All I Do (Ryuhei The Man 45 edit instrumental) (4:05)
Review: Japanese live outfit, A Hundred Birds has a thing for creating classic covers. Over the course of their career, they've recorded countless covers, including organic, string-laden interpretations of techno scene staples such as "Blackwater" (originally recorded by Octave 8) and "Knights of the Jaguar" (The Aztec Mystic). Last year they offered up another warm and wonderous cover, this time of Stevie Wonder classic "All I Do". Here it gets a new lease of life courtesy of scalpel fiend Ryu The Man, who has delivered tightened-up, floor-friendly vocal and instrumental edits of the warm, rich, soulful and undeniably summery cover version. Both are rather good, though it's the vocal version that will win over dancers.
Review: Oliver Moon introduces the Dancing With Strangers record label, alongside good friend and fellow DJ/Producer Paul Louth aka Agile Kind - who inaugurates the label here. While it may have been a long time between drinks for the veteran DJ on the production front (he's intermittently created music under aliases like Water Walk and Soulfish over the years) he proves that slow and steady wins the race on the "Pyramid EP". The emotive vibe of early '90s British IDM and US techno-soul is eminent throughout. From the sensual deepness of the title track or B side cut "Mime" which are reminiscent of classics by the likes of DaRandLand, not to mention the full throttle rework by legend Kirk Degiorgio under the As One moniker on the flip.
Akabu - "Ride The Storm" (feat Linda Clifford - Saison remix) (7:21)
The Love Symphony Orchestra - "Let Me Be Your Fantasy" (Dr Packer remix) (7:31)
Joey Negro Presents The Sunburst Band - "Everyday" (JN Disco Re-Bump remix) (7:28)
Art Of Tones - "Flower Child" (feat Anduze) (7:01)
Review: Like its numerous predecessors, 16th edition of Z Records' long running "Attack The Dancefloor" series is packed to the rafters with tried and tested dancefloor treats, most of which have never appeared on vinyl before. First up, Saison tackles Akabu's 2001 classic "Ride The Storm", turning it into a deep, bouncy and rubbery chunk of lilting, string-drenched house goodness, before Dr Packer delivers a subtly tooled-up take on The Love Symphony Orchestra's grandiose and sexually-charged 1978 disco classic "Let Me Be Your Fantasy". Label head honcho Joey Negro provides a superb deep disco rework of one of his own productions, the Sunburst Band's 2004 summer sing-along "Everyday", while Art of Tones' "Flower Child" is a flash-fried, disco-funk romp laden with superb lead vocals from Anduze.
Review: The most surprising release this week comes from Thomas Melchior's newly inaugurated My King Is Light label, presenting its sophomore release courtesy of veteran U.S. producer Amir Alexander. The Vanguard Sound main man isn't usually known for his minimal house exploits, but sure proves his talent for it here on the 'Wisdom' EP. A side "Catacombs2" treads along a ghostly trail similar to Melchior's own work, with all its deep and hypnotic elements aimed squarely at the afterhours dancefloor. On the flip, we have the lean and subtle groove of "Globus" which continues with the arcane and 'magickal' vibes; its bouncy melodic bass works your feet, while the warped/operatic vocal tones flip your mind!
Review: This slick package of high grade weaponry is the second and final part of the Gargoyle Classics reissues series. It turns attention to Baltimore in the mid 90s, a time when techno, IDM, electro, rave and breaks were all freely colliding with one another. The result is a four tracker that you would have a hard time placing given its timeless appeal. From the slick electro techno funk of "I Said" to the more bouncy techno remix via the turbo charged bass of "Ten After 3" and freaky sci-fi work out that is "Do You Believe" (Space Evader mix), this is perfectly red hot tackle.
