Review: The Bassiani label is the platform for the infamous Georgian club to present its sound to the wider world, and it does so in fantastic fashion with this run of various artist releases. This fourth release kicks off with the dark, textured and brilliantly rendered techno immersion of Cassegrain's "Departure Seven", while Ersatz Olfolks gets a little more heated with the strafing synth work that courses out of "Straight Road". Hector Oaks is also in a rowdy frame of mind with the peak time belter "Move In Circles, Walk On Lines", and it's down to Thomas Hessler to cool things off with the heart-rending electro of "Memories".
Review: It's been a long time since Dadub released anything - the core of their output came via Stroboscopic Artefacts between 2011 and 2013. Now after a hiatus, they make a powerful return with this release for the label of Georgia's most infamous nightclub, Bassiani. They're not pulling any punches on this record, coming down heavy on "Rituals" with a dense, layered approach as edgy and experimental as it is propulsive. Zesknel's remix of the track goes in heavy too, although more in terms of erratic sound design rather than punishing techno rhythms. Check out "Resistance" on the flip to hear Dadub in full flight with spacious dub processing and rave samples over a stomping percussive undercarriage that begs to be played out in a smoke filled room.
Review: After the stunning Ostati album released on Organic Analogue last year, Georgia's HVL is back with a new album on the label for his home turf, Bassiani. As a resident of the infamous Tbilisi club, he knows innately how to communicate the vibe of one of the world's most widely discussed techno clubs, only this time he's taken a slightly tougher stance. "Eyes In The Sky" has a fierce, paranoid acid edge, while "F12 (Korg Patch Mix)" gets into freaky, cerebral techno territory. There are intriguing interludes and skits, and plenty more dancefloor heaters delivered with an inventiveness that once again affirms HVL's status as one of the brightest talents operating in the loosely defined field of deep techno.
Review: Traditionally, Darko Esser's outings as Tripeo have tended towards the hypnotic and trance inducing. It's notable, then, that his latest EP - the first Tripeo 12-inch for 18 months - mixes things up a little. "Food For Thought", for example, fixes melancholic, Convextion style musicality to crunchy, EBM-influenced techno drums, while the fuzzy, dirt-encrusted "Resist" sees the producer give deep electro an angular, lo-fi makeover. "Tuesday Blues", meanwhile, sees him stack layer upon layer of positive electronic melodies atop rubbery, Afro-house influenced techno drums before Bassiani/Horoom resident HVL rounds things off with his skittish, breakbeat-powered revision of "Food For Thought", which sounds like a giddy blast from the past despite the poignant nature of Esser's melodies.
Review: On BAS008 Bassiani welcome Voiski and his uplifting take on techno. Cascading snares, dreamy melodies and a good dose of cosmically charged sounds make "Our Brilliant Future" a beautifully crafted ode to hope. The motive comes in many facets: starting off with "Sit Down Next To Me" and it's tightly knit melody, retrospective amalgamates with futurism. Then we dive into the roaring cave of "Chasing Shadows", where the bass is deep and the synths cheeky. "TearSystem" stays true to its name: rave romanticism in its crystallized form. Fading out on "Your Heart Starts To Race" Voiski closes on a distant note, nevertheless attuned with the cosmic groove.