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Back catalogue: Industrial/Noise
Juno's full catalogue of Industrial/Noise
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Cat: 525475 2. Rel: 05 Apr 24
Review: Einsturzende Neubauten's description by label Potomoak - as a band that constantly evolves - is accurate enough. Over forty years on from their debut album Kollaps in 1981, Rampen appears as the latest and most unruly incarnation of their sound yet. Here, Blixa Bargeld, N. U. Unruh, Alexander Hacke, Jochen Arbeit, Rudolph Moser and Felix Gebhard present their least predictable and conventional sides: APM is described as alien pop music; the songs therein have been specially crafted not only for our universe but for every adjacent parallel universe to ours, with every slight multiversal variation in humanity's collective tastes held firmly in mind. The album fully lives up to its billing as anti-pop as alien pop, its challenging twists and turns fully sating the difficult whims of society's outcasts and cosmic punks.
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
… Read more in stock $10.90
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Syumatsusyorijo (CD with obi-strip)
Cat: ALPCD 15. Rel: 13 Feb 24
in stock $22.06
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Elektra (Scream Through The Eyes Of A Statue) (CD with obi strip limited to 250 copies)
Cat: IDEAL 225. Rel: 06 Feb 24
in stock $12.98
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Chicago/Detroit 1982 (Deluxe Edition) (limited 2xCD)
Cat: CLOCD 5047. Rel: 08 Feb 24
Review: Ministry were a very different band in 1982, when Al Jourgensen started out as a synth pop provocateur straining at the leash to take things darker. He has repeatedly sworn off their debut album With Sympathy as a sanitised version of the sound he was pursuing, and this collection of live recordings from the year before it was released show a sharper edge to tracks like 'Revenge' and 'Effegy'. It's still absolutely synth-pop of the era, when the music was only one step removed from post-punk anyway, but most importantly the sound is clear and bright, showing the first iteration of the band at their best and playing close to home.
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Review: It's fascinating diving into the earliest realms of Ministry, before they were even signed to record their debut synth pop album With Sympathy. Al Jorgensen swore off that first release as a misstep before they become chief architects of industrial metal, and this compilation supports his case when you hear the sound of the band at their first gigs in 1981-1983. It's a lot more confrontational than the polished, arguably brilliant, sound they were encouraged to release as they emerged from the underground. From the electro-punk thrust of 'Falling' to the raw version of 'Cold Life', they feel entirely edgier as a proposition compared to most synth-pop bands of the era. With additional gems like rare mixes of 'Everyday (Is Halloween)', this is an essential compilation for anyone interested in the roots of Ministry.
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Cat: ASH 148. Rel: 02 Nov 23
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Cat: MA 008. Rel: 30 Jan 24
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Unintended Intention (CD limited to 300 copies + MP3 download)
Cat: SONG 18CD. Rel: 14 Dec 23
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Unintended Intention (CD + MP3 download code)
Cat: SONG 018CD. Rel: 27 Mar 24
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Control I'm Here: Adventures On The Industrial Dance Floor 1983-1990 (unmixed 3xCD box set)
Cat: CRCD 3BOX165. Rel: 18 Jan 24
in stock $26.98
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Luxor Necropolitics (limited CD + MP3 download)
Cat: HOS 809CD. Rel: 14 Dec 23
Review: First released as a very limited 2 x 10-inch vinyl package in 2017, Luxor Necropolitics is widely considered to be one of Domimic Fernow's most accessible albums as Vatican Shadow. It was produced in collaboration with Teflon Tel Aviv member Joshua Eustis and, as this first ever CD edition proves, boasts more relatively straightforward moments than we're used to from the American experimentalist. Of course, his usual influences and sonic traits are still present - an obsession with geopolitics and the Middle East in particular, shards of melancholic melody, dark and dystopian techno grooves - but this time packaged into accessible, often rhythm-driven chunks rather than abstract ambient excursions and sample-heavy sound collages.
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