Review: Shanti Radio's previous multi-artists EPs were all superb, so it's little surprise to see that the latest also consistently hits the spot. Amonita sets the tone via the soft-focus tech-house shuffle of "Lavender Bloom", where lilting strings, dreamy chords and eyes-closed female vocal samples flutter around a hypnotic groove, before RVNZ offers up the similarly breezy and spring-fresh bliss of "Big Red Machine". Over on side B, Hermazez explores the kind of ultra-melodious and atmospheric hybrid progressive house/tech-house sound that the All Day I Dream label does so well ("Flame Keeper"), while Fulltone unfurls warm and ear-catching melodies and sumptuous chords on sunrise-ready closing cut "Woodland Oracle".
Review: The Atipic catalogue has certainly grown exponentially in the last couple of years, with some particularly fantastic releases coming from Rominimal scene heroes like Vincentiulian, Vlad Arapasu and Cosmijn. The latest addition comes from Bucharest-based newcomer Florin Serban aka Aparte, who label boss Priku has chosen to present a smashing debut here on "ATIPICLAB 007". Teaming up with fellow debutante Dan Blatov on the sparse and hypnotic Sunday morning vibe of "Guidance", before going solo on the flip with the moody bass-driven groove of "Distant Thunder".
Review: Strap in for a wild techno ride on the first ever offering from Psionic. The new label kicks off with an EP from Astral Travel. The aptly named artist reaches for beyond the event horizon on "Sky's The Limit", with its punchy kicks and relentlessly wobbly bass. "As One" gets into a nicely mechanical groove built on stomping kicks and rigid synth movements that make for perfectly robotic funk and the trip closes out with "Orbiting." With its urgent drums that are smooth and silky and serene synth work, it's one for peak time techno cruising.
Review: The enigmatic Au Pair imprint resurfaces for its third edition, featuring yet more dusty and understated grooves. On 003, be utterly hypnotised by the deep and woozy boompty business of "An Understanding", while tripped-out grooves that are perfectly engineered for sleep deprived Sunday mornings are catered for on "Nothing Else". The moody B-side cut "Wild In The Isles" is similarly perfect for those moments of solitary paranoia on the dancefloor. Overall, this release will certainly appeal to fans of afterhours minimal house, in the vein of recent releases by 'Rominimal' heroes such as Crihan and G76 - tip!
Jared Wilson - "Lynnwood2 Northgate Transit Center" (6:39)
Sohrab - "Sinking" (6:42)
KCLF - "Reloaded 9615" (4:17)
Review: Undersound Recordings hit release number 15 with a various artist EP that packs four vital techno punches. Audio Quest's "The Mental Screen" kicks off with some old school techno that recalls the sound of legendary Dutch label Djax-Up. It's filled with metallic snare sounds and deep space bleeps. Jared Wilson of course brings the acid that has defined his output for years, and Sohrab get busy with a kicking number and some busy melody patterns. KCLF closes out with twisted bass and shiny chords that look back to go forwards with "Reloaded 9615".
Review: Nobody does tough rolling tackle for the peak time quite like the Audiojack boys. The Leeds-based duo head up the revered Gruuv imprint and have left their indelible mark on The White Isle with their legendary parties. Indeed, their sound is a worthy addition to the Mannheim-based 8bit imprint; Jorge and Nick Curly, like Rial & Birkenshaw themselves, churn out proper tech house that is aimed squarely at the main room. The track in question is "Are We Here", that sees them deliver something a bit more restrained than usual. This is a smooth and euphoric slow burner that's perfect to build up to the bangers in your set, harnessing all that 'energy'. Speaking of which, that's the operative word throughout the B side cut "Higher" with its deep and bass-driven pulsation that's sure to get the sweat dripping from the walls.
Review: Mannheim's Sukhumvit returns after a little time out to focus on brother imprints such as NCSS and Yaji Project, with a release by Mancunian Josh Baker who's on duty for this orange beauty, delivering four fresh cuts for the dancefloor - no remix needed! Four strong cuts on "EP Y": from the ethereal hypnotism of A side cut "In Two Minds" followed by the tough rolling funk attack of "Barge Deluxe" and its subtle French touch (think Djebali!). On the flip, standout track "Laid Back Trax" with it bumpy and swing-fuelled groove hammers the message home in style. Tip!
