New releases last eight weeks: House

Review: Archeo Recordings bring us some more Balearic Italian treasure here with some gold initially recorded in Bologna almost two decades ago. It's a collaboration between friends Bottin and Lucio Dalla that has never before been on vinyl. 'Lunedi Cinema' was an ident that played before Monday night movies on of one of the main Italian TV channels for many years. This electronic version includes the Martedi Mix from 2008, a Minibar Bonus Track and also a mix by pioneering Italian dream house dons Leo Mas & Fabrice with a Bottin dub sealing the deal. It's a superb package of real Italo music history.

Review: The blistering, one-of-a-kind West Coast disco-funk record 'U Need Me' by LA Propinquity surfaces as part of a new body of historic productions initially intended for compilation on a full-length LP. For reasons undisclosed, this never happened; instead, Italian sonic exhumers Cannonball Records have been afforded the privilege of reissuing these tracks across a series of 7"s themselves. Hardly and criminially under-recognised in their day, the L.A. Propinquity were nonetheless composed of the angelic city's finest, with drummer James Gadson forming a prominent part. A blast from the 1970s, 'U Need Me' is a beaming slice of unrequited longing, set to delicious funk tones that are as maximized as they are unstrained.

Review: Croatian producer and DJ Ilija Rudman, is among the leaders in Balearic style of deep house and downtempo and has released on a who's who of some of the strongest labels in the genre like Is It Balearic? Recordings, International Feel Recordings and NuNorthernSoul. For the Retrospective EP, Ilija steps up to produce a bit more dancefloor focused works for the Maze label. 'Foolish Way's has an 80s electro pop funky feel that we really appreciate while the Grem edit of 'Where Do We Go' is great late-night driving music. For the B-side, 'How Many Ways' is almost like a mix of German and Chicago house music. 'The Last Action Hero' is perhaps out favourite on here for being the deeper and more melodic cut of the bunch. A strong dance EP.

Review: Caravan Palace's Gangbusters Melody Club is a vibrant explosion of nu-jazz and broken beat energy. The French band showcases their trademark blend of vintage swing and modern electronic beats across all cuts as each one transports you to a lively and exhilarating musical realm. With infectious melodies, driving rhythms, and irresistible hooks, each track on the album is a rich aural feast that is sure to keep dance floors captivated from start to finish. Caravan Palace's sound is defined by its impeccable musicianship and inventive production, as well as it seamless ability to blend the old with the new to create music that is both timeless and cutting-edge.

Review: Desire shares Escape, their new album written and recorded in Los Angeles and Palm Springs, California. Inspired by the ultra-vivid world of 1970s giallo films, they wrote the soundtrack of their dreams using their favourite musical instruments: Minikorg, Jupiter 8, 909, Mellotron, Simmons Rhythm Modules, String Machine, a D-50 & Fender Rhodes. Though the set of inspirations are half a century old, the actual sound of this 13 track EBM, Italo and synthpop monster is decidedly contemporary, preferring wompy, sidechainer kick-carriers and basses abuzz, while huge gated impacts collide with steamier intakes of breath and glassy Italo elements. The ineffably laid-back quality of synthwave and pop blends well with the noirer, gothic components and are nicely joined together via the giallo theme.

Review: E. Live returns to Star Creature HQ with his third full-length release, 'Soft Approach,' and it's a jazz-funk-infused and boogie-powered blast-off. Following the success of 2020's Boogie For Life and Cloud Vibes from 2022, this new long player marks a triumphant evolution in his solo journey. With a nu-school disco flair and jazzier undertones, E. Live expertly balances accessibility and sophistication to make for a well-crafted trip overall. Drawing inspiration from musical luminaries like Roy Ayers and Patrice Rushen, these tunes promise to captivate fans of danceable rhythms and refined musicality alike. This release solidifies E. Live's reputation as a trailblazer in the contemporary Boogie scene and confirms he is destined for seismic waves in 2024.

Review: Deep house producer Shuya Okino shows his class once more on another tasteful outing, this time via the Extra Freedom/Village Again labels out of Japan. For this one he revisits his 2011 album Destiny which was made with help from the Japanese funk, boogie and jazz-funk outfit Root Soul and replays and remakes the tunes. The originals become more disco-leaning and horn lead jams here with Okino's warm, rubbery basslines, P-funk synths, loose live beats and cute keys. The result is an album that sounds like Earth, Wind & Fire making modern soul and it will improve your life no end.

Review: French label Wagram is a go-to when it comes to quality compilations that take a broad look at certain sounds and scenes, and this one is an on-going series that focuses on house sounds with an Afro undertone. The grooves are lively and often come with plenty of percussion. The drums hit hard but with funk, the vocals are Afro-centric and plenty of irresistible hits come thick and fast from the jazzy tribal swagger of 'Imbalaye' to the big steel drum party sounds of 'Viet Dao' (Klement Bonelli & Yann DL remix). Another great collection of colourful Afro house sounds.

Review: Gomma played a vital role in the popularisation of the indie-dance explosion that happened some 20 years ago now. Best known for being spearheaded by US indie outfit LDC Sound system, it combined dance, disco, wave, post-punk and more into a party-ready sound that found favour with both ravers and guitar heads. This second collection from the German label highlights the best of music they put out back then with names like In Flagranti, label co-founder Munk, Nancy Whang & Bonar Bradberry and many more all present and correct.