Review: Tolga Baklacioglu's releases may not be all that frequent, but when they do arrive they're always worth a listen. Your Secret Face is his first outing of 2018 and sees him join forces fast-rising Russian artist Dee Grinski. The latter's stylish - and heavily distorted - spoken word vocals can be heard on the EP's opening and closing tracks, with the latter - an 11-minute experimental epic that could feasibly soundtrack nuclear Armageddon - also benefitting from her drowsy, improvised singing. No doubt she contributed heavily to the EP's instrumental cuts, too, which are bleak, fuzzy and industrial in the best possible way.
Review: 10 Germany seem to get it bang-on each and every time! For a label who has released the likes of Ancient Methods, Perc and Matthew Herbert, among other legends, we'd expect nothing less than the spectacular and this is exactly what we got with this latest collaborative effort by Italy's Daniele Brusachetto, Jansky Noise, Human Larvae and Damaskin. Brusachetto's "Grigi Ma" is weird and wonderful pop tune set against a backdrop of cavernous percussion rattles, while Janksy Noise's "Black Night" is a full-on drone monster. Over on the flip, "Ruined" by Human Larvae is a fuzzy, noise-fuelled scorcher, and "Apocalypse" sees Damaskin produce the EP's only shred of rigidity thanks to its consistent 4/4 kick...accompanied by some rather gnarly power electronics, of course.
Review: Brothers Fabio and Marco D'Arcangelo can trace their roots back to Rome's industrial techno revolution of the early 1990s, but are arguably best known for their frequent outings on Rephlex. This EP originally came out on Richard D James and Grant Wilson-Claridge's imprint way back in 1996, when they were still beginning their musical journey. It remains a blisteringly good six-tracker, with highlights including the raw, Aphex Twin-influenced "Somewhere in Time", the guttural, fuzz-drenched post-electro rhythms and Kraftwerk bleeps of "Diagram VII (Milk Mix)", and the pleasingly skuzzy industrial hip-hop of "Skrakt". Arguably best of all, though, is the shimmering "80s Mix" of "Diagram 7", which recasts the track as a melodic chunk of funk-fuelled electro.
Review: Digital Poodle are one of those outfits from the 1980's who happened to stumble onto techno by accident, focusing on making deadly, driving songs rather than fitting into a genre or style. Alongside them there are the likes of Psychik Warriors Ov Goia and a few others, but this stuff is pretty damn hard to come by, and releases like this are few and far between. The impressive Suction label out of Canada has decided to reissue their "Work Terminal" tune - a screeching, venomous bit of screamo EBM - backed by a trio of remixes. OH transform "Work Terminal" into a more direct techno bullet with subtle swarms of the original's screams, while Solvent give it a more aggressive reshape a-la electro. It's the Metro Tekno version that gets our attention, though, and those heavy percussion patterns must surely be total winners on the sound system.
Review: Once every three or four years, Kassem Mosse drops a new record under a new alias. We've loved the producer's mystique, which he has retained since day 1, because it is representative of a true artist and musician, evolving new ideas while remaining grounded in a particular aesthetic that is personal to him. This debut DJ Residue 12" drops on Will Bankhead's TTT, whom he has kept tight relations with over the years, and has hit us pretty hard. In fact, it is the most relevant depiction of techno, or general warehouse music, that we have heard this year, shifting and morphing endlessly, going from the regular to the utterly insane with pure ease. Sludgy beats, eerie atmospherics, and Mosse's intricate percussion patterns form a beautifully dark variety of noise music. Recommended, as per usual.
Review: Los Angeles based producer Alex Gray aka D/P/I of CHANCEIMAG.es returns, this time on French imprint Shelter Press with more avant electronics excursions on the Composer LP. Thee seven sound collages are said to be an experiment in rhythm, where human error is introduced to basic sounds (such as a djembe or conga) via midi controllers, introducing complex processes and effects which naturally developed into compositions. Gray himself hopes his album "can act as a beacon of creativity for future generations, who are currently being completely saturated by marketing content for products and media that will do nothing but confuse and distract them.
Kaa Antilope - "Rise Up Helicopter, Like A Bird" (3:59)
Clan Of Xymox - "A Day" (6:40)
Ministry - "Same Old Madness" (5:10)
Fad Gadget - "Back To Nature" (5:51)
Review: With the renewed attention surrounding industrial and EBM in the last few years (and its influence on techno, again), it's important that someone with credentials gives the new generation a decent history lesson. Fitting that Berghain resident and MDR boss Marcel Dettmann curates a compilation of classics from the sound's heyday: here's someone who actually lived through it. As part of Amsterdam imprint Dekmantel's Selectors Series, these gems from yesteryear should certainly set the record straight and provide solid reference points for new school retroverts. Highlights (and there's many) include: Belgian EBM legends Front 242 with "Don't Crash", Philadelphia industrial underdogs Executive Slacks' "So Mote It Be" and the mandatory Cabs track comes in the form of "Low Cool" (the Marcel Dettmann Edit, no less). It wouldn't be a proper industrial comp without a bit of Wax Trax! would it? Label staples Ministry appear with their 1982 song "Same Old Madness", a period in the band's history that some consider their finest.