Review: South African bubblegum soul queen Ntombi enjoys a timely spotlight session as Afrosynth look back over her short-lived career and pick some of the highlights from each album she blessed us with. Leading from the front with the cult classic "Tomorrow" we're treated to highlights such as the proto tropical house harmonies and layers of "I've Got A Friend", the shinier house-focused workout "In My Mind" and a disco dancehall shaker "Mina Ngilijaji". Tomorrow is a day that never comes... Don't sleep.
Review: Thanks to increased interest in South African dance music of the late 1980s, original copies of this obscure album from little-known trio The Bees have been changing hands for large sums online. Happily, Johannesburg-based label Afrosynth Records has decided to give it the reissue treatment. It was first released in 1988 and offers a near perfect example of the early Kwaito style blend of "bubblegum" South African synth-pop and contemporaneous U.S house. Highlights include the chanted vocals, sun-bright synth melodies and rubbery bass of "She's A Witch (Tikoloshi)", the glassy-eyed mid-tempo Kwaito richness of "Mjondolo (Bus House)" and "Mathatha", an anthem in waiting rich in country guitar riffs, positive lyrical messages and jangling house piano.