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Back catalogue: Industrial/Noise
Juno's full catalogue of Industrial/Noise
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Alben
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O' Crescent Shedding Queen! Dark Tide Is Cast Inside The Hearts Of Those Who'd Lay Siege To Your Luminous Shade
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Cat: GG 101. Rel: 27 Apr 23
in stock $12.43
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Cat: 525475 2. Rel: 05 Apr 24
Review: Einsturzende Neubauten's description by label Potomoak - as a band that constantly evolves - is accurate enough. Over forty years on from their debut album Kollaps in 1981, Rampen appears as the latest and most unruly incarnation of their sound yet. Here, Blixa Bargeld, N. U. Unruh, Alexander Hacke, Jochen Arbeit, Rudolph Moser and Felix Gebhard present their least predictable and conventional sides: APM is described as alien pop music; the songs therein have been specially crafted not only for our universe but for every adjacent parallel universe to ours, with every slight multiversal variation in humanity's collective tastes held firmly in mind. The album fully lives up to its billing as anti-pop as alien pop, its challenging twists and turns fully sating the difficult whims of society's outcasts and cosmic punks.
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
… Read more in stock $10.89
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Cat: CLCR 106CD. Rel: 03 Aug 23
Review: Taking both acts on their core traits, Full Of Hell primarily deal in death-grind fusion with some blackened aspects and a powerviolence twist, with their tracks rarely crossing the two-minute threshold and their average album length clocking in at approximately 20 minutes and some change. Primitive Man on the other hand, are the type of abyss dwellers that deal in lengthy sonic dirges, often running for well over an hour at a time. What happens when you combine two unmatched forces of modern extremity into one nightmare-fuelled hellscape of sonic torture? You get a truly oppressive display of grinding, trudging sludge-soaked doom with walls of caustic harsh noise which drone on for lengthy uncomfortable sections. Ugly, slow, unwelcoming and vile, 'Suffocating Hallucination' does its utmost to earn its nihilistic title, and offers little in the way of hope on its successful pilgrimage into the abyss.
… Read more in stock $11.40
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The Elusive Flexure (2xCD)
Cat: HEL 99092. Rel: 30 May 23
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Syumatsusyorijo (CD with obi-strip)
Cat: ALPCD 15. Rel: 13 Feb 24
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Cat: TOTALBLACK 198. Rel: 27 Jul 23
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Elektra (Scream Through The Eyes Of A Statue) (CD with obi strip limited to 250 copies)
Cat: IDEAL 225. Rel: 06 Feb 24
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Cat: FD 2CD147. Rel: 12 Oct 23
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Review: Drew McDowall is as complex and enigmatic an artist as Coil, who he worked closely with for many years. He's followed his own path as well as being tangled up in the world of Jhonn Balance and Sleazy, and now this box set on Dais offers an authoritative overview of four relatively recent LPs and additional exclusive material stretching over six CDs. 2015's Collapse, 2017's Unnatural Channel, 2018's The Third Helix and 2020's Agalma are joined by a disc of rare, alternative and extended versions and a disc of live performances. From oddly angled ambience to lithe, snaking electronica, there's a lot of different sides to McDowall's curious musical mind, and this extensive collection is a perfect way to navigate just part of it.
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Electro Smegmacoustic Music/Smegma Plays Merzbow
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Chicago/Detroit 1982 (Deluxe Edition) (limited 2xCD)
Cat: CLOCD 5047. Rel: 08 Feb 24
Review: Ministry were a very different band in 1982, when Al Jourgensen started out as a synth pop provocateur straining at the leash to take things darker. He has repeatedly sworn off their debut album With Sympathy as a sanitised version of the sound he was pursuing, and this collection of live recordings from the year before it was released show a sharper edge to tracks like 'Revenge' and 'Effegy'. It's still absolutely synth-pop of the era, when the music was only one step removed from post-punk anyway, but most importantly the sound is clear and bright, showing the first iteration of the band at their best and playing close to home.
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Review: It's fascinating diving into the earliest realms of Ministry, before they were even signed to record their debut synth pop album With Sympathy. Al Jorgensen swore off that first release as a misstep before they become chief architects of industrial metal, and this compilation supports his case when you hear the sound of the band at their first gigs in 1981-1983. It's a lot more confrontational than the polished, arguably brilliant, sound they were encouraged to release as they emerged from the underground. From the electro-punk thrust of 'Falling' to the raw version of 'Cold Life', they feel entirely edgier as a proposition compared to most synth-pop bands of the era. With additional gems like rare mixes of 'Everyday (Is Halloween)', this is an essential compilation for anyone interested in the roots of Ministry.
… Read more in stock $20.22
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Cat: UD 285. Rel: 27 Apr 23
Review: The latest Nurse With Wound release takes a deep dive into Stephen Stapleton's arhives and returns with a radically expanded version of 1990 set The Ladies Home Tickler, a typically eccentric and out-there blast of sonic surrealism crafted from tape loops, spoken word samples, weird noises, fractured electronics, and shards of bass, synth and guitar. In this edition, the original album's two lengthy tracks ('Duelling Banjos' and 'Registered Nurse') come accompanied by six previously unreleased cuts recorded during the same sessions, but previously unreleased. While one of these is an alternative take on 'Registered Nurse', the rest are increasingly wild and pleasingly freeform soundscapes in Stepleton's distinctive style. An essential purchase for dedicated NWW fans.
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Cat: ICR 50. Rel: 20 Oct 23
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