Review: Atina 'Mattiel' Brown is a 60s psyche-pop inspiration from Atlanta, Georgia, giving the ears of a modern age a new way to appreciate a lo-fi, garage rock style of storytelling. Satis Factory presents the band with its second album since debuting in 2017 with a self-titled LP, and Brown's voice for Mattiel still reigns supreme in its bluesy, telephone filtered manner. Co-produced by Randy Michael and Jonah Swilley and recorded in their native Atlanta, the vintage touches applied to the band's music sees an authentic blend of deadpan vocals, jangly guitars meet with a touch of spaghetti western, subtle touches of folk and rockabilly, with that perfect smattering of dusty sundown blues.
Review: Righteously rare recordings from the annals of UK-US music culture makes its way to disc via the legendary John Peel and the inimitable Steve Albini (and his Shellac band). Containing cuts from the late radio-jock's worshipped Peel Sessions broadcast in 2004, this archival release features a stream of previously unreleased recordings of the Chicago group's live & studio sessions for the legendary radio spot. The record (featuring bonus CD) delivers raw and seldom heard versions of "Crow" (from 1998's Terraform LP) alongside "Canada," "Disgrace" and "Spoke" from the Excellent Italian Greyhound LP (2007). Filled with stories of the BBC's "live From Maida Vale" sessions and the studio's famous 24-track console, these exhumed artifacts all make it out at a time when Albini has been quoted saying of Shellac: ""There will be more new material in the future."