Review: Interesting things appear to be happening at base camp ClekClekBoom on the evidence of recent releases from Jean Nipon, Chaos In The CDB, and those Fred P and Chevel refixes of French Fries. The mutant brand of bass, techno, ghetto flavours and more that has characterised the Paris label seemed to have taken new shape on those records and continues here with this Various Cuts 12". French Fries teams up with NS DOS for the percussive burn of "8 Hours From Nation" which pulls from Chicago House and NYC ballroom but pushes in all new directions. From here CCB regular Aleqs NOTAL provides perhaps the deepest cut to appear on the label with "Mare Imb" whilst there are shades of Kassem Mosse in Jean Nipon's excellent "Cause Of Action". A label newcomer rounds out the 12" in style with Dutch producer Barbara Ford instigating a mesmerizing exploration of ocean deep acid in "Frostbite".
Review: Takashi Wada returns here with another slab of charming, off beat house music for his own WADA label that will appeal to anyone that hoovers up anything that hovers on the radar of the Sex Tags/Acido/SUED axis. Seemingly inspired by the occasional Tase project done in collaboration with SUED boss SVN, the inherent beauty of the two parts to Deep Sea Diver doesn't really transfer to 90 second soundclips. Side A's Part One for example dovetails into this amazing pattern of glistening keys and chords as the final third comes into view. Both productions are made all the more alluring by some off key drum programming that really grabs your ears.
Review: Baby Ford and Dazmos take the limelight on this first release on Nice 1. We Are Syd's original "Gently" is a mellow downtempo roller featuring choice vocals from Shea Seger, but it's the remixes here that get pride of place. Ford and Dazmos lock into an understated drum machine funk draped in hazy pads on the A side "Backroom Mix", while on the flip they push the club elements to the forefront. Riding the rhythm section with intent while still retaining the smoky spirit of the original, the pairing come up with an impeccable "Frontroom" club cut that should nestle comfortably into the bags of all deep digging house heads.
Review: Here's something to cheer fans of classic Chicagoan deep house: a surprise re-press of Boo Williams and Glenn Underground's much-lauded (and surprisingly hard to find) 1995 collaborative EP on Maad. The release has always been coveted by those in the know partly due to its' surprisingly eclectic nature. So, while there are classic, organ-laced, typically bumpy deep house jams (see "Motion Sickness", the vibraphone-laden "Cronic Groove" and deliciously bass-heavy, acid-flecked "Bee W G5"), the duo also used the opportunity to indulge their techno fantasies. The EP's final two tracks, "Lights Out" and "Stopen Niggaz", are both relentlessly tough, with ragged electronics and bombastic, fast-paced rhythms.