles from it. They showcase Wray's take on classic soul: her vocals do plenty of heavy lifting, and the instrumental funk all around her is steeped in the classic traditions, but it all comes with an extra raw edge, an urgency and crispness that brings it right up to date. 'Through It All' is a confessional that is powered by tight drums, where 'Under The Sun' is a more blissed out vibe.

Review: Big Crown bring the beat heat once again with two raw funk / soul gems. The Sonics' rare-as-hens-teeth northern soul anthem "Find Myself Another Girl" gets liberated from its high ticket collector price with this much needed reissue while an old master tape prowls to life on the B as Texan troupe S.C.A.M's take on the well-covered Classics IV 1968 standard "Spooky" enjoys a release for the first time. Divine.

Review: Throughout the 1960s and '70s, Sunny and the Sunliners were one of Texas's most successful groups. They specialised in "Tejano music", a Tex-Mex fusion of popular American and Latin American styles. "Should I Take You Home", which was first released on 7" single in 1969, is arguably one of the group's "straightest" tracks; a sweet, laidback soul ballad full of Stax style horns, close harmony backing singing and a sublime, emotion-filled lead vocal. Flipside "My Dream" is similarly heartfelt and saccharine in feel, with bandleader Sunny Ozuna's vocal alternating between impassioned sweetness and world-weary melancholy.

Review: Thee Marloes are next up on the popular and brilliant Big Crown label with two seductive soul sounds. This is a 45rpm debut from this band and a fine one too that comes all the way from their homeland of Surabaya, Indonesia. As such this is a wide mix of sounds from American soul, jazz, and pop with plenty of local culture and influences. The A-side is an upbeat jam with dancefloor grooves and ear worm melodies while the flip is a different vibe entirely with wide open space used beautifully and great Indonesian vocals.