Review: Having recently impressed with a deliciously off-kilter - and hugely impressive - debut album on Studio Barnhus (last year's must-check "Once Upon A Passion"), Stockholm's Bella Boo dons the alternative BB alias and offers up a cheeky, acid-laden future anthem. In its original A-side form, "Hey Ladies" sees the rising star top a sweaty, all-action house beat with dreamy chords, layered R&B/soul vocals, deliciously dirty bass and waves of angular, mind-altering acid lines. It's a brilliant combination of elements all told, with Boo's smart production and on-point arrangement making it a genuine peak-time banger for underground DJs. The accompanying vocal-free Dub Mix is superb, too, with the Swede replacing sampled R&B snippets with bubbly electronic motifs and even wilder acid lines.
As The Sun (feat John Arnold & James Simonson) (5:06)
Entardecer (feat John Arnold) (5:18)
Review: John Beltran is welcomed into the MotorCity Wine Recordings family with his sun-drenched and soulful debut entitled "Back To Bahia". Titled after his MCW residency of the same name, the release combines Deep House, Jazz, Boogie, and, of course, musica popular Brasileira flavors to welcome the sunshine into your life. Housed in the MotorCity Wine 7" company jacket.
Review: Late last year Italian artist and self-proclaimed "black belt ninja" Black Tongue debuted with a two-tracker that genuinely set our pulses racing. Here the man or woman of mystery returns with an even more expansive EP, which we can happily report is full to bursting with tasty treats. A-side workout "Three" offers a fine balance between jazz-funk-fired musicality, quietly impressive musicianship and infectious grooves that make the most of some deliciously loose-limbed drumming. The producer's love of classic house is explored on "Four", where the action revolves around snappy, Chicago house style machine drums, warehouse-ready stabs and an undulating keyboard bassline, while "Five" is a colourful take on jazz-funk/electrofunk fusion that reminded us of the combined output of Dego and Kaidi Tatham.
High Power (North Street RAVE instrumental) (5:45)
High Power (North Street FunKay vocal remix) (5:50)
High Power (North Street FunKay instrumental) (5:50)
Review: Hip house is always bubbling away in the background and has been since the 80s. F*CLR bust it back in the headlines with this fantastically strong, old school tinged effort from famous hip house pair Bon Voyage. The opening mix is stuffed with acid, big pianos and plenty of attitude riddled vocals, while the instrumental allows those manic keys to really shine. On the flip, things get more funky with a remix laden with synth goodness and prickly percussion, as well as one instrumental that comes with big horns taking things into a more happy and emotional place.
Review: Having recently revived his Utopia Project alias for a surprise new 12" on Running Back, legendary New York deep house producer Rheji Burrell returns to Gerd Janson's label with an EP credited to another one of his Nu Groove era pseudonyms, NY Housin' Authority. "Out Of Body Experience" boasts seven tracks, all of which explore similar sonic pastures to the project's classic, late '80s/early '90s material. That means tactile synthesizer basslines, ear-catching melodies, classic house synth sounds and drum machine beats rich in Burrell's usual infectious swing. Highlights include the breezy and life-affirming jazziness of "3rd Time", the bass-heavy, intergalactic thump of "5th Time" (a cut that would neatly fit into Bleep techno-influenced sets) and the summery warmth of "2nd Time".
Review: Since launching last year, Mexcian label Honne Music has so far offered up two multi-artist EPs packed with tidy tech-house and atmospheric minimal techno. The imprint's third outing explores similar sonic territory, showcasing tracks from a mixture of local and international artists. Old hand Lee Burton kicks things off via the intoxicating shuffle of "MAO" - all swirling sci-fi chords, minor key melodies and bubbly bass - before Niko Maxen delivers a fuzzier, slightly weirder take on intergalactic tech-house ("Homecoming"). Over on side B, Sarko emphasizes mind-mangling bass on the trippy tech-funk of "How Did I Get Here", while Moett C and Migueleto invite us to drift through deep space on the weightless, early morning warmth of EP highlight "Derriere".
… Read more
! low stock$10.64
Artikel 1 bis 50 von 423 auf Seite 1 von 9 anzeigen